Live For Today

Tilbake til audioliga mann jeg tar de
 Hvis noen blir såret jeg ekke ansvarlig
 bare lekte meg likevel kalte meg papi
 Du vet hvem jeg snakker om God damn så var det pån igjen D!EGO mot connien
 Bitch please, kom igjen Tar deg bakfra om morningen
 Du er en mor,jeg er en morrapuler 
Du er søppel du er matsmuler jeg rapper mens du mater fugler 
Ja jeg rapper mens du mater fugler,damn
 Lager ekte hiphop baby Det ser ut som du har gitt opp baby 
Pikk,jeg tror du fikk nok baby Sikkert alt for gammel for tiktok lady Potensialet?
 Hmmm maybee Du burde kalle deg for connien shady
 Smoker no weed og er wavey Smoker deg vekk som winehouse,amy 
Du Kunne vært dama til grinch Men han vikke ha deg bitch For tracksene dine er cringe
 Ingen sult ingen kicks Ingen triks kan redde deg og ingen God mix heller
 Det var sånn jeg skjønnte at du svidde vekk dine hjerneceller
 shiiii du har vel hatt dine problemer
 Jeg hustler og har det du trenger Pikken min i dine hender
 Så god at den gjør at du glemmer Så god at du bitter Tenner Musen din renner og renner
 Ekke vits å prøve seg fordi jeg er den eneste her som bestemmer
 Ærlig Connien hun er ferdihh Ærlig Hatere tar mække nær di Ærlig
 Connien vakke no særlig Ærlig Ærlig ærlig ærlig

D!EGO - Vs ConnieN

YGRAVITY By Dystopia

Late Night Terere (Original Mix) By John Noizz

Disquiet Challenge 455: A moment in the day of a Jellyfish.
Equipment used:
Qu-Bit Electronix Chord V1, Nebulae v2, Prism.
Random Source DUSG
2HP Mix
Endorphins Milky Way (Ping Pong Echo)
ALM HPO

Recorded in a single take to Ableton 10. Vallhalla Supermassive Reverb added plus EQ and Compression

Scanning An Ocean Of Sound (disquiet0455)

"Private journal of dreams" (2020)
for Ensemble and electronics

Ensemble Collettivo_21

Lorenzo di Marco – piccolo and flute
Lorenzo Moretto – saxophone
Daniele Nava – piano
Giulia Pastorino - electric guitar
Antonio Magnatta – percussions
Alessandro Mazzacane – cello
Luca Guidarini – electronics

Live recording: 9.10.2020, Volumnia, Ex Chiesa di S. Agostino, Piacenza, Italy

Private Journal Of Dreams

"Private journal of dreams"

December, 2010. Suss Müsik is walking the streets of Barcelona at night. It’s Christmastime, so the city is illuminated in celebration of the upcoming holiday. 

Suss Müsik notices a pattern in the decorations. One cobblestone street is lined with circular disks of white light; another has rainbow-colored rectangles hanging from the lampposts. The two streets meet at a public square just a few blocks from La Rambla. Suss Müsik determines this intersection to be the Chromogenic Nexus.

A man is photographing the holiday lights around the square. Suss Müsik watches the man from a distance as he stows his tripod and camera equipment and revs up his motorbike. Suss Müsik mentally assigns this gentleman the job title Keeper of the Chomogenic Nexus. It’s a big responsibility.

The Chromogenic Nexus is the metaphorical congruence that personifies this beautiful, fantastic city. It’s a place where new and old worlds mesh perfectly, where a tour of Casa Batlló concludes with a 3D hologram of Antoni Gaudí waving you goodbye. 

The Barcelona Sound Machine embraces this city’s Medieval origins, its Nouveau and Gothic architecture, its love of competitive sport, its cultural fluctuations, its nautical cuisine, its Catalonian nationalism.

