MachineCode emerged from deep within the framework of reality, flickering into existence and twisting together the fibers of 2 of the sonic realm’s most effective algorithms – Current Value & Dean Rodell. A new sentient form awakened, combining attitudes of progression and precision, driving the MachineCode project to the cusp of the future.

The music of the Last Activity evokes concentrated emotions, reflected in the cold melody of decay, amongst disintegrating civilization. It is the remembrance of a future, a future that we had seen with the first rays of electronic revolution, but got lost in the world of social networking. 
The ostinato of synth lines, hard dance elements, deep trancy pads and ousted distorted vocals create the sound The Last Activity presents for the listener.  It is the sound we project.  It is The Last Activity. 

Advertising is the rattling of a stick inside a swill bucket. "George Orwell"

This is a story all stories are a lie.
Do you suffer from Delusional Sound Disorder?
DSD is a more common then you would think.
This disorder is quit possibly happening to you.
Symptoms;
• loss of appetite, increase in appetite, any changes in eating habits, unexplained weight loss or gain
• unnecessary desire to purchase anything but brand named products are the most desirable
• obsessed with owning the newest electronic devises
• extreme hyperactivity; excessive talkativeness
• sudden loss of consciousness during a commercial breaks
• changes in friends; new hang-outs; sudden avoidance of old crowd; doesn't want to talk about new friends; friends are known drug users
• unnecessary desire to participate in popular activities or hobbies
• obsessed with the next newest product
• difficulty in paying attention; forgetfulness
• general lack of motivation, energy, self-esteem, "I don't care" attitude
• sudden oversensitivity, temper tantrums, or resentful behavior
• moodiness, irritability, or nervousness
• silliness or giddiness
• mild or extreme cases of diarrhea, abdominal pain, malaise, fever, nausea and vomiting, paranoia
• self-evaluation is unduly influenced by size and weight
• excessive need for privacy; unreachable
• feels uncomfortable or helpless when alone because of exaggerated fears of being unable to care for himself or herself
• has difficulty making everyday decisions without an excessive amount of advice and reassurance from others
• secretive or suspicious behavior
• inability to sleep, awake at unusual times, unusual laziness
• chronic dishonesty
• chronic honesty
• unexplained need for money, stealing money or items
• spending sprees give you a high followed by depressive episodes
• red, watery eyes; pupils larger or smaller than usual; blank stare
• cold, sweaty palms; shaking hands
• you find bargains irresistible, even if you don't need the item
• difficult to slow your mind down, and that their speeding thoughts are well crafted
• this is a story all stories are a lie
If you have one or more of these symptoms you are more then likely experiencing the common affliction of DSD.

Causes of DSD
The main cause of DSD is through listening to Popular Music. This is due the fact that it is actually a corporate driven construct of imperceptive noise. Popular music which is commonly referred to as Pop Music contains many sub categories. We will for ease refer to it as Corporate Noise.
Corporate Noise as such makes use of ancient arcane formulas. These formulas were time , place, and people specific. These formulas are the construction of energies transferred as sounds designed for the purpose of managing energy through a group of individual’s with a specific higher purpose in mind.
Corporate Noise on the other hand is created through the mechanical use of these formulas which have been in use in one form or another since before the dawn of recorded history. It is through our automatic cultural use and common lack of understanding of such powerful esoteric procedures that causes the vigor in its effectiveness to create disease.
Though in the past for a given situations the use of such formula may have been quite useful to humanity. These uses of formulas have been appropriated in many aspects of our culture. Any organization such as a corporation is a great example of this naive usage.
It is then this automatic usage in our culture and because of the inadvertent advantage it gives in kidnapping the individual’s free will and the maintenance and control of large groups of human beings that makes this appropriation so prevalent throughout the ages.

Dangers of the Dreaded “Delusional Sound Disorder”

Corporate Noise can be absorbedly seductive drawing one into feeble addictive delusional states. Its impact over a long period of time may destroy ones ability to appreciate the potential liberating power of music.


Suggested Remedies for DSD
Sublimatus School of Sorcery is one remedy for the dreaded DSD.
Also see our site Transcendental Hub:
http://www.facebook.com/group.php?gid=148090932342&ref=ts
We at Sublimatus seek out and offer methods to help those who are suffering from DSD.
Our work at Sublimatus is devoted to this task of helping you reclaim your free will and assist in your progress of waking up from this dreaded disorder.
Below for example is a place to begin:
“Start slow and do anything in your power to bring to your consciousness awareness the power of “Your Creative Nature.” Take as little as a few seconds a day to do something, anything that is playful.”

We will be using this site to post more suggested remedies to keep you inspired!
Thank you for being,
Sublimatus

Take tribal drums, mix with pounding analogue synths and a killer club sound and what do you get? Welcome to iVardensphere. 

