for a chill day I’d add this to my playlist

Arman runs while waiting for somebody special

nice song bro, I like it, Good job, Keep it up man, congratulations

Wonderful ambient sound. I like it 🔥🔥

My type of LOFI sound. Very nicely put together

cozy vibes bro , like this moring coffee with this one

If you want me to write Professional level PIANO music for a project, Check out my Fiverr Gig:
www.fiverr.com/s/QVqWRy

Hold On

The instrumental track I'm presenting is a blend of electronic and pop sounds with rock riffs and solos played on my Strat. I used the AKAI MPC Live for recording and the MPC Software for mixing and mastering. All the instruments are plugins on the MPC.

Hot Guzzis

Can't Rain All The Time

My Mind Runs Wild When I'm Waiting for You (Instrumental version)

Felt like making a mellow track yesterday.  After it was finished, it felt like a moment I had years ago where I had finally let something that I had been holding onto in my entire life go finally.  It was a moment when my anxiety quieted for the first time that I could remember and I was able to slow down and settle for a time.

Letting Go

Miracles

“Grill that Snapper” stands as a track that bridges the gap between the introspective nature of acoustic music and the bold expressiveness of electronic music. It's an audacious fusion that respects the listener's intelligence and emotional capacity, promising a rich and rewarding listening experience. Each note and silence in between tells a part of a greater story. This piece isn’t mere background music; it's a sophisticated journey through sound that demands active listening and rewards with layers of intricate details.

It begins with a soulful dialogue between a plucked acoustic guitar and a warm legato bass, setting a scene of introspective calm. The guitar's melody, adorned with subtle sound FX, tells a poignant story without words, inviting listeners into a world of reflective tranquillity.

Transitioning into the first verse, the mood remains contemplative yet gains texture. The upright bass, intertwined with an electronic sub, takes the lead, its legato tones painting a soundscape of introspection and subtlety. Here, the guitar shifts to a supporting role, its strings now weaving a background tapestry. This section is coloured by chords that evoke a jazzy feel, their complex harmonies hinting at emotional depths and unspoken narratives.

The bridge emerges as a delicate duet between guitar and piano, their interplay creating a sense of intimacy and shared secrets. This brief interlude builds gently, the chords simplifying yet deepening the emotional resonance. The addition of cello and bass strings, along with legato sax and oboe, lends a classical touch, further enriching the tapestry of sound.

As “Grill that Snapper” progresses, it gradually turns up the heat. The entrance of a straightforward, pulsing 4/4 beat marks a shift to a more vibrant, electronic landscape. Bowed violins add drama over the steady rhythm, their melodies intertwining with heavy piano chords. The juxtaposition of the electronic rhythm with the jazzy downward chord progression creates a dynamic tension, a dance between two worlds.

Reaching its climax, the track becomes an electrifying blend of filtered arpeggios and orchestral drums. The chaos of the arpeggios, set against the backdrop of a rhythmic electronic beat, paints a picture of controlled frenzy, a climax of emotional and musical intensity.

In its final act, “Grill that Snapper” returns to its acoustic origins, revisiting the serene mood of the opening verse. The outro, a mirror of the initial bridge, serves as a contemplative denouement, bringing the listener full circle. It's a conclusion that invites reflection, a moment to absorb the rich journey that has unfolded.

Grill that Snapper

Watch the video: https://youtu.be/S6kn94WnluY?si=UEaJwwjk3x8vgZQU

What might happen if a nuclear war were to happen between Russia and United States? 
Who would survive?
One thing is clear – “There are no winners – only losers”

There Are No Winners

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

Lipsticking

Wonders

🎶 Welcome to my page! 🎶 
Take a ☕, sit back, relax and enjoy the tunes!
Feel free to follow me on Instagram where I share my artwork and check out my YouTube channel. 
Looking forward to meeting and connecting with other musicians.

My Mind Runs Wild When I'm Waiting for You (Instrumental version)

Lazy Core

Recent comments

Kalapton

Granados

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🎧Rennel 🎹🎹🎹

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