Everytime I think of my father and just break down. Beautiful piece.

Good lord this is gorgeous. Heaney's translation, Rea's reading, the musical backdrop. Just breathtaking.

Can we have only the soundtrack without the voice

Every time I listen to this it awakes great emotion... Best listened to at dawn, the combination of 3 Irish great artists; Holmes, Heaney and Rea bring an ethereal air to the fore. Simply Magical.

YKAI

The Bones Of What You Believe

Under The Tide

Music For Psychedelic Therapy (Excerpt)

Download: http://www.xlr8r.com/mp3/2013/12/you-teen-daze-remix

Download

Nils Frahm - You (Teen Daze Remix)

Melodica’s head Chris Coco launches “My Summer Mixtape 2014”,his second annual selection of Balearic music for the summer season from artists on his Melodica label.
The compilation covers a broad range of genres, from Dub and Electronica, to Leftfield and Bass Music, from Drum N Bass to Nu Disco and puts together some of the label’s best artists and few Chris' good friends into this uplifting Balearic journey.
As a little taster Chris gave us this mega chilled track to give away.

Chris Coco - Heavy Mellow (Jon Hopkins Mix)[FREE D/L]

Forever Held

Original track "You where there, somewhere..." from @grkmhn

Hope you'll love it ;)

Görkem Han Jr. - Ywtsw (mindthings rework)

real gym audio

I'm addicted to the track 'Bent' on the new Kiasmos album and decided to make a cover of it. It started off as a purely orchestral piece but then soon fell victim to the catchy beat. 

Kiasmos- Bent (Cover)

Taken from the new album ‘Every Open Eye’ released 25th September – get the track instantly when you pre-order on iTunes: http://po.st/EOEiT | Google Play: http://po.st/EOEgp | Store: http://po.st/ChvrchesStore | Listen & share on Spotify: http://po.st/LATsp

http://instagram.com/chvrches
http://www.facebook.com/chvrches
http://twitter.com/chvrches
http://chvrches.tumblr.com

Tour dates / Sign up: http://www.chvrch.es

Leave A Trace (Four Tet Remix)

Opalescent was recorded in 1999 and originally released in 2001.
It has been re-mastered for its first vinyl release this August 2016.

Cold Out There (2016 Vinyl Remaster)

Buy: http://po.st/LNTDavidHolmes

"Before Jon became the world-famous and respected composer he is today I had the privilege of doing some sessions with him. This is something that we started 8 or 9 years ago and the original idea was less than 90 seconds long. I always loved the feeling it gave me so I decided to develop it for this album as I felt it fitted into what I was trying to say. The words came last. This extract was shown to me by my friend (and one of Belfast’s finest actors), Lalor Roddy because he thought it had a lot in common with a short film I directed called ‘I AM HERE‘, which deals with family and reconnection in the afterworld. It comes from a book called AENEID VI, which was the last work Seamus Heaney translated before he passed; which made it even more special as I consider this to be a very Northern Irish-themed album. When I first read it I was stunned by the similarities and wrote a letter to Mick Heaney (Seamus Heaney’s son) asking for permission. The Heaney family gave me permission (which I am forever grateful for) and the next step was securing the voice of another Northern Irish great, Stephen Rea. A huge thank you to Stephen and the Heaney family for helping me make this happen. It was a perfect way to finish this album." - David Holmes

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Late Night Tales: David Holmes

David Holmes & Jon Hopkins ft. Stephen Rea - Elsewhere Anchises (Late Night Tales: David Holmes)

Stayin' In Black (The Bee Gees   ACDC Mashup By Wax Audio)

with @parraforcuva
„Als ich mit dem Songwriting angefangen habe, hat das Klavier eine wichtige Rolle beim Zugang zu meiner Kreativität gespielt. Es ist ein Symbol für meine ästhetische Wahrnehmung der Musik. Besonders die Leichtigkeit der softeren Töne harmoniert sehr gut mit meiner Musik. Schon ein paar Tastendrücke können so viel ausdrücken, das können nicht viele Instrumente. In vielen meiner Songs benutze ich das Klavier und in einigen ist es sogar das Schlüsselinstrument."

Read More here: http://i-d.vice.com/de_de/article/piano-day-quotes
& here: pianoday.org

Get It Here

Christian Löffler - Pigment (Parra for Cuva Piano Reinterpretation)

Phoebe Bridgers - “Motion Sickness“ from Stranger In The Alps out Sept 22, 2017 on Dead Oceans.

Pre-order Stranger In The Alps / Stream “Motion Sickness”: https://PhoebeBridgers.lnk.to/strangerinthealps

Phoebe Bridgers - Motion Sickness

Listen / order: https://7K.lnk.to/Oceanic

Follow 7K!:
https://www.facebook.com/7Klassik/
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http://7k.k7.com/

Niklas Paschburg - Spark

from 'Facades' [CD|10''|DIGITAL]
Denovali Records · den290
available on all formats at [http://www.denovali.com/orsonhentschel]

Only six months after his sophomore album, which has showcased a "tense repetition of short phrases, often building big, dramatic pieces starting with a single stuck-in-the-machine sound" (Decoder) and an "analogue cyber trip-hop of an impressive depth of focus as an acoustic furniture for an apocalypse lounge" (Groove), Hentschel returns with a two-piece EP showcasing yet another aspect of his musical spectrum. While the first two albums featured only instrumental tracks, "Facades" are the first two pieces in which Orson Hentschel works with text as a main musical element for his composition, although he approaches vocals from a rather particular perspective.

For Hentschel, the spoken word is always music and thus not different than any other instrumental input or sound layer. Consequently, he is only interested in the sound of the spoken words on Facades, but not in any content they convey. The idea for Facades was born at a time when Hentschel was struggling with a writer's block for several days in a row. He realised that just writing about nothing was the only honest way for him to express himself through text as a medium. After doing some research on the subject he found John Cage's "Lecture on nothing" which has appeared in the book "Silence" (1961). This encouraged him to work out his idea and he wrote a German text which then Danhee Joe, an accidental acquaintance of his, translated into Korean and spoke with her warm voice. Thus Orson Hentschel used the text in the same way as he uses any sound material - it is transformed into something else, it is being alienated. The spoken words are embedded in repetitive and minimal-minded electronic sound layers which even penetrate primordial technoid territories. However, sticking to his trademark long arcs of suspense, the listener has to wait until the last two minutes of the second track for the first, cathartic beat.

Facades

Orson Hentschel - Facade I

Late Night Tales: artist-curated compilations. Night Time Stories: original artist releases.

Late Night Tales invites the world’s best artists to delve deep into their music collections to create the ultimate “late night” selection. The series includes expertly curated mixes by Bonobo, Jon Hopkins, Nightmares on Wax, Nils Frahm, David Holmes, Groove Armada, Belle & Sebastian, Friendly Fires, The Flaming Lips, Metronomy, The Cinematic Orchestra, Four Tet, and Jamiroquai.

The Night Time Stories imprint releases original artist recordings including Khruangbin, Chaouche, and Rae & Christian.

David Holmes & Jon Hopkins ft. Stephen Rea - Elsewhere Anchises (Late Night Tales: David Holmes)

Late Night Tales

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