Youtube Channel
http://www.youtube.com/thesoundyouneed

Music at its finest.


MasterPlan Production
Willemstad, Curacao

Mito Mael (Mitchell van der Goot ) is een getalenteerde producer met een indrukwekkende 
achtergrond als DJ. 

Al op jonge leeftijd begon hij met het draaien op feesten
en festivals en heeft hij een scherp gehoor voor muziek ontwikkeld. 

Zijn passie voor muziek heeft hem geleid naar de productie van Urban, Trap 
en Rap/HipHop. Met zijn unieke stijl en oog voor detail, heeft Mito Mael 
een groeiende reputatie als producer opgebouwd. Hij weet hoe hij zijn muziek
moet produceren vanuit het perspectief van de luisteraar, waardoor zijn tracks
een unieke en meeslepende ervaring bieden. 

Zijn sterke werkethiek en creatieve visie maken van Mito Mael een artiest met een blijvende indruk.

Established in London, 1999.

#HouseMusicAllLifeLong

Tour Dates: http://jauzofficial.com

Management: 
Moe Shalizi - Moe@theshalizigroup.com
Steven Pahel - sp@theshalizigroup.com

Follow My label Bite This!: @heybitethis
Facebook- www.facebook.com/heybitethis/ 
Twitter- twitter.com/heybitethis 
Instagram- Instagram.com/heybitethis 
YouTube- www.youtube.com/heybitethis

Get social, meet new people, flirt with the whole crowd, go all the way! That's what SKIT is all about.

Friends & SKIT deejays:
The Flexican, GirlsLoveDjs, Lady Bee, Sef, Dio, Fs Green, Dyna, Phalerieau, Abstract, Flava, La Fuente, Mr Simpson, Robin Selecta, Richie Lee, Dan Stezo, Lentini, Mr. VI, Rough & Maximoes.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Our new track 'Ain't Nobody’ together with RUZE is OUT NOW:
https://thecuckoosnest.lnk.to/AintNobody

Often described as the Netherlands' most striking DJ duo, Mr. Belt & Wezol combine retro with the new. In both their DJ sets as their discography you can expect sample-based house tracks, curated carefully to hit a sweet spot between the known and the unknown.

With performances on Tomorrowland, Mysteryland and Ultra there's a big chance you will see the guys in real life. But if you really want to see them in their element, you should visit their "The Cuckoo’s Nest" hostings and clubshows. At these events they play long solo sets or invite all of their DJ friends for a huge back2back frenzy. The ADE editions are traditionally sold out and new editions will be announced all year round.

Bookings: 
yoeri@davidlewis.nl

Management: 
info@mrbeltandwezol.com

Also subscribe to our radioshow: @thecuckoosnestradio

It was 1998 when he used a mixer and a turntable for the first time, he immediately started working in private parties and then he proposed his music in the clubs and pubs of his city, achieving great success. He immediately became interested in techno-underground music, but was conditioned by trance and hardcore music, which he met during a trip to Holland. Over the years he abandoned the turntable and mixer to use digital instruments, so he started playing live in illegal raves with the name “TRAUMATEKNO”. Raised artistically and musically, he now prefers a softer musical genre ranging from “deep house to techno and from tech-house to underground. He is currently working for several labels including the famous TRAX records and has created his own independent record label "GrooveArtMusic" and "GrooveArt black edition"

LCCATALDI is following