Dj y Productor Mexicano radicado en Brasil. 
No soy un Ritmo soy un sentimiento, soy el sonido de los tambores, de los acordeones, de la guacharaca, de los llamadores, de los timbales, de los bongos, de las guitarras, de los sintetizadores...y de todos los sonidos que no son solo capaces de unir personas en una pista de baile, sino que también ellos tienen el poder de unir naciones con un solo ritmo. Es el “sueño de Bolívar hecho realidad”.

La Cumbia te transporta, te sumerge, te impregna de alegría, tristeza y melancolía. La Cumbia es el ritmo más bailable en muchos países del mundo, Latinoamérica baila cumbia, cumbia sonidera, villera, chicha, amazónica, psicodélica, santafesina, norteña…

“De donde viene la Cumbia”? Del Rio Magdalena…
Actualmente la cumbia viene desde las comunidades latinoamericanas de Estados Unidos hasta la Argentina. La cumbia ya no es colombiana, es una unidad de identidad de la cultura popular de varios países. 

Arturo Herrera se inspira en varios ritmos como el hip hop y la música electrónica para mixar, mezclar y hacer cumbia.

UP Records Australia - Label Australia

Keaton Horan aka Kay-Cee Has been Djing for almost half his life. Starting out in Melbourne’s well renowned club scene playing and working for clubs such as 3D, Hard Kandy, Hardware Ent, PHD and Pharmacy. Throughout these formative years he fell in love with the music and everything that came with it. Playing on the same bill of some of the biggest names at the time including Scott Project, Yoji Biomehanica, Alex Kidd and the Organ Donors to name a few.

Although Being a DJ in the rave scene and playing Hard Trance weekly, His love of all music genres has always been there. Ranging from Techno, Progressive house, Chill, Electronica, Drum and Bass and Psytrance, he has always mixed a wide range of music for his own enjoyment as well as performing. He was 1/2 of Melbourne's Electro duo Called “The Undergraduates”, where they played for Hard Kandy, Pyrotechnics, HSD and Earthcore.

Come the end of the rave era for Keaton was around 2011 and he shifted into playing Drum and Bass under the name Cadron Hollider and Progressive Psytrance under Kay-Cee. Playing gigs for The Brink, Snake Pit Sound, Bellbird Crescent, Esoteric Festival to name a few, with highlights of following The Freestylers on the main stage at Earthcore, opening for The Stanton Warriors at RMH and playing the opening Mad Monday set on the ever amazing Sun Temple stage at Esoteric. Including playing on the same stages as Raja Ram, Vini Vici, Morten Granau, Berg, Zyce, Capital Monkey, Timelock and many more.

Currently his Djing is all about Progressive Psytrance and Progressive House / Downtempo. He is a big believer of the Journey Set. Taking the dance floor through different emotions and building a set that takes you on a trip is important to his beliefs in performing.

 Influenced from the likes of JOOF, Emok, Phaxe, Morten Granau, Boris Brejcha, Matador, Ben Bohmer, Einmusik, Jonas Saalbach and more.Supporting tracks from his favorite Labels such as Anjunabeats, Einmusika Recordings, Iboga, Ibogtech, Blue Tunes, Kay-Cee really enjoys transitioning between playing different genres and in his sets tries to create the journey he strives to achieve with his music.

Being a Doofer since the early 2000’s the outdoor setting is where he thrives. The joy of playing outside amongst nature is his favourite. “The Doof Culture and Vibe is where I most enjoy being, not only as a DJ but as a fellow punter. I really feel at home”

Producer, bassist & turntablist from South West U.K

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