Name: All Things End - ADASTRA Con Sord Strings Demo by Kyle J Hartman
Duration: 2 min 10 s
Description: testing out the new ADASTRA Ensemble Strings in the Soundpaint engine. Main patches used are the Con Sordinos and Hybrid Spiccatos. no EQ or extra processing, just a bit of reverb.

Excellemt demonstration of this sample set that honestly deserves more love than it has so for received. Love your piece.

I have Ad Astra and while it is a different beast than most- if you use it intelligently it holds up against  the “Big Boys”- also can be a perfect zimmerizing layer to make other strings DEEEP

Offical demo for the latest sample library from Musical Sampling : Gabrielle Flute. 
More infos about the library : https://musicalsampling.com/gabrielle-flute/

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Delicata: TV, Film, & Drama Toolkit available at astssounds.com/shop/p/delicata

Not So Delicate - Peter Tomlinson

Capstone project composed in fulfillment of a Master of Music in Film Composition at the Pacific Northwest Film Scoring Program

Epilogue (Fantasy/Orchestral)

testing out the new ADASTRA Ensemble Strings in the Soundpaint engine. Main patches used are the Con Sordinos and Hybrid Spiccatos. no EQ or extra processing, just a bit of reverb.

All Things End - ADASTRA Con Sord Strings Demo

Music written with Bars - a sample library from www.triumphaudio.com

Bars - The Sacred Flower - Full - Kyle J Hartman

Bars - The Sacred Flower - BARS ONLY - Kyle J Hartman

testing my orchestral setup for the new year :)

Ant-Man & The Wasp - Prologue MIDI Mockup

My breath hitched in the thin, mountain air, a plume of white swallowed by the swirling purple-black maw before me. It pulsated with an unsettling rhythm, a ominous heartbeat against the backdrop of a silent, snow-capped world. The portal wasn't a smooth, glassy surface – it shimmered, the edges rippling like a disturbed pond reflecting a storm. Beyond, an absolute blackness stared back, a void devoid of even the faintest starlight. Every survival instinct screamed at me to turn back, to find another way. But the weight of what awaited back at the colony, the faces of those who trusted me, pressed down heavier than the mountain peaks themselves.  Gripping the controls of the exosuit tighter, knuckles white against the metal, I felt a primal fear course through me.  This was it. The abyss called, and I, with a heart as dark as the void itself, had to answer.

Into The Void

Excerpts from the soundtrack album for Halo Reach, composed and produced by Marty O'Donnell, Michael Salvatori and Stan LePard, 2010.

Halo Reach: Few More Days

Composer & Orchestrator for Film, Television, and Games

See more of Kyle's work here:
https://linktr.ee/kylejhartman

All Things End - ADASTRA Con Sord Strings Demo

Kyle J Hartman

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Drew Beckett

Drew Beckett

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