喜欢用音乐，记录心情。
I'm just like to sing.

Licensing: 
https://www.musicbed.com/artists/alaskan-tapes/43333

Contact: Brady.Kendall@live.com

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

i am not just a music composer, thereminist, cyclist but also improviser, noise maker and artistic director of TOCCATA studio



NG CHOR GUAN (Composer + Sound Designer) Born in Klang, Malaysia. His passion for music during adolescent years propels him towards this fascinating arena. Chor Guan started his career as professional music composer during his years in London. His diverse professional credits include music for concert, film, theater, dance (incl. dance video), exhibition and multimedia. His music has been performed in a wide variety of mediums including orchestral, choral, chamber, and electronic music. His work demonstrates an excellent integration of the classical and the contemporary. Upon returning to Malaysia in 2006, he collaborated actively with theatrical artists and choreographers diversify his works into a new era. To name a few, theatre productions include Antigone, Okiku- A Tragedy Retold, The Lost and The Ecliptic and Break-ing. Dance collaborations include The Curse of The Forbidden Palace, Whispers of Love, She Walks in Beauty Like the Night, The ‘R’ Adventurous Drift, Toilet, Nobat, Peony Dream and Ballet Nutcracker. With all his hard to show for, it wasn’t a surprise that he was nominated for 2008 Cameronian Arts Awards Most Promising Artist. Early 2009, his music for short films has been premiered in the renowned Rotterdam Film Festival in Holland and one of the short film "Everyday Everyday" has been awarded grand prizes in Clermont-Ferrand Short Film Festival in France and Artfilm fest in Slovak Republic. One Future in 15malaysia is his latest music score and sound design in film. Today, Chor Guan is proud to be invited to compose for multimedia dance - A Deer of Nine Colour in Silk Road Hong Kong Arts Festival 2009. To add to his list of accomplishment, he has also produced 11 CD albums of his own.


New England Conservatory educates and trains musicians of all ages from around the world, drawing on the talent and deep reservoir of experience of our distinguished faculty. We are dedicated to inculcating the highest standards of excellence and nurturing individual artistic sensibility and creative growth. Understanding that music is one of the transcendent expressions of human civilization, NEC aspires to ensure it a central place in contemporary society. Additionally, we present over 1,000 free concerts a year in our world class performance spaces which include historic Jordan Hall.

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