Jean Sibelius: Symphony No. 2 in D Major, Op. 43

Symphony No. 2 in D Major, Op. 43: IV. Finale: Allegro moderato

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Dies Irae

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The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Classical Music - The Essential Collection

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Jazzopédie

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Requiem in D Minor K. 626: I. Introitus - Requiem, II. Kyrie, III. Sequentia (Instrumental)

The Masters of the Roll – Claude Achille Debussy

Arabesque No. 2 In G Minor

Tchaikovsky: the Nutcracker & Swan Lake Suites

Swan Lake Suite, Op. 20: I. Scene 1

Antonín Dvořák — Symphony No. 9 In E Minor  From The New World , Op. 95 IV. Allegro Con Fuoco

Tamara Brooks conducts the New England Conservatory Chorus and Orchestra in a performance of Verdi's Requiem that The Boston Globe called "an unusually searching, indeed, sublime, spiritual experience." Recorded live March 5, 1992 in NEC's Jordan Hall, Boston.
For more information: http://necmusic.edu/tamara-brooks-1941-2012

Giuseppe Verdi - Messa di Requiem- Dies Irae

Spilville is a small town in Iowa. It was there, between 8 and 23 June 1893, that Dvořák composed his most famous chamber work, the String Quartet in F major (the "American").
Dvořák expressed his nostalgia in the great works he composed from 1892 to 1895, including the String Quintet Op.97.

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Dvořák, String Quartet No.12 in F major "American" Op.96 - Allegro ma non troppo

Erik Satie ~ Gymnopedie No. 3

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

Dvořák, String Quartet No.12 in F major "American" Op.96 - Allegro ma non troppo

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