sounds great to me, i dont understand otonal and utonal ist that like odd vs even ?

All electronic material sourced from a Behringer 2600 and Erica SYNTRX, with the 2600 being treated by or passing through the SYNTRX in most instances. The piece emerged out of some rough improvisatory materials recorded at the beginning of September 2022. 

This is a reworking of an earlier draft, after my friend Erik Klackner unwisely commented that the piece (a 36-minute version) could be three times as long and remain just as engaging. I decided to see if that was literally true. It seems to me that it is, although *your* mileage may vary... I think the large form is pretty much determined, although a lot of the inner detail will be worked, with some material being refined, re-recorded or rejected. 

David D. McIntire: Behringer 2600, Erica SYNTRX, bass clarinet, clarinet

Current version: 9 February 2023

Things to See & Do in Svalbard (for Erik Klackner)

An Excerpt from the new release. Hear all of it over at Bandcamp.

https://lukestark.bandcamp.com/album/slingshot-cas-x-1

Slingshot @ CAS X-1 (Excerpt)

Second full track I made with my Polyend Tracker. I love this thing!

0.01 Initial idea
0.02 Drum tweaks, transition tweaks
0.03 Transition tweaks,  crash
0.04 Minor EQ
0.05 Ambience, drum tweaks

kepeken tenpo suli

ike ala

rain

Under The K Bridge - Brooklyn, NY 5th May 2024

0.01 Initial idea
0.02 Crash, automation
0.03 Update drums

sitelen lape

0.01 Initial idea
0.02 EQ, automation, fx

telo seli

First track I've made using Ableton Live. I think I may be a convert, haha!

0.01 Initial idea
0.02 EQ, automation
0.03 EQ, compression

Too hot to handle, too cold to hold!

After a long time of appreciating different kinds of music, I wanted to experiment with Audacity as a creative outlet. It consists of layers of my filtered voice, wave sounds, low frequency bells, and dissonance. After it was finished, it reminded me of a drowning victim.

Study For Voice, Bells, And Dissonance

One of my first xenharmonic sketches, in orwell temperament, from when I first began to understand the MOS concept and how it relates to all this stuff. Both the scales and rhythm are based on progressively more complex MOS structures, with a "freestyle" section at the end. Pitch MOS generator is 17\22; rhythm MOS generator is 7\12.

"Progressive Moments of Symmetry in Time and Relative Dimension in (Interval) Space."

MOS Sketch, 22-ED2 Orwell

Sketches and snapshots of electronic, xenharmonic, and electroacoustic works in progress. Streaming live at twitch.tv/labaslab. For other, more finished work, see semiautomaticgroundenvironment.bandcamp.com

MOS Sketch, 22-ED2 Orwell

Toroid Labs

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