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La Dolce Volta est une maison d'artistes plutôt que de répertoires.
Découvrez-les en concerts.
Rendez-vous les samedi 31 octobre et dimanche 1er novembre 2020 pour célébrer les artistes La Dolce Volta et le public qui les suit sur le chemin de la musique.
5 concerts panachent récital et musique de chambre au sein du même programme, d'une façon hélas trop peu usitée.
Les affiches sont alléchantes : http://bit.ly/festivalldv2020

Festival La Dolce Volta 2020

Déchirée

classics vast

The new album 'This Is All Yours'
Available on iTunes here: smarturl.it/TIAYitunes
Available on CD - http://smarturl.it/TIAYcd // LP - http://smarturl.it/TIAYvinyl
Listen on Spotify here: smarturl.it/TIAYPlaylist

Breezeblocks (RZA Remix)

Franz Peter Schubert (1797 – 1828) - Piano Trio No. 2 In E Flat Major  Op. 100

Hugh Wolff leads the New England Conservatory Philharmonia in a performance of Beethoven's Egmont Overture. Recorded live in Symphony Hall, Boston April 23, 2014.

Beethoven: Overture to Egmont, op. 84

Programme  
Felix Mendelssohn - Romance sans paroles, op.109 (arr. pour violoncelle et piano)
Robert Schumann - Fantasiestücke, op.73
Frédéric Chopin - Étude en do dièse mineur, op.25 n.7 (arr. pour violoncelle et piano)
Johannes Brahms - Sonate en mi mineur, op.38

Camille Thomas & Henri Barda LIVE @Festival Musiq'3 in Brussels

Lascia Chio Pianga Handel Trío de cuerda, Piano Y Soprano

Ave María Schubert Trío de cuerda, Piano Y Soprano

Mahler: Symphony No. 5

Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam

Beethoven: Piano Sonatas Nos. 8 "Pathétique", 14 "Moonlight" & 23 "Appassionata"

Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo - Presto

Mahler: Symphony No. 1 'Titan'

Symphony No. 1 in D Major 'Titan': IV. Stürmisch bewegt

Антонио Вивальди - Времена Года. Зима

Part of a TRIPCLUBBING concert (http://www.koelner-philharmonie.de/tripclubbing)

with the Mahler Chamber Orchestra (http://www.mahler-chamber.de)

Remixed by Georg Conrad 

Maurice Ravel - Sonata for Violin and Cello I&II (Remix)

Rigour is the key concept in Jean-Philippe Collard’s style, which may seem like a fantastic paradox when one discovers the imagination of his interpretations. The beauty of his pianism conjures up a sensual, fragrant and delicate Spain. Into this atmosphere come the popular Goyescas, almost improvised and as if sung by the voices of an imaginary opera!

La rigueur est le maître mot du style de Jean-Philippe Collard, ce qui peut apparaître comme un fantastique paradoxe lorsque l’on découvre l’imagination de ses interprétations. La beauté de son piano fait imaginer cette Espagne sensuelle, parfumée et délicate. Apparaissent alors des Goyescas populaires, presque improvisées et comme chantées par les voix d’un opéra imaginaire !

Granados, Goyescas

El fandango de candil

GRANADOS - Goyescas, El fandango de candil // Jean-Philippe Collard

Ludwig van Beethoven: Sonata No. 2 for Cello and Piano in G Minor, Op. 5/2
Benjamin Capps, cello; David Kaplan, piano

Recorded at Vermont Public Radio, Colchester, VT
Producer: Joe Goetz
Audio Engineer: John Billingsley

Beethoven: Cello Sonata No. 2 in G Minor, Op. 5 No. 2

Three large-scale works for viola and orchestra feature on the new recording by violist Adrien La Marca with the Liège Royal Philharmonic. Musically, a programme must tell a story: here the viola becomes the central hero of each work, in an almost cinematographic adventure.
A hero who roams from the heart of Russian ballet music with Prokofiev’s Romeo and Juliet, through the lyricism of interwar English music with Walton’s Viola Concerto, to music of today by the Belgian composer Gwenaël Mario Grisi, whose On the Reel is literally ‘scripted’, written directly from analysis of film scenarios. Epic sweep, passions, contrasts . . . Everything you might expect from a great adventure movie is there in this music. Moments of powerful lyricism, love and tenderness, inner struggles, combats or doubts.

Heroes

Romeo and Juliet - Dance of the Knights

PROKOFIEV - Romeo et Juliette, Danse des chevaliers // Adrien La Marca

At just 25 years of age, pianist Théo Fouchenneret boldly presents a Beethoven programme of extreme variety with the ‘Waldstein’ Sonata, no.21, which, with its massive textures and dynamic contrasts, seems to want to rival the sound of the orchestra, whereas no.29, the ‘Hammerklavier’, is marked by its savage onslaughts.
In these works which pianists generally tackle very late in their career, Théo Fouchenneret displays astonishing authority. The power of his playing, full-toned and intense, invites us into a genuine, marvellously expressive interpretation with an astonishing range of timbres.

Théo Fouchenneret - Beethoven

Beethoven - Piano Sonata no.21 in C major op.53, "Waldstein"_ I. Allegro con brio

BEETHOVEN - Sonate "Waldstein", Allegro con brio / Théo Fouchenneret

Philippe Bianconi revient enfin à Debussy après le succès des Préludes en 2012 (Diapason d’Or de l’année, Grand Prix de l’Académie Charles Cros, Victoires de la Musique, 
Il offre de ces pages tardives mais essentielles une lecture claire et limpide, servie par une énergie remarquable.
Au-delà de leur défi technique redoutable, voire expérimental, les Etudes — dédiées à Chopin, que Debussy vénérait —, se révèlent sous les doigts de Phillipe Bianconi, poésie, rythme et couleur.
En complément de programme, les deux pièces ultimes de son œuvre, ainsi que celles de la suite tirée du Martyre de saint Sébastien, montrent un visage différent de Debussy, spirituel, dépouillé et poignant."

Debussy Bianconi Etudes

DEBUSSY - Pour les agréments. Lento, rubato e leggiero

Geoffroy Couteau continue à servir l’œuvre de Brahms, ici en compagnie du violoncelliste Raphaël Perraud, avec la ferveur qu’on lui a connu dans son intégrale pour piano parue au Printemps 2016.
Comme les trois sonates pour violon et piano, les deux sonates pour violoncelle et piano constituent des pages de première importance dans le corpus de Brahms. Puissamment lyriques, royaume de l’intériorité pure, elles fournissent un aperçu de sa période de jeunesse comme celle de sa grande maturité, voisine de sa quatrième et ultime symphonie. Sommets de la musique de chambre, ces Sonates d’une humanité protéiforme exigent de leurs interprètes autant de complémentarité que d’osmose.
Geoffroy Couteau et Raphaël Perraud imposent un équilibre savamment mûri. Douceur et emportement, mélancolie et frénésie, méditation et exaltation s’y côtoient en des inflexions d’une éloquente spontanéité. L’aspect fantastique de ce combat entre violoncelle et piano ne cesse de gagner en profondeur et en lyrisme au fil de ce programme.

BRAHMS, Cello Sonata no.1 in E minor, op.38 - Allegro non troppo

Бетховен - Лунная Соната

E. Tonkha-cello
Pavel Dombrovsky- piano


Beethovan. Sonata for cello and piano. G Minor. 2

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

BRAHMS, Cello Sonata no.1 in E minor, op.38 - Allegro non troppo

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