Not bad pretty smooth and different, keep creating.

ja man ! nice melodies ! nice beat ! nice music ! much love

@thatkiddreamii: Glad to read it, thanks a lot

There's something very Velvet Underground about this song and it's refreshing to hear music that isn't quantised and doesn't ride on the tempo and isn't pitch corrected to death. Although the male voice, could have been re-recorded so as to be a little less flat....

Nice work on this--great guitar sound and nice vocal

repost exchange 1

North Wind

This tune was first released by Aerosmith in 1998. Performed by me on my Yamaha PSR-SX900 arranger keyboard. 

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Free Download

Name That Tune #464 by Aerosmith

Life's little pleasures, even with a little parental protest

Weever Drawer

Part of the album "Die Umrandung des Nichts".

Die Umrandung des Nichts

Langwandern

FJ (Chef), Music Producer, LP collector.
I produce different genres of music. My interest in music dates back to my childhood. I hope you find my music to a perfect partner for your daily routines.

Be,Live,Create

Regards,
:: MaloM :..

...all right reserved©2023...

Calm After Formation

Buy ME!

What a treat this was to do with my dear friend Annie ..... more of her fabulous work   https://soundcloud.com/annie-dieu-le-veut

Words and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-le-Veut, October 2024

Music and cover art by Combstead 
Copyright © Combstead Lab October 2024

We came here to Love.
We came here to learn what great Love really is.
We came here to learn about a Love so great that, just out of joy, it builds a whole multiverse.

We came here to Dance
We came here to learn what great Dance really is.
We came here to learn about the joy of the great weaving, spiralling dance of the web that give form to this multiverse.

But not all are here to Love and Dance,
And those who came before us, aeons ago,
Knew the trials we’d have to face, and pass
So they left us guidance in letters from home.
They drew them as stories in the night skies
On silver starships that stay true to their course,
Like messages in bottles across the sands of time,
We rely on these myths to guide us along.

We came here to make Art,
We came here to understand what great Art really is, to know the Artist who paints a glorious sunset across the sky in indescribable hues, purely out of Joy.

We came here to make Music
We came here to understand what great Music really is,
The song that the universe is built upon, the Word of God, Om, that births frequencies to create both Sorrow and Joy.

So we always look forward to those letters from home
Drawn in the stellar guides that are ever true
Like messages in bottles across the sands of time,
We rely on the wisdom of ages to guide us through.

Letters from Home - Annie Dieu-Le-Veut

Lots of acoustic and electric guitar’s meshed with an up beat rhythm to liven up the mood just like a sunrise wakes you up.
Composer Fernando Melo
Guitars Fernando Melo

Acoustic Sunrise

"The Crowells were the first people I met who never said something was red. They'd say a thing was puce or mauve or magenta or vermillion and I wouldn't know if that was more like red or green. They called me color deaf." 
This lovely little story is published in The Next Whole Earth Catalog, 1980, p303, The Rising Sun, Neighborhood Newsletter. And this story inspired this tune. 

Color Deaf

Weight is Up

"That Far Forgotten Shore"* by classical composer Jeremias Langsämmer is a breathtaking orchestral journey, blending the grandeur of Western classical tradition with the evocative melodies of the Middle East. This sweeping soundtrack piece unfolds like a memory carried by the wind, its layered strings rising and falling like waves on an ancient shore.  

Deep strings introduce the theme, their rich, resonant tones imbued with longing, before swelling into a rich tapestry of sound—warm cellos, shimmering violas, and soaring violins weaving together in undulating phrases. Beneath them, deep, resonant percussion and plucked Middle Eastern instruments, such as the oud and qanun, add texture and depth, evoking sunlit dunes and distant, forgotten lands.  

The composition moves through shifting tides of emotion, from hushed, introspective passages to bold, cinematic crescendos. A hypnotic, rhythmic motif pulses beneath the orchestration, subtly mirroring the ebb and flow of the sea. The harmonies drift between Western tonality and modal inflections, creating a haunting, timeless atmosphere—both familiar and exotic, distant yet deeply human.  

"That Far Forgotten Shore" is a soundtrack for lost places, for whispered histories and unseen horizons—a piece that lingers in the soul long after the final note fades.

That Far Forgotten Shore [Orchestral | Soundtrack]

Hi, Please read my bio! New piece I made - any comments, feedback want to discuss anything at all - collaboration etc always love to connect with new artists... Also

Shortly Streaming on Spotify & Apple Music - Please subscribe!
music.apple.com/us/artist/trial-error/669928992
open.spotify.com/artist/0048EF6bNvCLUL7GmO2N3w
Thank you so much for listening and have a great day!

Sadness Within Updated

Dancing in the Moonlight

Elsewhere

Indie Rock, Dreampop, Hypnagogic Pop, Chillwave, Neo-Psychedelica, Post-Rock, Chamber Pop, Indie, Alternative

closer to melancholy (chrome days)

Poularis

Yes, the cover picture is pinky, because the lyrics of this song are very romantic. Well, what to say? Sometimes, it feels good to loosen up a bit! And if you pay close attention, it’s not all sooo sweet, we sometimes fight, some days are less easy than others, but, yeah, Iove is there and some may want it to stay just like this, for as long as possible. And me, I would like her to know I feel that way, most of the time at least!

On a more technical side, this song is touched by some kind of psychedelics or rock ballad, with an electric guitar base and an unexpected duet, which took me quite a long time to work, rework, rerework and rererework, probably the longest time so far and I hope you will consider those slightly more than 5 minutes of music deserved it!

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
FB: https://www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

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I love to sing with my guitar. Love to play my guitar and sing.
I practice Zen too, so sometimes I combine traditional Zen Buddhist chants with guitar instrumentals that I have composed; other times, I just sing a folk or popular song that resonates with me.
June 24 2024 marked the release of ShoSaiMyo Vol.1, first released on Bandcamp. It features Five of the Zen and Sutras playlist songs that Brad Stock produced and engineered at Painted Sky Studios. In January 2024, the B side of Vol.1 (called Shosaimyo Vol. 2) was released on January 30, 2025. All proceeds from Bandcamp purchases will support Zen River Temple in the Netherlands. Click the Bandcamp link below to stay tuned! 
https://myora22.bandcamp.com/follow_me

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

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Ladat

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Susie Cousins

Djinn & Tone Inc.

Ladat

MAV3RICK

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