an excerpt of the intro of a song written by my good friend Dyniss from back in the day when we were in a band together (lead vocal - Dyniss, harmony - me). It's a good example of our vocal tandem when we sang together. 

Here is a cover of Dyniss's band covering "We Can Work It Out", with me on vocal lead: 
https://soundcloud.com/user-432503709/we-can-work-it-out-with-dyniss-vocal-mark?in=user-432503709/sets/singing-stuff

Here is a medley of Dyniss tunes recorded from our rehearsal sessions:
https://soundcloud.com/user-432503709/dyniss-ditties-bestest-bits?in=user-432503709/sets/compilations

For more about Dyniss, visit http://dyniss.com/

Live in the Studio

Less Than Me (intro harmony / song by Dyniss)

This week's haiku, by Hege A. J. Lepri, inspired this improvisation on a Doheny guitar, plus effects. 
Recorded and mixed in Reaper.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Cumulus (naviarhaiku499)

The assignment this week was to produce a song with as much silence as notes. I did not interpret silence as being total silence.

More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/

Thanks to Jason Richardson for having proposed this week’s project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

negative space [disquiet0605]

when I change guitar strings I don't cut the part that is left over, like civilized people do, but I leave it and use it sometimes to make noises or to stop some strings from playing. In this case I "played" only these pieces of string, without touching the guitar

offshoots

Hi, lately I’ve been working a lot (for a professional assignment) on orchestral soundscapes, so my previous Soundcloud shares were done using sample libraries, a friend’s cello performance and my own upright basses (using my bow)

This one, recorded yesterday and edited and finished today (Friday the 27th Oct 2023 is just me and my multitracked bowed bass , to achieve a noisy, creepy tone I didn’t use any rosin on the bow, so i could get some nasty tones bowing very hard and all around the strings. It was fun, just improvising one track on top of the previous and playing around some cathedral convolution reverbs, a Lexicon Hall at 18 seconds and one instance of the great Valhalla Supermassive (always useful for this stuff, with the right settings it transforms a noisy harmonic into a gorgeous sustained pad )

This one’s dedicated to William Burroughs and is called Rotten Ectoplasm.
Happy Halloween to everybody.

https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape

negative space [disquiet0605]

LazenbeeIndustries