Name: Live @ Nowadays // Opening before Radioactive Man - Jan 26 2024 by DJ Voices
Duration: 3 h 34 min 33 s
Description: Complete opening set before the legend that is Radioactive Man. Big love to Keith, Nowadays staff & all the dancers <3

😵‍💫 this last 30 minutes segment has been aomething else

ces Let's make your music stand out! 🌟🎵 -  insclife

Rinse FM Podcast

Ciel: Susumu Yokota Special - 12 January 2024

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


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A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
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Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

Nothing in Moderation with DJ Voices @ The Lot Radio 01-31-2024

livwutang at Outra Cena, This Side, 20/01/2024

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

Recording of DJ Python's set at Dekmantel Selectors 2023.

TASCAM DR-40X

DJ Python at Dekmantel Selectors 2023

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle.

In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play.

FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you.

@FAUZIA

Read more at https://ra.co/podcast/926

RA podcast

RA.926 FAUZIA

9th June 2023, the incredible @kiernanlaveaux live at Mansions, NYC. A 2 hour snippet of a 6 hour set. <3

Artwork by her partner Malzof with a photo from this Mansions set

"The shape design is from Wind Chorus by Pauline Oliveros - which I also have the design of on some custom slipmats that are also visible in the photo ;)"

<3

ani/live Forty: Kiernan Laveaux @ Mansions

Complete opening set before the legend that is Radioactive Man. Big love to Keith, Nowadays staff & all the dancers <3

Live @ Nowadays // Opening before Radioactive Man - Jan 26 2024

Nowadays Live and Direct returns after a long hiatus with a 5-hour recording from Carlos Souffront (@csouffront), recorded from 10 am - 3 pm at our Halloween Nonstop party on October 29, 2022. Carlos returns to Nowadays for another Nonstop set this weekend, playing from 3 pm to 6 pm Sunday afternoon.

A regular at Interdimensional Transmissions' No Way Back parties in Detroit and beyond, Carlos Souffront brings a brilliant sense of creative alchemy to the decks, combining years of experience and digging with a sensibility like no other. Abstract rhythms meld together into inexplicable chaos magic. Dark, shadowy selves emerge, ready to be explored with a sense of mischief and playfulness, carried through by an acid bassline or cheeky vocal.

For this extended Halloween set during the real witching hours, Carlos summoned all of the party gremlins, goblins, and ghouls to the Nowadays dancefloor for the ultimate seance.

Nonstop: 3/9-3/10

Nowadays Live and Direct 016: Carlos Souffront

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

energy & drama over genre /// 

resident @nowadaysnyc @thelevelparty
nothing in moderation on @thelotradio
co-founder @workingwomennyc

tracks: latenitesbookclub@gmail.com
bookings: eu/uk - Peter@FMLY.agency
na/sa - s@icartists.net

Upcoming dates: 

July 1 - Corsica Studios, London 
July 2 - Weelde, Rotterdam 
July 3 - Garage Noord, Amsterdam 
July 8 - Ved Siden Af, Copenhagen 
July 9 - Bilbao BBK 
July 23 - Nowadays with Two Shell
July 30 - Level Party at Glen Falls
August 19 - Panorama Bar, Berlin 
August 20 - Strange Brew, Bristol
August 26 - Sneaky Pete's, Edinburgh
August 27 - Tengu, Dublin 
September 3 -  La Trabendo, Paris
September 9 - Nowadays w/ Lee Gamble & T.Wan 
September 15 - Sustain Release b2b Roza Terenzi

Live @ Nowadays // Opening before Radioactive Man - Jan 26 2024

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