𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2026
 ➤ 28/04 Odonien/Cologne
___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30/04-01/05 Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival
➤ 30/08 Klunkerkranich/Berlin
➤ 20/09 gart.n/Berlin [Solidance]
➤ 25/10 Bahnwärter Thiel/Munich 

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

mind, body and music - deejaying and collecting since 1997... vinyl

HELLO PLEASE NOTE THAT WE DO NOT ANSWER MESSAGES OR REQUESTS HERE!!! 

FOR YOUR DEMO PLEASE NOTE:

* 3 Tracks minimum,with enabled download
* we are selecting music for 3000Grad, Acker & Ackerdub Records
* Melodic-Techno, Etno, Downtempo, Indie-Dance, Deep-House
* please be aware that we do not 
   answer on every submission

demo@3000grad-records.com
demo@acker-records.de

FOR "LICENSING" (NO DEMOS!!!) AND ANY OTHER ISSUES:
OFFICE@3000GRAD.COM

As a founding member of the legendary quartet Kombinat100, Molle aka Mollono.Bass is a well known face within the scene since quite some time. His deep passion for electronic music caused the foundation of Acker Records in 2006, which he leads as its mastermind, as well as the launch of 3000° Records in 2008. And that’s still not enough: The always cheerful dude from the north-eastern German state of Mecklenburg is also involved in the projects Rundfunk3000 and Eulenhaupt & Mollenhauer. Behind the turntables as well as live, Mollono.Bass presents minimal Techhouse beats which directly aim the dance floor and therefore always contain a proper portion of bounce. The efficiency of his grooves has been proved by various successful productions and remixes on Acker and Ostwind Records. Also, Molle’s talent has already been smelled beyond the herring pond, a collaboration with Los Angeles resident Absurd Records will present a series of his tracks. Like already known from his productions for Kombinat100, Mollono.Bass embeds warm, groovy and driving drum sets into a dubby, harmonic and emotional soundscape. His organic tunes with a touch of atmospheric sounds take the listener on a journey through time and space. Who does not feel like dancing when listening to this music, should probably just stay at home!

BOOKING: hello@schwarzbooking.com
MGMT & Promo: info@sethschwarz.com
*****************************************
Often it's those who enter the scene from a different background who take the evolution of music to the next level. Instead of suffering from tunnel vision they are full of open-minded curiosity. Seth Schwarz is one of them. His powerful productions meet the expectations of the dance floor, but at the same time they break the circle of imitation and repetition. Seth dedicated a great part of his youth to classical music. By merging the concepts of electronic music and classic composition he creates mighty bangers of truly symphonic dimensions. It's not unusual for him to record up to 70 instrumental tracks for a new production. The result is extremely catchy and has a unique feeling of flow elegance.

Lars Asmuss is following