Download on Bandcamp, part of "Singles - Volume 2"
https://tristaneckerson.bandcamp.com/album/singles-volume-2-album

Pour Mahdi

Oversky

Please, remember: listening without wired headphones results in the loss of quality of the sound. The use of cabled headphones or earphones preserves the richness of the sound of all orchestral sections. This is very crucial for classical music.

Largo espressivo per Orchestra

Federico Albanese - THE BLUE HOUR


'The Blue Hour' will be released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016   

Buy on Itunes - https://itunes.apple.com/us/album/the-blue-hour/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.   

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.  

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Buy on itunes

Migrants

Leaving

You can buy and download my albums here:
https://peternanasi.bandcamp.com/

Grace

Classically trained pianist and composer Carlos Cipa returns with Sculptures, a piano-solo mini-album, right in time for some calm and quiet winter days.
Most of 2017, Carlos has been working on his next full-length album, a colourful record combining piano and other key instruments with a variety of orchestral instruments and electronically processed soundscapes, which will see the light of day in 2018. In between writing scores for musicians and long recording sessions, he often found himself sitting on his upright piano late at night, messing around with simple melodies or patterns as a distraction.
Recorded in his very own Beatschuppen Studio over a couple of days in November, Sculptures brings a few of these raw, intimate song fractures to life and places them alongside three brand mark pieces of Carlos Cipa’s second album, re-recorded on his peculiar Upright piano for the first time.

Fragile Window

Original soundtrack composed for the movie "The Cakemaker" (2018) directed by Ofir Raul Graizer. Watch the video of my performance here: https://www.youtube.com/watch?v=lqICyb7fhjY
Watch the movie trailer here: 
www.youtube.com/watch?v=EzJKBdRfk0U
This is a live recording from my studio, July 2018.
All music composed, performed, mixed & mastered by 
Dominique Charpentier © 2018 Dominique Charpentier. 
Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. 
All rights reserved. Made in the E.U

The Cakemaker (Original Motion Picture Soundtrack)

EP + FREE Sheet

The Cakemaker Soundtrack - Live from my Studio (July 2018)

Lucciola

Buy the album

Hymn

Born in 1985, at the age of five she began studying violin and graduated from the Conservatory of music of Verona. After her Jazz specialization, she began to experiment with a wide variety of contemporary musical styles.
In 2015 she collaborated with Lorenzo Masotto for the single 'Pierrot', released on Moderna Records.
In 2017 she recorded as first violin with the orchestra 'Come ti vedono gli altri', a tribute to Luigi Tenco with arrangements by Mauro Ottolini.
She recorded the soundtrack for the movie 'Gli Asteroidi' by Germano Maccioni, in selection at the Locarno Film Festival.
In 2018 she composed the original soundtrack of the video installation created by Duae Collective titled 'Pattern for a Relationship', which is part of the project “Besos” and exhibited at Fabra i Coats Contemporary Art Center in Barcelona. 
Her first solo album 'Fireflies' is a collection of compositions performed live with the use of a looper which allows her to accompany her melodies independently. The album is released on Lady Blunt Records and it was presented with Sofar Sounds in Los Angeles in January 2019.

Lucciola

Laura Masotto