Name: Home by Landscapes and Sceneries
Duration: 5 min 49 s
Description: Composition, production and arrangement by Jimmy Brassard from L&S

nice piece..sounds like a tip of the hat to mike oldfield...perfect for The Exorcist Part XXII

Very interesting track! I like the way it fits together. Nice job

Cool track, I love the chords on the off-beats

very interesting rhythm section. this track has a nice flow

Really like this ! Love the riff and overall production is very good 👍

this is seriously sick 🤘 love how guitar and drums sound

NewAge

A song about loneliness and alienation, about feeling alone in a city full of people

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Watching the faded smiles
See these actors walking asleep
Like lifeboats stranded on the ocean
Floating alone

But down here in the dark
In this theatre of the cold and alone
No more hidden scars
Step out of the wings
Into the unknown

Look in my eyes
See how they shine bright
Watching our dreams take flight
As we sparkle and shine

Searching these darkened streets
For some trace of meaning
Lifeboats on the ocean
Tracing footsteps back home

But down here in the dark
In this theatre of the cold and alone
No more hidden scars
Step out of the wings
Into the unknown

Look in my eyes
See how they shine bright
Watching our dreams take flight
As we sparkle and shine

Lifeboats

Buy on BandCamp

moonlight

Starlight on Broadway [Prod by. FALAK] - BONUS TRACK

When Three Or More Are Gathered. . .

Runaway (prod. stranger)

I have tried to capture in Fire since it ignites a small flame by lightning until it becomes a great bonfire for an ancient tribe before the discovery of fire, I hope you like it!

FIRE (Four Elements Part 4)

Melody of rebirth

All Music Stuff By Me

Cover by Inna Mykytas (Pixabay)

Special Thanks to Kahlan Davis and Dani Ford.

Become Brand - New

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - IV. Balinese scherzo

Composition, production and arrangement by Jimmy Brassard from L&S

Home

Ambient instrumental electronica artist from Montreal. My goal is to explore limitless fields of electronica music.

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