KITTY and The QUALIA

Aujourd'hui il fait chaud sur la plage du camping. Trop chaud pour les esprits apaisés.

Une réalisation sonore de Laurine Attali effectuée lors du stage          « field recording et arts sonores », sous la direction de Gilles Aubry du 17 au 21 juillet 2022 à Dinard.

Par une chaude journée d'été

www.landschafftsound.org
Stanley und Florian über Field Recording, elektronische Musik und neue Erkenntnisse.

Picture and production by: Konrad Behr https://konrad-behr.de/

LAND.SCHAFFT.SOUND. - Folge 6 - Stanley & Florian

www.landschafftsound.org
Patrick über seine Arbeit als Feldbiologe, sein Herangehen, seine Eindrücke und Ansichten zum Thema Umweltschutz und worauf es beim Field Recording ankommt.

Picture and production by: Konrad Behr https://konrad-behr.de/

LAND.SCHFFT.SOUND. - Folge 7 - Patrick

www.landschafftsound.org
Lena, Grit & Mirijam erzählen von Landschaft, Hörerlebnissen, Jagen und Sammeln und ihren Erfahrungen aus unserem zweiten Workshopwochenende.

Picture and production by: Konrad Behr https://konrad-behr.de/

Land.Schafft.Sound. - Folge 8 - Lena & Grit & Mirijam

www.landschafftsound.org
In Folge 5 sprechen Judith und Tillmann über ihre Ursprünge, den Dawn Chorus, den Vergleich zwischen visueller und auditiver Wirkung und Ihren Erlebnissen beim Workshop.

Picture and production by: Konrad Behr https://konrad-behr.de

LAND.SCHAFFT.SOUND. - Folge 5 - Judith & Tillmann

LISTEN WITH HEADPHONES!!!
SUPPORT the artist: paypal.me/LaPesch or http://lapesch.bandcamp.com/album/concrete

A binaural recording of the path from underwater caves to the shore, over a dusty hill inhabited by goats through a rusty gate passing a camp site, a bridge over a river, a crowded restaurant... all in search for something cold. The soundscape draws on the simultaneity of natural and human made sounds – under water as well as on land. It pays attention to the influences of tourism on the environment. During the season packs of tourists pass through. A world of sounds between calm, dry nature, boat engines in the distance and hiking tourists who swash through once a day and then disappear on the last ferry of the day.

full album: http://lapesch.bandcamp.com/album/concrete

Recorded in Aghia Roumeli, a scenic village at the end of Samaria Gorge on Crete in Greece in August 2019 by Carina Pesch.

From Cave to City – a binaural path

the primitive character of the voices and double bass enhanced by the electronic frequencies in a inspiring cluster of intensity and energy; and whne the energy was spent, the piece was finished.
Voice: Diana Miron
Double Bass: Laurentiu Cotac

all the ME pass before you

Originally soundtrack for a photo exhibition by Pablo Castilla, after the years a darker version for the dance performance 'Hands do not touch your precious Me' by Ultima Vez

O.W.L.

La Pesch does radio, acoustic narratives, sound and voice art.
She chooses a subjective approach, sets in scene encounters and creates contact points in dialogue. She relies on techniques of collage and a structure that reflects the core message. Her focus are boundaries, transcending and blurring them, the confrontation and meeting of different horizons of experience in a given environment.

From Cave to City – a binaural path

La Pesch

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