Limbus Puerorum - Bug33

We're now accepting demo submissions!
Contact us directly via DM

TMF HARD: https://soundcloud.com/technomusicfreshhard
TMF PREMIERE: https://soundcloud.com/tmfpremiere

TMF (Techno Music Fresh) is a platform dedicated to the freshest tracks across the techno spectrum, featuring premieres of upcoming albums and original podcast series.

The sound centers around heavy industrial techno, rhythmic noise, dark industrial, and hypnotic techno, exploring a broad spectrum of experimental sounds defined by distorted beats, noise-driven rhythms, and raw textures.

Inquiries: technomusicfresh@gmail.com

CONTACT US:

💥 BCCO New faces 2025

💥 Your wild musical rendez-vous
Dystopian techno: mental & hypnotic techno oscillating between solar vibes and a dark, indus atmosphere

https://www.khaosagency.net/

Booking: 
400coups.minuit[at]gmail[dot]com
Khaos Agency  - contact@khaosagency.net
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Next gigs:
Berlin, Nov. 14

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Khaos, Oct. 9
Khaos, May. 31
Mia Mao Live, May. 2
Budé Room, April. 11
Systems Radio, April. 7
Raven Labz, w/Loucid, April. 4
Daims, Les Nautes, March. 1
Phös Agency, Feb. 21
Queer Mental, Feb. 20
T4P, Feb. 7 2025
Khaos Albums.mp4, Dec 31

Paysage sonore en construction, écoute attentive et minutieuse.



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Post-Industrial project from Moscow by Vladimir Cherepanov since 2006.
Labels: Steinklang Industries, Phage Tapes, X-IMG, AREA Z, Tripalium Corp, Khemia Records, Dead Svn Records, Brutal Forms, RND. Records, Wunderblock Records, Sinister Desires, The Techno's Children, SUNTHOID, S H I S H I, Aphotic Gaze, Absetzer, &#8734

GARNUDEPOT is a multidisciplinary artist who captures environmental sounds and fusing them with her voice through digital technologies.

Contemporary label developing experimental music created by Eric Plovier in collaboration with Harsh Pain. It spans four/four and irregular rhythms, broken beats and ambient sounds by manipulating and tweaking the intricacies of the realm of Noise art. 
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Laboratory of Noises’ exploration of music: 
The assembly of sounds commonly perceived as unpleasant or painful stands in apparent contradiction to the conventional aesthetic of what music is supposed to be. LON is interested in this contradiction, and seeks to break it down through its musical output. 
Characterized by a dense atmosphere made of minimalist drones, harsh growls, distorted voices and screaming, The Lab constructs a dark and dissonant universe using prolonged feedback effects, shrill squeaks and sub-bass pulse hums created with synthesizers. Deeply atonal, there are no conventional melodies or rhythms. The output’s structure, its meaning, effect on the listener and the different characteristics of the tracks establish a link with the musical equivalent of destruction, entropy and havoc.