One Synth Challenge #96: Nabla

Snare - Nibble 96

Track created for One Synth Challange #96, using only the VSTi Nabla (Full Bucket) as the sound source.  FX processing using native DAW or free 3rd party VSt's.

DAW: Reaper 5.33

Track details:
26 * Nabla
24 * ReaEQ
11 * TAL Reverb II
 2* TAL Reverb 4
 1 * TAL Dub Delay
 2* Twin Delay
 4 * Pecheneg Tremolo
 1 * Classic Delay
 2 * Classic Compressor
 2 * Classic LImiter
11  * JS Midi Note Filter
  1 * JS Bass Manager/Booster
  3 * LFX-1310 (autopan)

Master:
TDR VOS SlickEQ
Ferric TDS
Limiter No. 6

DR: 12

Enjoy

DoctorBob - Hey Jay - (OSC#96 Nabla)

submission for the KVR One Synth Challenge 96: Nabla

Darksynth FX - Dreams of Peace

Made for KVR OSC 96
FL Studio 12.3
16 instances of Full Bucket Nabla
DAW FX's:
1x Soundgoodizer
5x Fruity Reeverb
1x Fruity Delay 2
1x Fruity Limiter
1x Fruity Parametric EQ 2
3x Maximus
3x Fruity Stereo Shaper
Other FX's:
3x Amplio 2

Deep Blue (Full Bucket Nabla)

Slapdash synthetic speculation seems skimpy - superior studies support sensible simulacra. Short, sweet, simple, sustained - should showgoers scrutinize such skills? Surely: serious, somber, silly, spanning sundry sensibilities, switching sensations systematically, suggesting solidly serviceable songs - savor sans sin!

Synthprovisation #2

KVR OSC Nabla Contest

Title: Cuss

Synth: Nabla (x22)

DAW: Reaper v5.0rc14b x64

All factory presets tweaked
Thanks to rghvdberg for giving a starting point for the percussion creation.

Plugins:
ReaComp
ReaXcomp
ReaEQ
JS: Waveshaping Distortion
JS: Bass Manager/Booster
JS: Transient Controller
T-Racks Opto Compressor
T-Racks CS Metering 
Audiocation Compressor
PushTec
MEqualizer
MAutopan
MbandPass
MLimiter
Bitter Sweet
GGain
A1Stereo Control
CamelCrusher
TAL Dub-Delay
Twin Delay
WU Reverb
KarmaFX Reverb
Variety Of Sound TesslaSE
Terry West CS12m

Thanks!

Bblunt Music - Cuss (OSC Nabla Contest)

Strange - I just can't do four on the floor. Here's what is left of my attempt ;-)

22 x Nabla in Ableton Live 9

All FX are Live native:
Reverb (chorus+spin disabled)
Compressor
EQ Eight
Saturator (limiter purposes)
Limiter
Ping Pong Delay
Utility

MIDI and other devices:
Pitch
Chord
Arpeggiator
Drum Rack
Instrument Rack

(No pitchbend for drums)

Oh Sweet! (One Synth Challenge #96 Nabla by Full Bucket - 6th place)

osc96 contribution
reaper daw
14 instances of nabla
readelay
reacomp
tesslaSE
densitymkIII
epicverb
ambience
baxterEQ
nova67p

D34dmeat - Retorical Osc 96

psmacmur - Carbon Dioxide (Nabla)
My entry for KVR One Synth Challenge #96: Nabla

Back to my '90s melodic techno comfort zone.  Special thanks to Full Bucket for giving Nabla to the world; bjporter for agreeing to Nabla for this OSC, and to rghvdberg & everyone else who shared tips on DAW automation kicks over the last couple of months.  Not as much more time-consuming than conventional kick patches as I'd feared.

Made in Studio One 3.3.1 x64

28 Nabla instances in the project.  Each one of them is great.  Tiny CPU hit, but great sound.

DAW FX:
Multi Instrument x4
Compressor x5
ProEQ x25
Room Reverb x1
Spectrum Meter x1
VU Meter x1

Free FX:
A1StereoControl-x64 x3
Freeverb3 Hibiki x1
Freeverb3 NVerb x1
Limiter6 x3
MJUC Jr x1
Molot03 x3
OTT x3 
Roth-AIR x4
Sanford Reverb x1
Saturation Knob x5
TAL Reverb x1
Tonecarver Delay8 x1
Transient x3
TSE R47 x1
Voxengo Stereo Touch x6
Voxengo Tube Amp x6
WG Doffset x6

DR8

Carbon Dioxide (Nabla)

For KVR-OSC 96 - Nabla by Full Bucket

43 instances of Nabla in Reaper v5.33

Dynamics: GClip, ReaComp, ReaXComp, Bittersweet II, FerricDTS, TDR Feedback Compressor, TDR Nova
Filter: ReaEQ, MQ57
Delays: Ixox Delay
Reverb: TALRev4, TALRevIII, Sanford REverb
Satturation: QX24, Boogex
Stereo: GStereo, MidSideMangler
Analyzer: Span, TT Dynamic Range Meter