It’s an audio landscape inspired by multiple generations of artists. If it were a gallery, it would display the surrealistic paintings of Joan Miró alongside prototypes built by Universitat Autònoma students, the two separated by 100 years and a mere 26 kilometers.

It’s a late-night ride on the FGC, where on the station wall a numeric display counts down incoming arrivals to within a microsecond of accuracy.

It’s the bronzed foam topping on a strong cup of coffee, enjoyed outside while gazing at a store mannequin that seems just a bit too realistic. Next door is a shop that sells nothing but scissors. 

To Suss Müsik, ultimately, the Barcelona Sound Machine is a glitchy, multilayered, counterpoint homage to the Keeper of the Chromogenic Nexus. Godspeed to the Keeper, he who balances our understanding of what has taken place and what yet may happen.

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Barna [Disquiet0466]

Beat Furrer - A Sei Voci

This is our contribution for the Disquiet Junto Project 0468: Mirror Rorrim. 

It's a duet version of the Kitchen Blues that was published before by Matthias here: https://youtu.be/eegHXNXH3ZU

More on this 468th weekly Disquiet Junto project, Mirror Rorrim (The Assignment: Create a new persona for yourself, and record a duet together), at:

https://disquiet.com/0468/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0468-mirror-rorrim/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Timothy Takemoto, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/36f8r

https://creativecommons.org/licenses/by-nc-sa/2.0/

seulB nehctiK (disquiet0468)

My entry to the Big Beat compo at Hogmanay.party (https://demozoo.org/parties/4196/).  Came 1st out of 7 entries.  :)

A Practical Guide to the Movement of the Body

SynthMaster is an ‘all-around’ semi-modular software synthesizer and effect plug-in that features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis. With its multi-synthesis oscillators, analog modelled/digital filters, flexible effects routing with 11 types of high quality effects and a massive modulation architecture with 95 separate modulation sources and 650+ modulation targets; SynthMaster is a ‘must-have’ for all synthesizer enthusiasts!

AWARDS AND RECOGNITIONS:

SynthMaster ranked #1 in MusicRadar's annual "Best VST/AU Synth In The World" poll: http://www.musicradar.com/news/tech/the-50-best-vst-au-plugin-synths-in-the-world-today-621799

SynthMaster received "Gold Award" in "Best Software Instrument" category from MusicTech Magazine.

SynthMaster was awarded "Best Software Instrument of 2012" by MusicRadar web site: http://www.musicradar.com/news/tech/the-best-music-tech-gear-of-2012-568175/11

SynthMaster received 10/10 and "Performance Award" from Computer Music magazine in their February 2012 review. Their verdict was: "If ever there was a desert island synth, SynthMaster is it, covering all sonic bases with authority and a superb tone"!

SynthMaster 2.8 is available for purchase as online download at KV331 Audio website. It's available in different variations:

1. 'Player FREE License (Free): 'Player FREE' version of SynthMaster only allows editing of easy parameters and effect bypass states of each presets. It comes with 350 factory presets

2. 'Player License ($29): 'Player' version of SynthMaster only allows editing of easy parameters and effect bypass states of each presets. It comes with 1250 factory presets.

3. 'Academic' License ($59) : Students can purchase SynthMaster 'Academic'. It only comes with the factory presets,  doesnt include any extra expansion presets.

4. 'Factory' License ($99) : The 'Factory' license only comes with the factory presets, doesnt include any extra expansion presets.

5. '1+2 Bundle' License ($129) : The '1+2 Bundle' license/bundle includes SynthMaster 2.8 and SynthMaster One.

6. 'Everything' License ($339) : The 'Everything' licence/bundle includes all released expansion presets (1400 currently).

A demo version of SynthMaster 2.6 is also available for download at KV331 Audio website. The demo version is identical to the standard version except 3 limitations:

1. Saving presets is disabled
2. Starts playing random notes after 10 minutes
3. Comes with 350 factory presets (demo users can check out the remaining factory presets from the online presets browser though)

YGRAVITY By Dystopia

kv331synthmaster