Urzeka mnie fragment: "Szumi, szumi, szumi... kosmos złamany w pół"

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Here's a free dl from the 12" we just put out:  IRS-025 Audopilots "Albatross" LP. The song is called "windchill".

Album is available from Fatbeats.com
http://www.fatbeats.com/products/audopilots-phoebastia-nigripes-lp

Audopilots: The Raven, The Owl, The Penguin, The Albatross

Buy the 12" vinyl LP

Audopilots - "windchill"

Piotr Kurek is currently one of the most interesting Polish artists, working with old keyboards and electronic equipment to create sound tapestries that draw on both experimental music and traditional melodies, as heard on his already classic albums “Edena” (released under his own name) and “Dalia” (as Piętnastka). His new side-project Heroiny also utilises synths and repetition, but now moving further into club music, with an organic sound relying heavily on mysterious and exotic grooves.

Although a live performer rather than a DJ, Kurek links his sound even further to the contemporary dance scene via this Unsound Podcast series entry, mixing snippets from his forthcoming release on Dunno with some of his recent favourites.

Heroiny will perform live at Hotel Forum on Thursday, 16 October during Unsound 2014

Tracklist:
Heroiny - Untitled
Blood Music - Rare Earth Material 
Young Male - Finesse 
D. Edwards - Untitled 
Simoncino - Abele 
Dance Pharaohs - Island Time 
MotXXC - The Drum Thing 
Skatebård - Emotional Bits 
MM/KM - Untitled 
Heroiny - Untitled

Unsound Podcast 17: Heroiny

Dub Club producer Tom Chasteen's new project is Natural Numbers. The album Natural Numbers in Dub comes out October 28 on Stones Throw. http://stonesthrow.com/dubclub

Natural Numbers - Dub & Blind

Haronim w remiksie 1988 (Etamski, P/E, Syny)

Fundacja Kaisera Söze, Lublin 2014

Ciśnie (1988 rmx)(from Haronim)

Stare Dobre Małżeństwo - Nasz Słony Rachunek

info text:::

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear once and for all with ‘Music for Airports’ – the utilitarian nature of this music can already be found in the title. But way before that, in 1920, Erik Satie composed ‘Musique d’ameublement’ – furniture music. Satie created true background music as a reaction against the misuse of classical music as a carpet of sound. The purpose of his furniture music was also to bridge the awkward gaps in conversation in social situations. In turn, Eno’s airport music is meant to serve as background music while sounding interesting enough for listeners to become absorbed. If we go by Eno’s definition, the music on T.Raumschmiere’s new album is not ambient. Although – or in fact, because – each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.Raumschmiere sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.
A darkly beating pulse works like a machine through the surging pads of ‘Dampfer.’ Synths drone languidly on ‘Anker.’ T.Raumschmiere deftly manages to avoid succumbing to the kitsch that often arises from these kinds of sounds. ‘Grotznogg’ has an inner stillness within the rustling and scattered clattering and clanging. ‘Zwischenstopp’ provides the perfect soundtrack for a submarine ride, complete with depth sounder and an undercurrent of anxiety. The track ‘007’ is a post-industrial masterpiece – warm, heavy, and latently threatening. And the list goes on.
Clearly a new meaning of the term ambient is needed to describe the music on this album more accurately. It is music that never sounds deliberate yet at the same time is so compelling, which might have something to do with the fact that Shitkatapult label founder Marco Haas aka T.Raumschmiere is the one behind it. As T.Raumschmiere, Haas produces a sound with influences ranging from bass music and
punk rock to industrial; the names of his records speak best for themselves: Monstertruckdriver, Sick Like Me, I Tank U… everyone knows what the deal is here. It is only logical that his new album is just called ‘T.Raumschmiere.’ This record is certainly an excellent lubricant for dreams.
Haas is known for his take-no-prisoners approach to his live sets, which feature distorted beats, grueling basses, and steep descents. Now for the flipside, the negative image of the sound that made T.Raumschmiere famous, the sound that has allowed us to get closer to the understanding of this magic ambient music. The shadow of T.Raumschmiere does not come in with massive beats and basses, yet it
is so imposing and so dark that it seems within our grasp.
In addition to his duties as label manager, musician, and DJ, Haas has also worked as a producer for other artists such as Dieter Meier, Fraktus, Barbara Morgenstern, Das Bierbeben, and Ofrin over the past
few years. The new album by Shrubbn!!, his collaboration with Ulli Bomans, will be released on
Shitkatapult.

