Ladat’s Support Jul’25 vol.1

Wanted

X
Music by Overdrive & Smilex
Master by Chris Schlue

This is my reinterpretation/remix of the song X by the awesome English band Smilex. The initial plan was to produce something industrial/cyberpunk, but I was seduced by the idea of making a rockabilly version of X, with hints of punk rock.

Huge thanks to Lee (lead singer), who kindly offered me the invitation to do a remix of the song -- he's probably regretting it by now, but it's too late, man. 😄

Boasting an ear splitting career spanning over a decade, Smilex are the band who have done it all. Several releases on Quickfix Recordings (who discovered Youthmovies) and spots on various compilations & singles clubs, including a split ep with The Young Knives & a collaboration with MC Lars, have made Smilex a band renowned within their native Oxford. Explosive live shows – betraying a tendency for reckless self-endangerment coupled with a drive to put the audience's experience above all else – have led local music bible Nightshift to dub Smilex “Oxford's one band Riot”. Infamous live antics have caught the eyes and ears of musical types across the country, earning them the title of Playmusic's “best unsigned live act of 2010”, whilst securing slots playing beneath (and raising the bar for) the likes of The Damned, The Datsuns, and The Eighties Matchbox B-Line Disaster.

I recommend checking out Smilex's great tracks on their Soundcloud page:
https://soundcloud.com/smilex

Also check out the original song X:
https://soundcloud.com/smilex/x-clean

Once again, Chris Schlue has done a wonderful job mastering the track. Check out Chris's excellent music production on his Soundcloud page:
https://soundcloud.com/chris-schlue

Also check out his latest song as a producer/instrumentalist, OBEDIENCE TOY:
https://soundcloud.com/chris-schlue/obedience-toy

Hope you enjoy this madness.😄

pop punk/rock

co produced, mixed, mastered and cover art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

You Only Care When I Don't

Dollar God

Space rock :

Drifting through the silence black as tar
Rings of Saturn stretching far so far
What’s the meaning in this vast cold space
Tell me why we run this endless race


Fractured minds trapped in a glassy haze
Souls exploding like a comet’s blaze
Cosmic echoes screaming out for truth
Where’s the map to find eternal youth

Show me the void the infinite tear
Where nothing feels heavy the weightless air
Answers hide in shadows unseen
Are we real or just some fleeting dream

Stars are whispers distant burning eyes
Galaxies collide where dead gods lie
Time bends and twists but never mends
Is this beginning or where it all ends

Footprints in the stardust crumble slow
We take but leave no mark on the glow
Bound to planets chains made of fear
Who decides why we are even here

Show me the void the infinite tear
Where nothing feels heavy the weightless air
Answers hide in shadows unseen
Are we real or just some fleeting dream

Infinite Void

Fast

Who Can't Move On

Instrumental version of “Left Behind” — an emotionally charged post-hardcore/modern metal track blending heavy riffs, ambient textures, and cinematic atmosphere.

Perfect for vocalists, video editors, or anyone looking to experience the full force of the music without vocals.

Original version available here: [insert link if published]
Written and produced by Aleh Adler.


Left Behind (Instrumental)

the eyes are so important when you look into anothers,you can be in love or dislike but the eyes tell a story Jigs Tripping Music and Gary Hayward lyrics and vocals are really working on originallity and different scapes,mixed vocals at ramrod studio in Sydney with Herman Covacs jigs tripping Art

Iris Eyes *collab Gary Hayward lyrics and vocals+Jigs Tripping music art

Spotify 

Takeover

Mid tempo rock song written, arranged & produced by John Hardman
John Hardman - Vocals, guitars, keys
Album original Calm - artwork Tristan Greatrex
(c)(p) Swamp Music UK & Swamp Records UK for all territories

Looking for Love remaster 2023 - Beats Working

no king of mine

Music, mix & lyrics Guiville
Vocals Yuliya Starova
--
I wore my mirrorball smile,
Threaded in velvet static.
Feet kissed glass in a spiral,
While the DJ looped the dramatic.

Chandeliers blinked in Morse code,
Telling secrets to the sweat.
I was half a ghost, half glitter,
Haven’t found my other yet.

Every face a flicker show,
Every laugh a borrowed coat.
I swayed in place like the tide,
While your absence took the lead.

