Ludwig van Beethoven

Blacklist

you make me smile

Nelson Goerner // Debussy // La Soirée Dans Grenade

Susie Suh X Robot Koch - Here With Me

Argerich plays Beethoven Piano Concerto No. 1 - III. Allegro Scherzando

download: https://www.dropbox.com/scl/fi/vgipuokg651yyxqkfcbse/A-Darondo-Didn-t-I-Trishes-Edit.mp3?rlkey=dmoa361dhmv2hijl64mmf2uc0&st=aidojgi6&dl=0

back on 45: https://www.discogs.com/release/28148479-Trishes-Edits

Darondo - Didn't I (Trishes Edit)

Beethoven Sonata Op. 101 1 Mov Terhi Dostal, piano

Beethoven Sonata Op. 101 2. Mov Terhi Dostal, piano

New England Conservatory piano major Chuang-Chuang Fang performs Beethoven's Sonata for Piano no 23 in F minor, Op. 57 "Appassionata." Recorded live in Jordan Hall in Boston February 20, 2014.

Beethoven: Sonata for Piano no 23 in F minor, Op. 57  Andante con moto

Beethoven: Sonata for Piano no 23 in F minor, Op. 57  Allegro ma non troppo


« Les Talich offrent des interprétations d’une beauté constante et d’une rare justesse stylistique. Fidèles à l’esprit de Dvořák, pour qui la simplicité, la douceur et la vitalité étaient les règles intangibles de l’expression, les musiciens privilégient avec une étonnante sensualité les détails et la ligne d’ensemble comme la tenue rythmique. Leur jeu souple, clair et leurs phrasés aérés servent ces pages qui comportent quelques-uns des mouvements les plus complexes et évolués du compositeur. »
(Le Monde de la Musique)

DVORAK, quatuor à cordes n°12 en Fa majeur, "Américain", op.96 (Molto vivace)

Publiée originellement chez Calliope, l’intégrale Beethoven des Talich est rééditée dans un coffret de sept disques. Cette somme est celle des certitudes paisibles, d’un Beethoven ni visionnaire, ni vindicatif, plus humain plus que démiurge. Intime et posée, l’expression peut même en devenir trop prudente, cette tranquillité devenant même rédhibitoire dans les menuets, voire dans certains scherzos (Huitième). Tout emballement n’est pas exclu – codas du Quatrième ou du Neuvième – mais sans le moindre effet gratuit, tant le Quatuor Talich, d’une cohésion sans faille autour de son premier violon, Petr Messiereur (à l’intonation néanmoins parfois contestable), maîtrise le propos et maintient, de l’Opus 18 à l’Opus 135, une cohérence d’une rare fermeté.
Car voilà assurément un travail exigeant, qui, peut-être par atavisme, laisse souvent affleurer à la surface des sentiments plus tendres et qui trouve à s’épanouir de manière particulièrement impressionnante dans les derniers Quatuors.

Beethoven : intégrale des Quatuors à cordes

13e Quatuor en si bémol majeur op.130 - Alla danza tedesca (Allegro assai)

BEETHOVEN - Quatuor à cordes n°13, op.130 (alla danza tedesca)

A lively yet sensitive, generously coupled disc
Here is a set of brilliant but not dazzling performances of Mendelssohn’s Op 44 Quartets: that is to say, they illuminate the music but never blind the listener with empty demonstration of the player’s virtuosity. This outstanding reissue offers terrific playing and outstanding sound. The interpretations are spontaneous enough to seem live.

“Typically feisty playing from this outstanding Czech Quartet who project the quasi-orchestral opening of the D major with vigour and provide plenty of passion and urgency for the darker E minor. An incredible bargain” (BBC Music Magazine)

MENDELSSOHN, String quartet no.3 in D major, op.44 no.1 (Molto allegro vivace)

The Masters of the Roll – Claude Achille Debussy

Gardens In The Rain - Estamoes No. 3

Free Download

Digital Daggers - The Devil Within

Wicked Game is taken from Emika's new album Dva. &#13;
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http://www.ninjatune.net/release/emika/dva

Emika : Wicked Game

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

BEETHOVEN - Quatuor à cordes n°13, op.130 (alla danza tedesca)

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