Firefight Of Love  ❤️‍🔥

Written & Produced By: Kyle Blease

INSTRUMENTAL 🎶

VERSE 1 (0:09) ❤️
I hope one day you will take back 
Soundtrack of all your words 
Cuz deep down inside you somewhere
I know that it still hurts 
I hope one day you will take back
Backtrack all of your worth
Cuz deep down inside you somewhere
There’s a fire that still burns 

PRE-CHORUS (0:28) 🔥
An as these flames are burning brighter
As my lungs are getting tighter
Yeah I can tell that you’re a fighter 
Been living your life for hire 
An as these flames are burning wilder
As my fevers getting higher 
Yeah I can tell that you’re a survivor 
Been stripped down too the wire 

CHORUS (0:48) ❤️‍🔥
Oh why is our love a firefight
This heat is just too hard to bear
Oh why is our love a firefight 
No one ever said it would be this fair
An every which way the winds blow
The fire in our hearts will always glow 
So hold on tight and never let go 
Yeah hold on tight and never let go 

INSTRUMENTAL 🎶

VERSE 2 (1:16) ❤️
I hope one day you will take back 
Playback our favorite song
Cuz deep down inside you somewhere
You know we both belong 
I hope one day you will take back 
Gain back strength to be strong 
Cuz deep down inside you somewhere 
You know I’m not wrong 

PRE-CHORUS (1:36)🔥
An as these flames are burning brighter
As my lungs are getting tighter
Yeah I can tell that you’re a fighter 
Been living your life for hire 
An as these flames are burning wilder
As my fevers getting higher 
Yeah I can tell that you’re a survivor 
Been stripped down too the wire 

CHORUS (1:55) ❤️‍🔥
Oh why is our love a firefight
This heat is just too hard to bear
Oh why is our love a firefight 
No one ever said it would be this fair
An every which way the winds blow
The fire in our hearts will always glow 
So hold on tight and never let go 
Yeah hold on tight and never let go 

INSTRUMENTAL 🎶

BRIDGE (2:23) ❤️‍🔥
So take my hand & come with me 
Cuz we’ve got this whole world to see 
We’ll fight through the fire & flames 
As long our as love still remains 
So take my hand & come with me 
Cuz we’ve got this whole world to see 
We’ll fight through the fire & flames 
As long our as love still remains 

PRE-CHORUS (2:43) 🔥
An as these flames are burning brighter
As my lungs are getting tighter
Yeah I can tell that you’re a fighter 
Been living your life for hire 
An as these flames are burning wider
As my fevers getting higher 
Yeah I can tell that you’re a survivor 
Been stripped down too the wire 
 
CHORUS (3:02) ❤️‍🔥
Oh why is our love a firefight
This heat is just too hard to bear
Oh why is our love a firefight 
No one ever said it would be this fair
An every which way the winds blow
The fire in our hearts will always glow 
So hold on tight and never let go 
Yeah hold on tight and never let go 

INSTRUMENTAL 🎶

FIREFIGHT OF LOVE ❤️‍🔥

Firefight Of Love

Primeval!!! An unaccompanied alternative rock/ hip-hop artist from northern Illinois
Est. 2023

"A normal life is boring." - Eminem

225 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

Hi! I am Igor, a lefthanded guitarist from Serbia. I play and compose vintage art rock, melodic rock guitar instrumental music with high emotional depth and strong uplifting power, often ballad and sometimes virtuoso.
Hire me on airgigs.com:
https://www.airgigs.com/user/IgorLisul
Here on soundcloud I am also opened for collaboration. I'll supply you with keen and highly emotional melody, or some faster rock soloing in my vintage style, for a suitable fee, we can make a deal about the pricing, no worries.

my bedroom moods.  check me out on Spotify too!!! Got my latest tape on there just released October 1st, 2022.  cheers!

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

LATEST INSTAGRAM PROMO VIDEOS
JOYBOT
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/
I WANNA FEEL BRAND NEW
https://www.instagram.com/p/DGpTqlWtuPr/
ROBOT DREAMS
https://www.instagram.com/p/DGOn3-IMzzl/
BROKEN GENERATION
https://www.instagram.com/p/DF_cUIDsPnW/
MOTORPSYCHO
https://www.instagram.com/p/DFj1tULRjjI/
WIDE AWAKE
https://www.instagram.com/p/DFRMsQqMK50/
BOTOX BABIES
www.instagram.com/p/DFHN_rItT0a/
ROCK'N ROLL STAR (2nd)
https://www.instagram.com/p/DFDGvGENUie/
SHINING
https://www.instagram.com/p/DFDGFuwxuB9/
FAST LIFE
https://www.instagram.com/p/DEnHX7RsKgy/
QUEST FOR PEACE
https://www.instagram.com/p/DDyEPGTsqT-/
TURN AROUND
https://www.instagram.com/p/DCFNWa7t1Ve/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/DA9ES3ZtTWT/
LOVE'S THE LAW
https://www.instagram.com/p/DAhE0DLOMq-/
SKINNY JEANS
https://www.instagram.com/p/DAeOLnIu6bx/
WAR DOG
https://www.instagram.com/p/DAc2xbFMJ8_/
https://www.instagram.com/p/C_80BNQs7wh/
https://www.instagram.com/p/C_4NfF0Rdwh/
I AM A PUNK
https://www.instagram.com/p/C_mTDqvNwTF/
GLOAMING
https://www.instagram.com/p/C_l8esMsElC/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/C-EjErMuerv/
CYBERNETIC LAMA
https://www.instagram.com/p/C9-5-2dO85a/
CRASH'N BURN
www.instagram.com/p/C9-43u3NvVT/

CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

ig:              @gvccigothbby

BLVCKDRVGXNKLVN

https://www.youtube.com/@user-xg2xy6cj8g https://musi —-https://music.apple.com/us/album/tag-team-feat-young-team-461/1573806137?i=1573806139 www.tiktok.com/@dariusbarnett2

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

💫 Never Stop Reaching For The Stars ✨

Firefight Of Love

ꓘB