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RA Sessions- DARKSIDE - Paper trails

Improving a classic: Pete Alderton's Living on Love remastered

track from the Ozella Music/Songways album: Living On Love - remastered edition

Pete Alderton - (She Said That) Evil Was Her Name

For Haydn, the challenge of the length of the movements was all the greater in that he had to avoid the feeling of repetitiousness inherent in seven sections at uniformly slow tempos. The quasi-symphonic force of this work for just four instruments opened up completely new perspectives for the composers of the first half of the nineteenth century.

‘The refined sound of the Talich leaves room for long, eloquent silences, illustrating a text that is never pronounced, yet whose words are borne with detachment by every single note, like the burden of serenity.’ 

HAYDN, The seven Last Words of christ (Introduzione. Maestoso ed Adagio)

I do believe that electric over-driven guitar is definitely sophisticated instrument.

Antonio Vivaldi, Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter), Allegro non molto

Blue/ Michael Galasso

Vaughan Williams  Fantasia On A Theme By Thomas Tallis For Double String Orchestra

Adagio For Strings - Samuel Barber Classical Original Track

A sample from the Soundwaves Music for Educators library: 
Title: Fantasia on Greensleeves
Composer: Ralph Vaughan Williams, 
Orchestra: Medina High School Orchestras 2006-2007

To purchase the album on which this track appears: 

http://www.soundwaves.org/shoppingcart/products.php?product=Medina-High-School-Orchestras-2006%252d2007

soundwaves.org

08 Fantasia On Greensleeves, Ralph Vaughan Williams, Medina High School Orchestras 2006-2007

This is the most recognizable song from the soundtrack of the new HBO series Watchmen. Volume 01 was created by Nine Inch Nail's own Trent Reznor and Atticus Ross.

Watchmen - How The West Was Really Won (by Trent Reznor & Atticus Ross)

Fallout 3 - Soundtrack - I Don't Want to Set the World on Fire by The Ink Spots

Creativity is not something that can be turned on and off like a tap . . . 
Art is a labour of love, a question of patience and concentration. To place demands on it, criteria, quotas, damages it, slowly kills it. Art, like nature, must be allowed to develop and to grow, in order to attain plenitude. Following this principle, La Dolce Volta prefers to privilege quality over quantity. Releases are limited to ten albums a year, but each of them is the fruit of in-depth work, and above all a special relationship between the soloist and the composer. The artists’ virtuosity is coupled with their ineffable and highly personal approach, a feeling that can only be expressed through music. 
And since jewels worthy of the name can only be offered in special cases, the albums La Dolce Volta releases are themselves works of art: each record cover is an original work of art; the digipack’s inner sleeve includes a booklet in four languages and an interview with the musician. A bandeau is wrapped around each album, on which is printed the name of the soloist, the name of the composer, and the work performed. 
For La Dolce Volta, music is not just a shrink-wrapped object for sale. Like all beautiful things in life, it must come to fruition naturally, the result of careful craftsmanship, and offered like an exquisite flower. 
For La Dolce Volta music is a question of elegance and beauty without concessions.

HAYDN, The seven Last Words of christ (Introduzione. Maestoso ed Adagio)

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