Eric Newman and Medaya Ocher are joined by Tom McCarthy, author of the contemporary classic, Remainder, as well as of the novels C and Satin Island, both of which were shortlisted for the Booker Prize. He is also the author of the collection of essays Typewriters, Bombs, and Jellyfish and of the literary study Tintin and the Secret of Literature, and is the “General Secretary” of the “semi-fictitious organization” the International Necronautical Society (INS), which has exhibited art around the world.
McCarthy’s latest book is The Making of Incarnation, a novel that follows the hunt for a box that has gone missing from the archives of a time-and-motion pioneer named Lillian Moller Gilbreth. Gilbreth’s studies in movement helped birth the era of mass observation and big data, but did she also discover the “perfect” movement, one that would “change everything”?
Also, Natalie Diaz, author of Postcolonial Love Poem, returns to recommend poet Desiree C. Bailey’s What Noise Against the Cain.

Tom McCarthy's "The Making of Incarnation"

Essayist, poet, playwright, and filmmaker José Vadi joins Eric Newman to discuss his debut essay collection, Inter State. José’s first play, a eulogy for three, was the winner of the San Francisco Foundation’s Shenson Performing Arts Award. He is also the author of SoMa Lurk, a collection of photos and poems that spring from the San Francisco neighborhood of the same name, and his writing has been featured in a number of publications, including Catapult, McSweeney’s, New Life Quarterly, and our own Los Angeles Review of Books. The essays in Inter State move across a California that is at once family home and site of alienation, humming with possibility and on the brink of disaster, energetic and decayed.
Also, Ruth Ozeki, author of The Book of Form and Emptiness, returns to recommend Jorge Luis Borges’s The Aleph and Other Stories.

José Vadi’s “Inter State: Essays from California”

In the first half of the show, Kate Wolf is joined by Melissa Anderson to discuss her first book, Inland Empire, a volume in Fireflies Press’s Decadent Editions series, which revisit seminal films from the 2000s. A story of a “woman in trouble,” David Lynch’s Inland Empire (2006) is a bold selection, since, as Anderson points out, to try and make sense of its plot “would be to replicate the tediousness and pointlessness of narrating a dream.” Instead the book concerns itself most with the film’s star, Laura Dern, an electrifyingly expressive performer who has worked in the industry since she was a child. Using the whole of Dern’s career and her many collaborations with Lynch, Anderson explores Inland Empire as the work not so much of an auteur but of an actor, making poignant observations along the way about disintegration and desperation, victimization and agency, the possibilities of the female gaze, and the dark side of Hollywood.

In the second half, Kate is joined by artist and inventor Pippa Garner. Over the past six decades, Garner has satirized American consumer culture with a range of drawings and ideas for outlandish yet, given our zeal for novelty, completely plausible products, custom furniture, and things like the world’s most fuel efficient car — which is actually a bicycle set inside the frame of a miniature Honda. In the 1970s she collaborated with the media collective Ant Farm, and in the 1980s, as Phillip Garner, she published books such as Better Living Catalog: 62 Absolute Necessities for Contemporary Survival and Utopia — or Bust! Products for the Perfect World. She also made regular appearances on the talk show circuit, in character as a small-town inventor, presenting some of her many gadgets — like a crop-top business suit and an umbrella whose canopy is constructed of palm fronds. “Immaculate Misconceptions,” a retrospective of her work, is currently on view at Joan in Los Angeles.

Melissa Anderson's "Inland Empire" and Pippa Garner's "Immaculate Misconceptions"

Writer and artist James Hannaham joins Kate Wolf and Medaya Ocher to discuss his most recent book, Pilot Impostor, a mix of prose, poetry, and visual collage. James is the author of the award-winning novels Delicious Foods and God Says No. His short stories have appeared in One Story, Fence, and Bomb, and he was for many years a writer for the Village Voice and Salon. 

Pilot Impostor was partly inspired by a trip to Cape Verde and Lisbon, right after Trump’s election in 2016. The book brings together disparate influences like the work of Portuguese writer Fernando Pessoa, the TV show Air Disasters, and current events. Through shifts in form, narrative, and style, Hannaham asks some of the biggest questions about the self, identity, the failure of leadership, history, and the nature of consciousness.

Also, film critic Melissa Anderson, author of Inland Empire, returns to recommend Jean Stein’s depiction of Hollywood, West of Eden.

James Hannaham's "Pilot Impostor"

Pankaj Mishra joins Medaya Ocher and Eric Newman to talk about his new novel, Run and Hide, which takes up many of the themes explored in his political nonfiction. The book explores the lives of the literary translator Arun — our narrator — two of his friends from college, and Alia, a woman with whom he has an impactful romance, as they all grapple with the moral and emotional scars of economic globalization. Their story, as Run and Hide frequently points out, is also the story of modern India, a country in which rapid changes to centuries-old inequities bear both great boons and great costs.
Also, Claire-Louise Bennett, author of Checkout 19, returns to recommend Celia Paul's Letters to Gwen John.