I danced through the ache in my arches,
Waltzed with the echo and steam.
No one here speaks the language
Of the love that I keep in a dream.
Midnight spins like a scratched confession,
But nobody’s looking for me.

There was a boy with constellation freckles,
And a girl made of eyeliner smoke.
I touched them in passing like pages,
But the chapter never spoke.

Confetti fell like false promises,
A ticker-tape goodbye.
I carved your name in condensation
On the walls of a disco sky.

Velvet ropes and paper crowns,
Plastic hearts in lost and found.
I burned my name into the beat,
Still nobody turned around.

I danced through the ache in my arches,
Twirled through the blur and the beam.
No one here knows the hunger
Of the love I keep quiet and clean.
This is no fairytale ending,
Just a strobe and a fever dream.

Maybe love’s a myth in sequins,
Maybe it left before the soundcheck.
Maybe I’m the last believer
In a world of silhouette suspects.

I’ll stay ‘til the floor goes silent,
When the last bass note slips away.
Still spinning in that soft denial,
Like love was only a song they played.

No One at the Disco

WASTING TIME

A REMIX OF ORIGINAL TRACK 'THE DESTROYER'
https://on.soundcloud.com/dlIQ99wJzpRgdNowDM
444 HZ


Amos 5:18 "𝑊𝑜𝑒 𝑢𝑛𝑡𝑜 𝑦𝑜𝑢 𝑡ℎ𝑎𝑡 𝑑𝑒𝑠𝑖𝑟𝑒 𝑡ℎ𝑒 𝑑𝑎𝑦 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑂𝑅𝐷! 𝑡𝑜 𝑤ℎ𝑎𝑡 𝑒𝑛𝑑 𝑖𝑠 𝑖𝑡 𝑓𝑜𝑟 𝑦𝑜𝑢? 𝑡ℎ𝑒 𝑑𝑎𝑦 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑂𝑅𝐷 𝑖𝑠 𝑑𝑎𝑟𝑘𝑛𝑒𝑠𝑠, 𝑎𝑛𝑑 𝑛𝑜𝑡 𝑙𝑖𝑔ℎ𝑡."

THE RETURN OF THE KING - DESTROYER REFUSION

Crumb the Cat

„Time doesn’t run — it just stands in the rain.“

Background: soft container crackle, steady rain on metal

"I am Cell B. Not an artist name. Not a metaphor. Just reality."

I live on a trailer site, deep in decay. Among rusted staircases, watering cans, and people who say they’re sick when they’re just tired. I’m sick. Really sick. I have B-cell lymphoma. And still — or maybe because of that — I’m here. Fully present. With Murschel, my cat. Coffee. Cigarette. And the rain, which hasn’t stopped for four days.

This isn’t a book about hope. It’s not a cancer guide. Not an emotional appeal. It’s a spoken memoir of reality, with music you can read to. 25 chapters. No storyline arc. No happy ending. But every line is lived.

Decay speaks to me. And I speak back. I found home in things no one wants to keep. And time doesn’t run — it just stands in the rain.

Schwellenwind. It begins now.

New episode every Sunday. You coming with me?

This is the full book — each chapter paired with one track of music. No publisher, just eyes and ears. No money, just time and sound.

-------------------------------------------------------------------------------------------------------
Intro-Folge: Schwellenwind – Kapitel 0

Hintergrund: leichtes Containerknistern, Dauerregen auf Metall

"Ich bin Zelle B. Kein Künstlername. Keine Metapher. Einfach nur die Realität.

Ich lebe auf einem Bauwagenplatz, mitten im Verfall. Zwischen rostigen Treppen, Gießkannen und Leuten, die krank sagen, wenn sie müde sind. Ich bin krank. Wirklich krank. Ich hab B-Zell-Lymphom. Und trotzdem – oder gerade deshalb – bin ich hier. Voll da. Mit Murschel, meinem Kater, Kaffee, Zigarette, und dem Regen, der seit vier Tagen nicht aufgehört hat.

Das hier ist kein Buch über Hoffnung. Kein Tumor-Ratgeber. Kein emotionaler Appell. Es ist ein Hörbuch über Wirklichkeit, mit Musik zum Lesen. 25 Kapitel. Kein Spannungsbogen. Kein Happy End. Aber jede Zeile ist gelebt.

