My music is melancholic and lush. I hope you enjoy.

♫♪.ılılıll|̲̅̅●̲̅̅|̲̅̅=̲̅̅|̲̅̅●̲̅̅|llılılı.♫♪

Australian producer Tim Koch started early, experimenting with a Tascam reel-to-reel four track, an endless supply of his siblings’ guitars, and a few 8-bit computer systems. An early fascination with 1978-1981-era Public Image Ltd. – especially Metal Box’s stark production and behemoth basslines – led Koch to play bass guitar and drums in a number of shoegaze-influenced rock bands. He soon developed a taste for more instrumental, sequencer-based music, drawn to its potential for experimentation and unorthodox sound sources. While studying at Adelaide University, Koch took advantage of the University’s EMU music-technology unit, surrounding himself with archaic analogue synthesizers and listening deeply to innovative composers like Varese, Stockhausen, and Ligeti.

Over five full-length albums, Tim Koch has explored countless moods and textures but never tied himself to one style. He initially found the attention of the electronic-music world

under the moniker Thug, layering Detroit-style pawn-shop beatboxes with rich synth pads; on subsequent releases, he reverted to his given name and toyed with more playful sounds. Koch’s recent full-length Faena refines all the elements of his career thus far while integrating acoustic guitars, female vocals, and raw found sounds. Over the years, the Adelaide-based Koch has released his music on labels including deFocus, Merck, U-Cover, Seeland, n5MD, and Intr_version and has composed for film, television, and video games.

Regarding 10:32, his newest project on Ghostly International, Koch’s remarks are as cryptic as his choice of moniker:

10:32 is the length of an albatross.
10:32 is a month and an age.
10:32 is soft skin on hollow hearts.
10:32 is quick feet on cool floors.
10:32 is seeing through your eyes.
10:32 is mornings into evenings.
10:32 is finishing before the end.
10:32 is ten thirty-two.

Proem, otherwise known as Richard Bailey, has been releasing music since 1999 on labels like merck, n5MD, and Hydrant. He started experimenting with electronic devices at the age of 19, using three thrift store turntables, some tape decks, a few garage sale Casio SK-5s, and some circuit bent bargain bin keyboards. He has released albums, EPs and remixes on labels across the IDM scene and is regarded as one of the early members of the strong US based IDM scene that started around 2000...

FROM HERE TO ODESSA...

For booking contact whitemachine@gmail.com

DJ & producer from Birmingham, England.

For DJ bookings, promo's and anything else music related, email me: robertevansdj@gmail.com

All of my relevant music links such as Spotify, Beatport and so on, as well as my social media links such as Instagram can all be found here: https://linktr.ee/robertevansdj

BBC Radio WM Introducing 'Track Of The Day'
BBC Radio WM Introducing 'Track Of The Week' (x2)
Aston Villa Football Club 'Spotlight Artist'
Aston Villa Football Club 'Artist Of The Month'

I have had the pleasure of playing at over 200 venues worldwide at places including Ibiza (Spain), Las Vegas (USA), Ayia Napa & Paphos (Cyprus), Magaluf (Spain), Costa Del Sol (Spain) Lublin, Warsaw & Radzyn Podlaski (Poland), Tenerife (Spain), Dublin (Ireland), Amsterdam (Netherlands), Alanya, Antalya & Kargicak (Turkey), as well as all over the United Kingdom. 

As a producer, I have had over 20 original tracks signed by various labels including Cleveland City, Whore House, Play Records, DeeVu + many more, as well as releasing many tracks by myself too. 
I was involved in some releases on the underground "Bassline / Niche / Speed Garage" scene between 2007 - 2010 on labels such as Ecko Records, including tracks being sold worldwide on vinyl and CD. 

You can find me on Spotify here: https://open.spotify.com/artist/3jIqwoMjNz4QmVKdDmkcz3?si=2c452fe2c3fa4390
You can find me on Beatport here: https://www.beatport.com/artist/robert-evans/252407

Thanks for the support.

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