dirok

فارسي😇

Kurd

Siirtli

Tahsin Taha- Min Xem Daryayeka Kwra

Yorgun Demokrat

Leyla [TS]

Sumie

Never Wanted To Be

Buy on iTunes

Sumie - Never Wanted To Be

"tevlihev" is a musical project which takes start with the idea that music is one of the most fundamental factors forming a basis for the cultures of the people and societies. Taking the musical history into consideration, it can be argued that music is maybe the greatest tool used to express the pains, sorrows, loves, joys, truimphs, defeats, shortly all kinds of feelings and experiences of human life… 

music has been used sometimes for the seek for justice, sometimes for the struggles against unfairness, sometimes for the victories achieved. Music has always showed its effects on the minds and thoughts of people, their decisions, their perceptions of life and their actions. In a sense, music has a magnificent power on human life. 

tevlihev, as a musical project, is mainly focused on the music of northern mesopotamia. So, what are the components of the northern mesopotamian music?
All the cultures and societies of northern mesopotamia have a deep-rooted history. These cultures and societies consist of, inter alia, kurds, amenians, assyrians and yezidis. The common point for these cultures and societies is that, all of them have been living on their homelands for a long time, and they have often become subject to oppression in terms of identity and cultural freedom. These oppressions still exist today. 

These societies have often became derived of their fundamental rights and have been forced to live in a limited freedom. For that reason, these societies have faced obstacles in every aspect of life, in art, in personal development and in science and they had to become weak in these areas. These obstacles and weaknesses have caused the grand cultural acquis of these ancient societies of mesopotamia to become devoid of the opportunites for being transferred to the forecoming generations, become deformed and forgotten… 

As tevlihev, we are handling this subject in terms of music and carrying out our efforts on the platform of music. We came together to evoke the musical maerilas and melodies of our ancestors, to help them to not be forgotten and to revive the brilliant melodies of mesopotamia again with a fresh new spirit. 

And while performing these pieces and melodies, we are making a musical synthesis by blending them with western sounds and musical forms without giving any harm to the original authentic substances of the melodies and pieces. And this lets us to expand these substances form the local to the universal. We can name our project as “north mesopotamia folk blues-flamenco project”. Themes of the melodies and pieces we perform are various. Some of them are the songs esulting from experienced social sorrows, some of them are love pieces reflecting the authentic rituals of the region, and some of them are banned songs which had caused their performers to face with legal penalties and exiles. 

We play our songs by kurdish-zaza-armenian-syriac languages...

Delori

sara naini - esharate nazar

Metrisin önünde durdum , hasretim yerlere vurdum ) 2

Ben dağlarda uçan kuştum , uçan kuştum ) 2
Kanatlarımdan vuruldum )

Yıllar var ki yorgunum ben , gökyüzüne vurgunum ben ) 2

Mahpuslarda durgunum ben , durgunum ben ) 2

Metrisin önü kahveler , kahvede can annem bekler ) 2

Dağlar köyler türkü söyler , türkü söyler ) 2
Dağlar köyler yolum gözler )

Geze geze yoruldum ben , gökyüzüne vuruldum ben ) 2

Mahpuslarda vuruldum ben , vuruldum ben ) 2

Metrisin Önü - Ahmet Kaya

Ahmet Kaya - Sözüm Şiirlerin Mükemmelidir*

Sepideh Raissadat - Chahargah - Ey Bahar-E Man
سپیده رییس سادات - ای بهار من - دستگاه چهارگاه
Ghasam Be Nargese Mast [Feat. Iman Vaziri & Ali Rahimi]

ای بهار من ای نگار من بیا بیا بنشین به برم
که بی تو از خود بی خبرم تو راحت جانی
می به جام تو غم به کام من به ساغری بنشان شررم
بیا بیا بنشین به برم به عهد و پیمانی
میسوزد همه پیکر من
بنشان با لبت اخگر من
بشکن ساغر می به سر من
که نشنوی فریاد مرا
چو برکنی بنیاد مرا به جور و بیدادی
چو جام جانم را شکنی
اگر نظر بر ما فکنی چه جای فریادی
ای ساقی گل سیما
بنما کرمی با ما
یک جرعه شرابی ما را
مست از می نابم کن
از باده خرابم کن
پر کن قدح مینا را
ما ییم و گدای خانه ی می
شد این دل ما ویرانه ی می
بنگر به دل بشکسته ی ما
در پای خود ای مستانه ی می
با ماااا مستی آآآ
با ما مستی ها تا کی
بیا بیا بنشین به برم
که بی تو از خود بی خبرم تو راحت جانی
به ساغری بنشان شررم
بیا بیا بنشین به برم به عهد و پیمانی

Sepideh Raissadat - Chahargahو Ey Bahar-E Man, سپیده رییس سادات - ای بهار من، دستگاه چهارگاه

Rojda - Şahiya Stranan - Delalê

2000 yılına gelindiğinde her türlü umarsızlığa ve karamsarlığa geçit vermemenin adı olan “Beklenen Uzak Değil” adlı albümünü gerçekleştirdi. Çok sesli koro ve şiir ağırlıklı bu çalışmada anonim türkülerin yanı sıra Pir Sultan Abdal ve Tufani gibi halk ozanlarımızın türküleriyle zengin repertuar ve farklı bir sentez oluşturdu.

Piya şime

Homer Dizeyî & Lara Dizeyî - Kurdistan

Shvan Perwer - Min Beriya Te Kriye

Şakiro - Kekê Xiyasedîn

دڵم تەنگە و پەرێشانم دەمێکە
خەیاڵم هەر دەمەی لانەی خەمێکە
ئەوەندە دڵ پڕم پێم خۆشە بگریم
کە فرمێسک و هەناسەش مەرحەمێکە
دەمێنێ هەر بمێنێ با بمێنێ
یادی تۆ لە دڵی من با هەر بمێنێ
ژیانم پڕ لە رەنجە و نامرادی
بە هەڵکەوتیش نەهاتم تووشی شادی
دڵم هێن تەنگە ، هەر جێی تۆ دەبێ و بەس
ئەتۆش مەحکوومی حەبسی ئینفرادی

Limoye Shiraz~ Rouhangiz

Jîa Xecê S.