The new album, APOK, finds iVardensphere exploring different aspects of their sound, from dance floor stomping powernoise to more exotic flavors of tribal drumming blended with elements of trip-hop and a club-pleasing analog synth bumping EBM sound. APOK, iVardensphere's first release on Metropolis Records, also takes iVardensphere's passion for collaborations to a whole new level, bringing in guest artists including I:Scintilla, Caustic, God Module, and This Morn' Omina as well as featuring remixes by SKOLD, ESA, releveleR and Pull Out Kings.

The story of iVardensphere's rise begins a few years ago in Edmonton, Canada, where Scott Fox DJs the notorious club nights SICK and Das OOntz. Fox took his expertise in filling the dance floor and applied it to his passion for synths and industrial dance music to create a fresh take on the genre to form iVardensphere. Upon being heard for the first time by Vancouver-based label Synthetic Sounds, iVardensphere was immediately signed and the debut album Scatterface was released in July 2009, mastered by Sebastian Komor [Icon of Coil]. 

Soon after the completion of Scatterface, Scott enlisted the talents of Chris Lacroix [aka Siborg from Virtual Terrorist] to help bring the project from the studio to the stage, where the band shines. Ever since, iVardensphere has been constantly active live, having performed with acts ranging from Apoptygma Berzerk to Iszoloscope to 16Volt and Chemlab to Front Line Assembly at such places as Das Bunker in LA and the Kinetik Festival in Montreal. Buoyed by touring and word of mouth from an ever-growing fan base, iVardensphere has steadily swept across the industrial dance club scene in North America.

At the end of 2009, Scatterface made its way across the Atlantic on one of Europe’s leading darkrock and industrial labels, Danse Macabre Records, as Fox prepared iVardensphere's second release, Remixes Vol. 1, featuring remixes from Komor Kommando, Memmaker, Left Spine Down and others. Initially a digital-only release, fans demand CDs, and so Remixes vol. 1 came out in February 2010 on Synthetic Sounds. This release also marked iVardensphere's first introduction to the college radio charts across Canada. 

The summer of 2010 saw the band hit a wide range of cities and venues all across the USA and Canada with Iszoloscope and ad*ver*sary, gaining loads of new fans. Word of their powerful live shows continued to spread and they were asked to open Combichrist's North American tour in the fall of 2010, just in time for a new album to hit.

iVardensphere’s much anticipated second studio album, Bloodwater, came out in November of 2010, showcasing Fox's growing interest in using tribal drumming and other more organic sounds alongside electronics and samplers. Spurned on by club play and word of mouth from the band’s performances on Monsters on Tour with Combichrist, Bloodwater smouldered up the Canadian college radio electronic charts, eventually spending three months on !earshot’s national electronic charts in early 2011 and nine weeks on ChartAttack’s electronic charts. It also received great reviews, including in Outburn Magazine and Rue Morgue. 

The fall 2010 tour with Combichrist went so well that iVardensphere was asked to come out on tour with Combichrist again in the spring of 2011.

Wherever they roam, iVardensphere are always eager to collaborate with other artists, including working with Booming Tree Taiko on their first tour with Combichrist and trading remixes with the likes of Rotersand. Past collaborations with Iszoloscope went so well that iVardensphere recently announced that Iszoloscope's Yann Faussurier became a full-fledged member of iVardensphere at the end of 2010, and Fox, Faussurier and Lacroix wasted no time in starting work on APOK alongside their collaborators. iVardensphere recently grew again as Iszoloscope and Memmaker's Frédéric Scarfone also joined the fold as an official member after previously exchanging remixes with iVardensphere as Katastroslavia and co-writing on APOK.

The band's continuing growth and solid sounds caught the interest of industrial/electro powerhouse label Metropolis Records, who have now welcomed iVardensphere into the fold to help foster further expansion.

https://instagram.com/_yana_nix_?igshid=hu4se9f1x1f5

DM to Collab XO

Previously "Sweet Kind" on Soundcloud and Bandcamp.

Sync_lost - a mysterious synthwave duo, founded by two producers - Ellin Spring from the city of Krasnoyarsk in Siberia and Gleb Rogozinsky from St. Petersburg, which is more than 4000 km to the west. Despite the difference in coordinates, musical tastes and backgrounds, they both share the same affection to synthwave, retrowave and ambient music. Absorbing the aesthetics of the 80s through science fiction films, comics and computer games, Sync_lost find inspiration for writing their tracks.

For both musicians this is not the first project. Ellin Spring has scored dozens of Deep House singles released on top labels of the genre. Ellin is supported by eminent DJs from around the world. Also, he released more than a hundred tracks, remixes and arrangements in a variety of electronic genres, written for third-party projects, artists and DJs as a ghost producer.

Gleb Rogozinsky emerged from the underground electronic gothic scene. He is the composer and producer for projects Last Activity, X-BAT and Pulv3r. At the same time, he plays saxophone, writes computer music with special programming languages and participates in various avant-garde musical acts.

synclost2020@gmail.com

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