Der Verfall spricht mit mir. Und ich mit ihm. Ich habe Heimat gefunden in Dingen, die keiner behalten will. Und die Zeit läuft nicht davon – sie steht einfach nur im Regen.

Schwellenwind. Jetzt beginnt’s."

Neue Folge jeweils Sonntags. Willst du mitkommen? Hier kommen Auszüge aus dem kompletten Buch mit allen Kapiteln und jeweils ein Track mit Musik dazu.
Kein Verlag nur Augen und Ohren - kein Geld nur Zeit und Ton.
Ich freue mich. Mein Geist freut sich über die Entkoppelung von Leistung und Geld und containert lieber. 
Fortsetzung folgt am nächsten Sonntag.

Kai-Uwe

kolkhorst 2025

Schwellenwind

This is a quiet, intimate piano ballad about the unexpected paths that life takes. It's about the acceptance that the life we live is often not the one we once planned—and that there is a unique and profound beauty in that deviation. The song explores the bittersweet wisdom found in hindsight, carried by a voice that is both fragile and resilient.

Musically and emotionally, this song is a deep and respectful homage to Joni Mitchell's masterpiece, "Both Sides, Now." It does not attempt to copy it, but to honor its spirit: the ability to express complex life truths in simple, poetic language. The raw, vulnerable performance is also inspired by the heartbreaking interpretation by Emilia Jones in the film "Coda."

A song for anyone who has learned to find the beauty in the scars of their own journey.

---

Dies ist eine leise, intime Piano-Ballade über die unerwarteten Wege, die das Leben nimmt. Es geht um die Akzeptanz, dass das Leben, das wir führen, oft nicht das ist, das wir einst geplant haben – und dass es in dieser Abweichung eine eigene, tiefe Schönheit gibt. Der Song erkundet die bittersüße Weisheit, die man im Rückblick findet, getragen von einer zerbrechlichen, aber standhaften Stimme.

Musikalisch und emotional ist dieser Song eine tiefe Verneigung vor Joni Mitchells Meisterwerk "Both Sides, Now". Er versucht nicht, es zu kopieren, sondern seinen Geist zu ehren: die Fähigkeit, komplexe Lebenswahrheiten in einfacher, poetischer Sprache auszudrücken. Die rohe, verletzliche Darbietung ist zudem inspiriert von der herzzerreißenden Interpretation durch Emilia Jones im Film "Coda".

Ein Song für alle, die gelernt haben, die Schönheit in den Narben des eigenen Lebensweges zu finden.

---

Credits:

Adelheide Vogt: Lead Vocals, Lyrics
Rosemarie Kowalski: Piano

---

Lyrics:

Maps can be drawn to show a distant shore... 
And open books all promise something more.  
Lines on a page for a life to be led...  
A different garden in a different bed.  
That's how the plans for futures often look... 
Before the first page... ...of the real book.

But looking at your life from both sides now,  
From what was lost and what the fates allow...
It's life's illusions I see you recall...  
You never really knew... 
...your life at all.

Words can be shields to teach and to write,  
To turn fading darkness to brilliant light...  
A legacy built on a victory loud,  
Your echo trapped in a cheering crowd. 
That's how the plans for greatness often feel...  
Before the wounds... that time won't let conceal.

But looking at your life from both sides now,  
From give and take, and still somehow...  
It's life's illusions you cling to, standing tall...  
Did you ever know... your life at all?

The child you were...
...would never understand 
This broken soil in a foreign land.  
She'd only see the things you had to lose... 
The simple choice... you didn't get to choose.

But she could never see his hand in yours...  
A different sun that opens different doors.  
No, this was not the life...
But it was yours...   
...and it was... 
grand.

A Different Garden In A Different Bed (DEMO)

"Babel" is the 2nd full length album by Greece world pop music ambassador Ulisseus.

Ulisseus: Babel
https://store.cdbaby.com/cd/ulisseus12

Babel

Light - ΦΩΣ

(part one of two songs)

part II: https://soundcloud.com/temple-of-the-haunted-man/gazing-at-lost-pictures

Pictures And Memories

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.