Joseph Caserta (known as Caserta) is a Mix Engineer, Producer and DJ based out of LA. He's the man behind the labels Bridge Boots and 7God Hour7 

If You Know You Know

Djeeing since 1976 I'm a huge fan of black soul Music, i consider myself as a Selector a Connoisseur not as Deejay ! Even if i spent 20 years behind the decks.

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Pur produit du Disco/funk, biologiquement modifié pour mixer de la House et de l'Électro Pop. Spécialisé en sets Deep House, j'ai mixé comme résident au PUB 78 à Saint Germain en Laye (78).

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If there’s anyone who prompts the question “When does he find time to make that?” it’s serial editor and remixer Pete Le Freq. For more than 20 years he’s been reworking disco and funk classics as label boss of Alpaca Edits and Llama Farm Recordings, updating originals with a distinctive dance‑floor edge. His prolific remixes have been played by DJs worldwide — he’s a regular at Beatherder, made his Ring stage debut this summer alongside Utah Saints and Jaegerossa, and is a Mastermix remixer alongside Ben Liebrand, Sgt Slick and DJ S. He’s shared decks with Young Pulse, Michael Gray, Craig Charles, Dr Packer and Jo Whiley, and already has dates booked for 2026. 

Simply put:  he makes what he loves in the headphones come out the big speakers.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DJ/Producer
1/2 of @solid-sliders

Label:  DiscoDat Records

Dj bookings/Contact:  bookings.discotech@gmail.com

If you want to buy all my edits send me a text.

For the last 12 years, the way that Detroit-based DJ Pontchartrain has approached music, is centered around two things - learning and sharing. The result has been an interesting change up from the status quo of what comes out of the motor city. Heavily funk-infused and sample-laden original productions, edits and reworks that border on brand new versions of the track, and sets that string together a wide array of sounds that all center around the idea that dancing and feeling music are the main goals.
 
What started off as a project for edits and DJ tools has turned into a rediscovery of the roots of dance music. This shift in the last few years has pushed him into the new opportunities with some of the greatest labels in disco and house realm, and interesting achievements across the globe.
 
Currently he serves as A&R for one of the most prominent edits labels in the world, Whiskey Disco, and for the house subsidiary, Lovedancing. In addition to curating these two outlets and putting out his own records on them as well, in the past few years alone he has released on over a dozen labels, including Kolour LTD, Rocksteady Disco, Delusions of Grandeur, Toy-Tonics, Soul-Clap Records, Masterworks Music and more. Output has been nothing short of consistent, hitting #1 chart positions on sites such as Juno, several times.
 
Wen it comes to performances Pontchartrain believes in the overarching goal of making people dance, and think in equal parts. From the time he brought the Detroit Children’s Choir on stage with him at Movement Festival to sing along, to the bold invocations of poetry and messages of love, the dancefloor is a temple when he’s on deck. A place to worship each other and the feeling of letting loose. Whatever sounds get you there; genre is second to the emotion.
 
Like many of the great Detroit artists he looks up to, there’s a humble blue collar aspect to his background as well. Pontch still works as a social worker directly with drug addicts getting back on their feet right here in the motor city. He volunteers with groups such as Give A Beat, LRNG, Girls Rock Detroit, local public libraries, and is now a volunteer and teacher at Spin Inc music production school. Music is truly a way of life, part of the greater idea of lifting each other up. His actions, sounds, and personality encompass this idea.
 
For booking inquiries, e-mail:
dustin@pontchartrain.us
 
Listen: SoundCloud.com/pontchartrain
Like: Facebook.com/pontchartrainmusic

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