LAYLITMIX007: LORIS @lorisms

After her amazing DJ set at Laylit #25 in NYC (Nov 2021), Loris has graced us with a new mix as part of our ongoing series. Enjoy!

LAYLITMIX007: LORIS

We asked the brilliant El Kontessa for a mix and she delivered the goods! Expect a badass, inspiring, boundary-pushing mix that will make you travel to musical places you didn't think existed. El Kontessa is based in Cairo and we hope to have her grace our stage one day! In the meantime, enjoy this mix.

[bio]
El Kontessa is the stage name of Cairo-based DJ, producer, who mainly experiments with Egyptian Mahraganat and pop music, deconstructing the genres in her productions, and also in her DJ sets where she blends them with different genres and elements from Cairo’s soundscapes to astonishing results that are akin to a live set.

She made her music debut as El Kontessa in 2018, performing live shows in Egypt, Tunis, Switzerland, and Jordan and has since featured on various prestigious platforms around the world, such as Nyege Nyege Festival, Boiler Room and Vice magazine, as well as radio stations such as NTS, Rinse FM, Movement Radio and Noods.

@kontessa-480487752

LAYLITMIX008: El Kontessa

Our latest artist mix is by our very own SAPHE. He delivers a bold, boundary-pushing and genre-bending mix that contextualizes SWANA producers and artists in the larger picture and dares to think about what possibilities lie ahead.

LAYLITMIX009: SAPHE

Once in a blue moon you hear a mix and you think to yourself: "I've never heard anything like it". This is how we felt when we heard this beautiful mix by @falyakon. We invite you to dive into her truly boundary-less and rich mix and get lost into her world.

***

Falyakon, is a multi-instrumentalist and DJ based between Palestine and Berlin. She hosts a monthly radio program on Root Radio, and is also co-curator & resident DJ of Al Musalsal; a series of live performances and DJ sets in Palestine and beyond. Falyakon breaks the rules of mixing in multi-layered, genre-defying, erratic sets, that express what being free truly means. She is controlling time and distorting structure by warping rhythms and morphing tones in a journey filled with distant memories, interruptions, and projections of what is to come.

Free Download

LAYLITMIX010: FALYAKON

A remix of 'Guess featuring Billie Eilish' by Charli XCX by @nadim-maghzal

Guess (Nadim Maghzal Remix)

FREE DOWNLOAD
https://shorturl.at/7bDUK

Produced by Nadim Maghzal @nadim-maghzal
Mixed by Nadim Maghzal
Mastered by Jesse Osborne-Lanthier

Enab x Sandstorm (Nadim Maghzal Edit) - Preview

Detroit-based producer, DJ, and songwriter Tammy Lakkis—a Laylit mainstay—takes on Lebanese composer and producer Elias Rahbani’s nursery rhyme from 1976, sung by his sons Ghassan and Jad and recorded in 1976. Her “dark edit” is both bubbly and sinister, the juvenile voices processed to sound plastic and somewhat alien over a jacking bassline and car horns.

Produced and Mixed by Tammy Lakkis
Mastered by Jesse Osborne-Lanthier @ Landsc8pe Studio, Montreal


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Killon Andon Siyyarat (Tammy Lakkis Dark Edit)

In the hands of multi-talented Lebanese producer and DJ Jana Saleh, legendary singer and actress Sabah’s mawwal “Abou el Zoulof” is drowned in reverb, pitched down, and punctuated by an intoxicating deep kick drum and a metallic drone.

Produced and Mixed by Jana Saleh
Mastered by Jesse Osborne-Lanthier @ Landsc8pe Studio, Montreal


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Zuluf 2.0 (Jana Saleh Remix)

Inimitable Syrian producer and DJ Hello Psychaleppo (@hellopsychaleppo) takes on none other than the Sultan of Tarab George Wassouf’s Sibhom, a song about lost love and friendship. The remix pairs Wassouf’s unmistakable guttural and melancholy voice over thunderous drum’n’bass.

Produced and Mixed by Hello Psychaleppo @hellopsychaleppo
Mastered by Hello Psychaleppo


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Sibhom (Hello Psychaleppo Remix)

On “Dabkecore شعلت”, Laylit’s very own Nadim Maghzal (@nadim-maghzal) lends his signature frenetic touch to a Syrian Dabke classic. A rousing staple of the Laylit party dancefloor, Maghzal’s remix doubles down on the percussion and unleashes a dance of infectious vocal loops around the electric Dabkeh keyboard. 

