LYRICS - BROKEN HEART 💔

INSTRUMENTAL 🎶

VERSE 1 💔
When did our love start to fall apart 
Was it cuz of a change of heart?
Cuz lately baby you’ve been on guard
At least you have been from the start 
When did our love fade away 
When did it start too stray 
Cuz no matter what there has to be a way 
There has to be a way for you too stay 

PRE-CHORUS  💔
An when it was all said & done
I wasn’t the one too run & hide 
I wasn’t the one that always lied 
At least I can say that I tried 

An when it was all said & done 
I wasn’t the one to lose my pride 
I wasn’t the one that always denied 
All of these feelings from coming alive

CHORUS 💔
So why can’t I get my head around this 
It’s taking me forever to just get on by 
An I know in the end your the one I’ll miss 
Your the one who gave me the strength to try 

Now that your gone I don’t know what to do
I can’t imagine my life without you 
Now all I am left with is a broken heart 
I should’ve saw the signs from the start
From the very start from the very start 

INSTRUMENTAL 🎶

VERSE 2  💔
When did our love start to go dark 
When did we lose that magical spark 
Cuz lately baby it has been so hard
At least it has been from the start 
When did our love start to change 
When did you notice something strange 
Cuz were slowly falling out of range 
We’ve lost all control time to disengage  

PRE-CHORUS  💔
An when it was all said & done
I wasn’t the one too run & hide 
I wasn’t the one that always lied 
At least I can say that I tried 

An when it was all said & done 
I wasn’t the one to lose my pride 
I wasn’t the one that always denied 
All of these feelings from coming alive

CHORUS 💔
So why can’t I get my head around this 
It’s taking me forever to just get on by 
An I know in the end your the one I’ll miss 
Your the one who gave me the strength to try 

Now that your gone I don’t know what to do
I can’t imagine my life without you 
Now all I am left with is a broken heart 
I should’ve saw the signs from the start
From the very start from the very start 

INSTRUMENTAL 🎶

BRIDGE  💔
If I could do it all again I would do it all over
Id make sure to hold you tight ever so closer 
If I could do it all again I would do it all over
Id make sure to kiss you soft even real slower
Cuz losin you was the worst pain Ive ever felt 
You really dont know how much damage youve dealt 

CHORUS  💔
So why can’t I get my head around this 
It’s taking me forever to just get on by 
An I know in the end your the one I’ll miss 
Your the one who gave me the strength to try 

Now that your gone I don’t know what to do
I can’t imagine my life without you 
Now all I am left with is a broken heart 
I should’ve saw the signs from the start
From the very start from the very start 


BROK3N H3ART 💔 ACOUSTIC
WRITTEN & PRODUCED BY: © KYLE BLEASE

Broken Heart

We are two musicians from the south of Germany.
Kurt Seßler ist the songwriter and singer. Werner Zeeb - as a multiinstrumentalist - plays all the instruments and is the producer.

We have been working together since 2021 and released our first album "Märchen" (12 songs) in March 2022. 
In 2023 we released two singles:  "Wenn" (March 2023) and "N.N." (October 2023).
On April 5th, 2024 our first single with English lyrics “If No One” was released - a Pop/Rock-ballad.
On June7th, 2024 we released another single in English: "If You Believe Me", a progressive rock track. For the first time, there is also a music video.

Our latest release is the single "Superstar" (November 8th, 2024). An unplugged Contemporary Folk song, played only with acoustic instruments.

Our genre is Rock and Pop with influences from other music styles.

