Antonin Dvořák

Hartt

string quartet 12

Little women

Recorded by Dantzig String Quartet in Schiermonnikoog (18. 03. 2013)

Edvard Grieg - String quartet no. 1 op. 27 (1st movement)

String quartet no.12 in F major, op.96, ‘American’
String quintet in e flat major, op.97
JIRI ZIGMUND, viola


Talich’s readings bristle with life, tempos are marginally faster than usual, and ensemble is razor-sharp, rhythmically buoyant, and richly detailed. The players manage to deliver tonal beauty, an abundance of detail, lively phrasing, and a strong sense of structure to the work, qualities not always easy to reconcile. La Dolce Volta provides engineering to match the performances: warm, vibrant, with a you-are-there presence. 

For this pairing the Talich reigns supreme!


DVOŘÁK, String quartet no.12 in F major, op.96, ‘american’ (Molto vivace)

recorded live in mazzoleni hall at the royal conservatory of music, toronto.

Chopin - Nocturne No. 5 in F-Sharp Major, Op. 15, No. 2

Karajan and Vienna Philharmonic Orchestra play Symphony No. 9 "From The New World" by Dvorak

AEOLUS STRING QUARTET
Nick Tavani, First Violin
Rachel Shapiro, Second Violin
Greg Luce, Viola
Alan Richardson, Cello

Music recorded at the NYU Steinhardt Dolan Studios September 10, 2015.

Theresa Leonard and Alex Ruthmann, Co-Producers
Urosh Jovanovich and Daniel Pasquel, Engineers
Jamie Kiliany and Ernesto Valenzuela, Studio Assistants

Dvorak "American" String Quartet No. 12, Op. 96. 1st Movement

Dvorak "American" String Quartet No. 12, Op. 96. 4th Movement

Hugh Wolff conducts the New England Conservatory Philharmonia and student soloist Hannah Choi in Barber's Concerto for Violin. Recorded live November 4, 2010 at NEC's Jordan Hall.
For more information: http://necmusic.edu

Barber: Concerto for Violin  Op. 14 - Allegro

Artists: Tiberius Klausner, Merton Shatzkin, Hugh Brown, Sebe Morgulis Revitt

Conservatory Chamber Music Series

Antonin Dvorak - String Quartet in F, Op. 96 "American":  Allegro ma non troppo

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. 

Kinderszenen, (Scenes from Childhood), Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838.

This first movement introduces the set, holding a very dear place in my heart.  We studied Op. 15 extensively during A level Music, and it will forever for me will remind me of the people in my life at that time.

I recorded this last night, I hope you enjoy it!

Recording, copyright © 2018 Dylan Christopher

Robert Schumann --  Kinderszenen, Op. 15, No. 1,  'Von fremden Ländern und Menschen'

Guest conductor Tito Munoz leads the New England Conservatory Philharmonia in a performance of Dvorak's Symphony no 9 in E minor, Op. 95/B 178 "From the New World". Recorded live in NEC's Jordan Hall October 2010.

Dvorak: Symphony No 9 in E minor - Adagio - Allegro molto

Dvorak: Symphony No 9 in E minor- Largo

Dvorak: Symphony No 9 in E minor - Molto vivace

Dvorak: Symphony No 9 in E minor - Allegro con fuoco

Johannes Brahms - Waltz in A Flat Major Op.39, No.15

Spilville is a small town in Iowa. It was there, between 8 and 23 June 1893, that Dvořák composed his most famous chamber work, the String Quartet in F major (the "American").
Dvořák expressed his nostalgia in the great works he composed from 1892 to 1895, including the String Quintet Op.97.

Buy on Quobuz

Dvořák, String Quartet No.12 in F major "American" Op.96 - Allegro ma non troppo

Anova String Quartet:

Wojciech Sablik, Dawid Fabisiak - violin
Jędrzej Kaczmarek - viola
Katarzyna Aleszczyk - cello

Music engineering - Michał Garstecki, FreeFly Studio ((www.freeflymusic.com), Poznań 2012,  photos by Krzysztof Czechowski (www.krzysztofczechowski.pl)

Anova Quartet - A. Dvorak, American Quartet op. 96 - II movement

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

DVOŘÁK, String quartet no.12 in F major, op.96, ‘american’ (Molto vivace)

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