KLANK - Where the MOSH PIT meets the DANCE FLOOR
Bay Area Electro Metal

Everyone's Talking! - available now!
https://alltimelow.lnk.to/everyonestalking

http://www.takeharuishimoto.com
Musician / Composer

石元　丈晴　 Takeharu Ishimoto 

代表作
CRISIS CORE -FINAL FANTASY VII 
DISSIDIA FINAL FANTASYシリーズ
 FINAL FANTASY 零式 
すばらしきこのせかい(The World Ends With You）
KINGDOM HEARTS III

Hiiiiiiii! I'm Aliya. Thank you for listening and for all your kind words. It means the world to me! 

From the inception of the Birdmen of Alcatraz, to the pre-super stardom scribble jam battles against greats such as Eminem, to the decade long takeover of the Indianapolis Hip-Hop scene by The Mudkids, to the present day where the name Rusty Redenbacher can be heard on WTLC, seen on IMC TV, and deciphered in blog and viral posts felt around the world, the founding member of The Mudkids, Lazarus, a
nd Tornado Alley #ATFU brings you “The Tinkerer”.

In Rusty Redenbacher’s 2 decade plus run of the Indy music scene he has successfully captured the hearts of a progressive arts community on the verge of national super stardom. His multiple releases with rock collectives Birdmen of Alcatraz and Lazarus, hip-hop groups The Mudkids and Tornado Alley and more have shown the local, regional, and national music scene the extreme versatility and dexterity it takes to be embraced by not only his peers but music lovers of all shapes, sizes, and cross-genre backgrounds.

Whether it be the thousands of albums Rusty has sold as the head of The Mudkids, the fan admiration and communal support that constantly has voted him as Indy’s Top Artist, the large quantity of free music Rusty had given away to the masses while introducing his #ATFU movement or the vast experiences gained while performing alongside legends including the Wu-Tang Clan, The Roots, Dead Prez, Blackalicious, Atmosphere, and more, one thing that is for certain, legions of Hip-Hop, Rock, Funk, Reggae, and Dubstep fans alike are ready to embrace “The Tinkerer”.

While deeply rooted in the classic horror culture of yesteryear, “The Tinkerer”and its 18 tracks takes the listener on a journey through the laboratory of sound and spirit known as the Iron Man Monster Factory as front man Rusty Redenbacher aka The Tinkerer utilizes a unique blend of hip-hop turntabilism and intricate cross-genre instrumentation in creating the productions behind every track featured on the album. Front man Rusty Redenbacher provided in a recent interview, “I just wanted to make an album that I thought was interesting. I was free to do whatever I wanted and I did. I had a great time making 'The Tinkerer' and I look forward to seeing how people react to it. It's for science, man.”

Since his earliest self-produced CD-Rs, Philadelphia psych-pop master Kurt Vile has referred to himself as "Philly's Constant Hitmaker"—and while he gave himself that name with a sly wink, he was also nodding toward the songwriting prowess that would result in him becoming one of his home city's most celebrated rock artists. "I’m always thinking about catchy music, even though it’s fried, or sizzled, out," he says. "It's my own version of a classic thing—it's moving forward and backward at the same time." 
On his latest album, (watch my moves), Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions—and the result is a vibrant, yet meditative album propelled by Vile's laid-back charm and curious spirit. Every lyric has been chiseled down into an aphorism, every bloom of distorted guitar or murmuring synth helping create that "fried" pop. "It's about songwriting. It's about lyrics. It's about being the master of all domains in the music," he says of his ninth album and first in partnership with a major label, Verve Records.
(watch my moves) comes from a period when Vile, whose touring and recording schedule during the 2010s was seemingly constant, stayed in one place. His mind was always swirling, though, puzzling out pointillistic lyrics, dreaming up spit-shined choruses, and checking in on other dimensions. "My favorite pastime these days is sitting drinking coffee in the morning post-breakfast by the window, reading and listening to Sun Ra, sun shining through the forest trees," says Vile. "In that moment, it's all the traveling I'll ever need. This record encapsulates all that—letting two years roll by and staying in my zone, traveling all the while in my brain, at the piano or in my guitar."

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

Founded in Omaha, Nebraska in 1993, Saddle Creek is an independent record label known for championing groundbreaking and influential artists across genres. The label operates with staff in Omaha, Asheville, Los Angeles, and New York City.

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