NEW ALBUM -- BEST OF ELTON COSTELLO 



-- PHILADELPHIA CITY PAPER -- "Best Underexposed Potential Pop Star"
-- #1 - INDIE CHARTS 2022

DISCOGRAPHY - 

(1997) - Silent Too Long -  Steve Cohen
(2000) - Crazy - Steve Cohen
(2006) - American Troubadour  - Elton Costello 
(2006) - Hiptronic Funkadelphia - Elton Costello 
(2006) - Electronic Phonics - Elton Costello  
(2010) - Back in Philadelphia - Elton Costello  
(2012) - Livin’ in the USA - Elton Costello Band feat. Steve Cohen
(2013) - Summer Jams - Steven Sean Cohen + Elton Costello Band
(2014) - Springsteen (Single) - Steven Sean Cohen
(2014) - Bradford County (Single) - Steven Sean Cohen
(2014) - Colorado (Single) Steven Sean Cohen
(2019) - Find Your Way Home (Hidden Tracks) - Exit Jones 
(2020) - Radio Philadelphia - Elton Costello

Steve Cohen’s first album was released back in 1997 to critical acclaim from Billboard Magazine, Philadelphia City Paper & The American Society of Musician’s Composer’s & Publishers. The Philadelphia native has since released 10 albums and multiple singles featuring his original songs recorded under his birth name and his alter ego Elton Costello. The music embraces various genres including Singer/Songwriter on “Silent Too Long”: & Rock on “Crazy” where you’ll find a full band with a horn section mastered by Grammy Award winner Glenn Barratt.

A simple Americana influenced Piano/Voice demo written around the time of the 911 attacks named “American Troubadour” found itself embraced by Pandora Radio and played 1,000’s of times (a respectable feat for an album recorded with one mic on a piano).

Steven Sean Cohen released “Summer Jams” in 2013 with a music video by Victor Mignatti for the song “Thinkin’ Bout Leavin’. The album was followed up in 2014 with 4 singles including “Springsteen” a tribute to the artist, “Bradford Country” focusing on the environmental hazards of fracking and “Colorado” in memory of those who continue die to to the mass shooting epidemic.

JOHN HARDMAN - singer, songwriter, guitars, keys, producer 
YOU TUBE MUSIC - https://music.youtube.com/watch?v=xgOiS8QNa9Q&list=PL-PCsZnU8IF-6X-WgdydjtsjA6cOTWjl1
LINKTREE: linktr.ee/john.hardman
WEBSITE: https://johnhardmanmusic.com
https://app.viberate.com/artist/john-hardman
APPLE MUSIC - NEW PERSPECTION ALBUM:
Buy single songs or whole of John's albums in lossless at https://beatsworkingukjohnhardman.bandcamp.com
John Hardman Cooked Oxide album - buy individual or full album lossless: 
https://johnhardman.bandcamp.com/album/john-hardman-cooked-oxide
https://music.apple.com/us/album/perspection/1599817271
TWITTER: BEATS WORKING:  twitter.com/beatsworkinguk

email: mail@johnhardmanmusic.co.uk
swampprods@outlook.com

Hi! I am Igor, a lefthanded guitarist from Serbia. I play and compose vintage art rock, melodic rock guitar instrumental music with high emotional depth and strong uplifting power, often ballad and sometimes virtuoso.
Hire me on airgigs.com:
https://www.airgigs.com/user/IgorLisul
Here on soundcloud I am also opened for collaboration. I'll supply you with keen and highly emotional melody, or some faster rock soloing in my vintage style, for a suitable fee, we can make a deal about the pricing, no worries.

High school music teacher / hobby musician & producer.  I have a lot of fun creating rock/metal, and other genres just using software/sampled instruments.

socials⬇️
https://linktr.ee/jaimes.fardell
E.S.T 2018. 
Independent. 💯
now available on all platforms.
Inspired by lil skies heavily.
21 year old UofR student.
genres: rap, pop, rnb, and even prod sometimes. 
Booking⬇️
jaimesfardellbro@gmail.com
(639)382-2618

instagram: allenkirko
new music every month
snapchat: trapgoosie
KILLERLOUDPACK

Instrumental/ambient metal music from Spain.
All instruments play by José García.
Don´t forget follow me on other social networks, to be aware news and support this project.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

💫 Never Stop Reaching For The Stars ✨

Broken Heart

ꓘB