Dynamik Range according TT Dynamic Range Meter: DR=11

Photonic - Footsteps

KVR One synth Challenge track

https://sites.google.com/site/kvrosc/osc-96-nabla

demos

NABLISM

This one did not turn out as I wanted.  Probably not the correct synth for this song experiment.  I really like Nabla, don't get me wrong.  But after about day 15 of work I discovered that I really wished I had gone in a much different direction that played more into the strengths of the synth instead of trying to bend the synth into "this".  Looking back I think a slower more orchestral piece would have worked out better.  But, by that time I felt it would be impossible to start fresh and finish anything by the deadline.
What I set out to do was mirror the overall structure of my last track but try to shrink it into a smaller package.  Perhaps the themes cannot be developed in such a short time frame that works for the listener.  Not staying long enough on one "mood" for the listener to really feel the transition to the next so overall it just smears together and sounds too alike.  I also wanted to avoid "peaking" too early in the song like last time.  I find it difficult to build up to maximum twice in one song.  I don't know, hopefully comments will tell.
I have a feeling that I created a sonic tunnel again.  The bigger I try to make a sound it seems the more constricted the sound space becomes.  While personally I like how the sound space kind of pushes and pulls I can see where most listeners will find it uncomfortable and not pleasant.  In order to create a feeling or release I tried to instill a feeling of tension/pressure in the sound space.  I can see where some might  find the tension too annoying, perhaps I pushed it too far.  Again, hopefully comments will tell.
Reverb, I doubt I got it correct this time.  I just can't seem to find one that I gel well with.  Hopefully there will suggestions as to how to improve my reverb usages as well.
Anyway, thanks for listening (and reading my ramble).
Any and all comments to help me improve are welcome.

Frostline-NP3-OSC#96

One Synth Challenge #96: Nabla
https://sites.google.com/site/kvrosc/osc-96-nabla

DAW: Ableton Live 9
20 instances of Nabla

Used Plugins

DAW:
EQ Eight, Saturator, Limiter, Simple Delay, Ping Pong, Compressor, Auto Filter, Auto Pan, Overdrive, Multiband Dynamics,
Dynamic Tube, Utility, Amp, Glue Compressor, Reverb, Midi Pitch, Midi Arpeggiator,

3rd Party:
Limiter 6, La Petite Excite

Robert

BobFish - Six ( OSC #96 -- Nabla )

Created For February 2017 Edition of KVR One Synth Challenge.

Synth Of The Month Is: "Nabla" by Full Bucket Music

Thank you for listening. 

Hope you enjoy the lurid music

Dee.P.Tree - Lurid (KVR One Synth Challenge Version)

Made for OSC96 :

"Song For Otis (Elevator Music)".

Made In FLStudio.

I used : 16 x Nabla

Track FX :
2 x DCAMFreeComp
1 x TAL Filter 2 Plugin
1 x HY-Delay2(free)
1 x Fruity Reeverb 2.

Automation : No.

Master FX :
1 x OTT
1 x TDR Vos SlickEQ
1 x Fruity Limiter.

Official DR value: DR9.

Enjoy.

OSC 96

Yeager - Song For Otis (Elevator Music)

the meaning of this album is the meaning of this album is

blind. miserable.

OSC#96: Nabla

 7 instances of Nabla all presets from scratch.
Made in EnergyXT with its EQ per track.

FXs : LoudMax - Reverbering.

Liqih_Suspense_Variety

OSC#96: FULL BUCKET's NABLA

Instances: 42
DAW:MuLab (www.mutools.com)
FX:delay_cross, Parameteric EQ, 2 Band EQ, 4 Band EQ, tight room, level compressor, Ping Pong Beat, Vintage Echo 2, TF lowpass...

3rd party: OTT, Slick HDR, LoudMax, Auburn Sounds Panagment, space360, Sanford Reverb, Boogex, OldSkoolVerb, WG Doffset, Abstract Chamber and almost forgot AXP Flextron

Taron-Thopan Phootefear [NABLA]

Composed for the One Synth Challenge 96 using multiple instances of Nabla synthesizer.

Floating Strings

Please excuse the horrible mix! 

Entry for OSC #96 Nabla by Full Bucket
All sounds made from scratch.

DAW: Reaper 5.32

32 x Nabla

ReaEQ
ReaComp

Boot EQ mk II
TAL Reverb II
TAL Reverb III
TAL-DUB-II
TAL Filter 2
La Petite Excite
Camel Crusher
Classic Master Limiter
Ferric TDS
TDR Kotelnikov
OTT
Voxengo SPAN


Mastering:
ReaEQ / TDR Kotelnikov / Classic Master Limiter

DR: 12

Photo by Alexandre Chambon / unsplash

eraze the borders - nablA .rD

Join the challenge by going here: https://shorturl.at/bhBFQ