Pankaj Mishra's "Run and Hide"

Adam Phillips joins Kate Wolf to discuss his two latest books, both published this year, On Wanting to Change and On Getting Better. The series looks at the very human impulse toward transformation, from religious and political conversion, and the conversion to family life from which one must ultimately emerge, to the aims and practices of psychoanalysis, along with more quotidian ideas of self-betterment. As always in his work, Phillips attends in these books to the aspects of ourselves that can be hardest to bear, and that can lead us to desire more rigid structures — intellectual or otherwise — or desire to be someone else, while also quietly petitioning for a more complex and thoughtful mode of change in which, as Socrates encouraged his pupils, we learn only to be ourselves. How might we get better, Phillips wonders, at talking about what it is to get better?

Also, Pankaj Mishra, author of Run and Hide, returns to recommend Josep Pla’s The Grey Notebook.

Adam Phillips's "On Wanting to Change" and "On Getting Better"

Danielle Lindemann joins Eric Newman and Medaya Ocher to talk about her latest book, True Story: What Reality TV Says About Us. Drawing on the ideas of major thinkers in modern sociology, including Emile Durkheim, Michel Foucault, and others, the book explores how reality TV both reflects and reproduces real-world social tensions, inequities, and slippages around class, race, gender, sexuality, and other categories of being. Rather than merely trash TV — or perhaps in addition to being trash TV — Lindemann argues that our favorite shows are lenses through which we can better understand our world, our social lives, and the powerful forces that shape them and us.

Also, Jonathan Alexander drops by to recommend Mia McKenzie’s Skye Falling.

Danielle Lindemann's "True Story: What Reality TV Says About Us"

Ruth Wilson Gilmore joins Kate Wolf and Eric Newman to talk about her new collection, Abolition Geography: Essays Toward Liberation, which covers three decades of her thinking about abolition, activism, scholarship, the carceral system, the political economy of racism, and much more. For Gilmore, these are not siloed issues; rather, they are braided effects of an unjust political, economic, and cultural system that must be dismantled in order for liberation to take place. Gilmore reminds us that we must look for connections beyond the academy, where theory meets praxis, where the vulnerable are not an abstraction but a concrete human reality. Her thought and work are a much needed shot in the arm for a political and intellectual culture that has, in the view of many, atrophied or been co-opted by the extractive loops of late capitalism.

Also, Natalia Molina, author of A Place at the Nayarit: How a Mexican Restaurant Nourished a Community, returns to recommend two books on Latinx Los Angeles, George Sanchez’s Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy, and Pierrette Hondagneu-Sotelo and Manuel Pastor’s South Central Dreams: Finding Home and Building Community in South LA.

Ruth Wilson Gilmore's "Abolition Geography: Essays Toward Liberation"

Eric Newman and Kate Wolf speak to the author Kristin Ross about her recent book, The Politics and Poetics of Everyday Life, a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world. The book represents three decades of Ross's writing about the everyday in French political, social, and cultural theory and history, including the commune form and current autonomous zones in France, the romance and memory of the May 1968 protests, and the present predicaments both faced and created by the Macron government. Featuring a long interview with the pioneering philosopher Henri Lefebvre, the book also invokes the work of Frederic Jameson, Jacques Ranciere, Emile Zola, and many others, to explore the intersections of political transformation and cultural representation as resources for thinking opposition and liberation in the present.
Plus, artist Martine Syms, whose new exhibition Loser Back Home is currently on view at Spruth Magers in Los Angeles, returns to recommend Steffani Jemison's novel A Rock, A River, A Street.

Kristin Ross' "The Politics and Poetics of Everyday Life"

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips’s recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can’t.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he’d prefer not to.

On Giving Up

Hosted by Augusta Johnson and Keith Johnson
Produced by Marlena Bond
Originally aired on KPFK 90.7 FM Los Angeles on 11/29/2024

This episode features a discussion about a way forward for the Democratic Party. Alan Minsky is a lifelong activist, who has worked as a progressive journalist for the past two decades. Alan was the Program Director at KPFK Los Angeles from 2009-2018; and has coordinated Pacifica Radio’s national coverage of elections. Before that, Alan was one of the founders of LA Indymedia. He is the creator and producer of the political podcasts for The Nation and Jacobin Magazine, as well as a contributor to Commondreams and Truthdig.

Alan’s activism began in college with union solidarity work and opposition to US involvement in Central America. In the 1990s and early 2000s, Alan was active in the counter-globalization and media democracy movements. In 2011, he began organizing for Occupy Wall Street in the months leading up to the occupation of Zuccotti Park.

Alan is a committed anti-racist and feminist. He is also an advocate for economic policies that address social inequality, eradicate poverty, and prioritize the interests of working and middle-class households. Alan began working with PDA in 2014.

Alan Minsky Executive Director Progressive Democrats of America 11/29/2024

The Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts.

The Los Angeles Review of Books magazine was created in part as a response to the disappearance of the traditional newspaper book review supplement, and, with it, the art of lively, intelligent long-form writing on recent publications in every genre, ranging from fiction to politics. The Los Angeles Review of Books seeks to revive and reinvent the book review for the internet age, and remains committed to covering and representing today’s diverse literary and cultural landscape.

On Giving Up

LA Review of Books

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