T.Raumschmiere

Sleeping Pills And Habits

Nagranie z koncertu w studiu Radia Gdańsk, który odbył się w 2015 roku.
Apolinary Polek - słowa, muzyka, śpiew, gitara akustyczna
Patrycja Polek - śpiew
Cezary Rogalski - kontrabas elektryczny

Na żywo w Radiu Gdańsk

Powiało od jeziora

droga pani

LQ & Midnight Dubs - Dubplate Jugglin ECHO 005

Szczêcie pi wród Bezdro¿y

Senny Beskid

Po wydanym w 2017r albumie “Kaskady”, Dawid Szczęsny wraca z epką “W Pół”, która jak zwykle ukaże się nakładem Latarnia Records.
“W Pół” to 6 utworów będących jeszcze bardziej introwertyczną i outsiderską wersją tego co Szczęsny przedstawił na poprzedniej płycie. Muzyka jest jeszcze bardziej minimalistyczna, a teksty szczególnie zapadające w pamięć. W piosenkach Szczęsnego nie ma żadnego udawania czy mrugania okiem do słuchaczy. Jest surowo i ciemno. 
Nowa płyta Normal Echo to niespełna 20 minut muzyki której warto posłuchać kilkakrotnie, została ona bowiem pomyślana jako całość a utwory nawiązują do siebie nawzajem – zarówno w muzyce jak i w tekstach.

Normal Echo - W Pół ("W Pół" Latarnia Rec. 2019)

allthe%$@

Rinse France Podcast

Download

Promesses invite Banshee - 21 Septembre 2020

a 
Anioły są takie ciche 
G 
zwłaszcza te w Bieszczadach 
a 
gdy spotkasz takiego w górach 
e 
wiele z nim nie pogadasz 

C G 
Najwyżej na ucho ci powie 
C F 
gdy będzie w dobrym humorze 
C G 
że skrzydła nosi w plecaku 
a e a 
nawet przy dobrej pogodzie 

Anioły są całe zielone 
zwłaszcza te w Bieszczadach 
łatwo w trawie się kryją 
i w opuszczonych sadach 

W zielone grają ukradkiem 
nawet karty mają zielone 
zielone mają pojęcie 
a nawet zielony kielonek 

C G 
Anioły bieszczadzkie 
a 
bieszczadzkie anioły 
C 
dużo w was radości 
G a 
i dobrej pogody 


C G 
Bieszczadzkie anioły 
a 
anioły bieszczadzkie 
C 
gdy skrzydłem cię dotkną 
G a 
już jesteś ich bratem 

Anioły są całkiem samotne 
zwłaszcza te w Bieszczadach 
w kapliczkach zimą drzemią 
choć może im nie wypada 

Czasem taki anioł samotny 
zapomni dokąd ma lecieć 
i wtedy całe Bieszczady 
mają szaloną uciechę 

Anioły bieszczadzkie 
bieszczadzkie anioły 
dużo w was radości 
i dobrej pogody 

Bieszczadzkie anioły 
anioły bieszczadzkie 
gdy skrzydłem cię trącą 
już jesteś ich bratem 

Anioły są wiecznie ulotne 
zwłaszcza te w Bieszczadach 
nas też czasami nosi 
po ich anielskich śladach 

One nam przyzwalają 
i skrzydłem wskazują drogę 
i wtedy w nas się zapala 
wieczny bieszczadzki ogień 

Anioły bieszczadzkie 
bieszczadzkie anioły 
dużo w was radości 
i dobrej pogody 

Bieszczadzkie anioły 
anioły bieszczadzkie 
gdy skrzydłem cię musną 
już jesteś ich bratem

Normal Echo - W Pół ("W Pół" Latarnia Rec. 2019)

Latarnia Records

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