Produced by Nadim Maghzal @nadim-maghzal
Mixed by Pierre Guerineau 
Mastered by Jesse Osborne-Lanthier @ Landsc8pe Studio, Montreal


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Dabkecore شعلت (Nadim Maghzal Remix)

NAR’s (@narrokh) addictive remix of pop icon Lebanese Haifa Wehbe’s “Wosoltelha” sets a pummeling drumline against a pitched-up and accelerated treatment of Haifa’s lovesick ballad.

Produced and Mixed by NAR  @narrokh
Mastered by NAR


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Haifa's Khalas (NAR Remix)

On her sparse yet entrancing remix of Syrian singer Saria El-Sawas’ beloved “Bas Esma3 Minni”, Loris (@lorisms)  gives Sawas’ voice center stage. Echoing around a swooning drum track, El-Sawas’ assertive plea sounds as irresistible as ever.

Produced and mixed by Loris @lorisms
Mastered by Jesse Osborne-Lanthier @ Landsc8pe Studio, Montreal

--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Bas Esma3 Minni (Loris Remix)

El Kontessa’s (@elkontessa)  startling, shapeshifting remix of Egyptian singer Angham’s “Fakrak” opens with warped strings and a frozen vocal sample before launching into an explosive, no-holds-barred rush of looped vocals (“You’re on my mind”) and chaotic beats that soon revert to the sluggish trance of the opening.

Produced and Mixed by El Kontessa @elkontessa
Mastered by Jesse Osborne-Lanthier @ Landsc8pe Studio, Montreal


--- Part of Laylit Compilation 001 ---
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

Fakrak (El Kontessa Remix)

** FULL TRACK AVAILABLE ON BANDCAMP or IN DOWLOAD LINK ABOVE ***

New-York-based musician, DJ, and audio artist Dynoman (@dynoman) takes on “Abdel Kader”, the anthemic Algerian classic about 12th century Sufi leader Shaikh Abd al-Qadir al-Jilani, performed live by raï royalty Khaled, Faudel, and Rachid Taha in Paris, in 1998. Dynoman’s Gear Fourth Bootleg speeds up the original as it gathers propulsive force against a swelling acid bassline.

Produced and Mixed by Dynoman @dynoman
Mastered by Dynoman

<<< Part of Laylit Compilation 001 >>>
To mark the 100th edition of Laylit (@laylit), we commissioned some of our most adventurous collaborators to produce remixes of beloved songs from the Arab world. In this first of many compilation releases to come, some remixes reinterpret pop songs from the last decade while others reconfigure classics from the Tarab repertoire for the dancefloor. What they share is a spirit of experimentation and genre-bending that characterizes Laylit’s approach to percussive electronic music.

PREVIEW -- Abdel Kader (Dynoman Gear Fourth Bootleg)

Remix produced by SANTO and Nadim Maghzal
Based on "Ti Rash Rash Daq Al Mani" by Rami Hussein

Ti Rash Rash (SANTO x Nadim Maghzal Remix)

Egyptian pop and movie star Mohamed Ramadan’s “Bum Bum” barrelled into the Arab music charts early in 2020. A nocturnal tale of accidental intoxication and the mayhem that ensues, “Bum Bum” becomes, in the hands of the chameleonic Dynoman, a convulsive, Footwork-adjacent frenzy of stuttering drums and laser-beam synths. 

Trust us, you’re going to be playing this one on repeat.

Bum Bum (Dynoman Did It)

LAYLITMIX001: Wake Island (Phil's handwash dreams أحلام فيليب المغسلاتية)

LAYLITMIX002: SAPHE (3ala ElectRona - على الكترونا)

LAYLITMIX003: Wake Island (Sick Beats - سك بيتس)

LAYLITMIX004 - WAKE ISLAND - Chill-ish - شلش (Digital Laylit 1.0)

LAYLIT MIX005
Livestream for Festival Accès Asie (Montreal) - May 2020
DJ: Saphe @itwasparadise

LAYLITMIX005: SAPHE - KAHRABA كهرباء

LAYLIT MIX006
Livestream for Festival Accès Asie (Montreal) - May 2020
DJ: Saphe @wakeisland

LAYLITMIX006: WAKE ISLAND - Boum Boum Baba بوم بوم بابا

✨Celebrating music & artists from the Arab/SWANA region & diaspora
✨founders @djsaphe + @djmnsa + @nadim-maghzal

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