Wandering around concrete, industrial ruins. The landscape leaves us  speechless. we imagine bodies diving into an ocean of residue. Alone atop a lighthouse, watching and listening to interferences oscillating upon the 
asphalt, we reflect about our pasts, our futures… Our complex story begins in winter 1974, an intense adventure 
With M.
HAUTE LÉVITATION MUTÉE

“Ruines, Béton & Industrie” follows the 30-year-old friendship between Guillaume and Andrew.  They met in Grenoble, the French techno city, home of The Hacker, Kittin and Etant DonnéS. They also discovered rave culture together. It took almost 20 years before they recorded their first song.
Between reality and the digital realm, they started to record, compose, write and exchange what would become this LP around 2020.

Bordeaux-based, Guillaume works as an artist plastician and sound performer. He is known for his project The Garçon and performs under the moniker Po.Go.
Berlin-based, Andrew spends most of his time there and in his studio in Bretagne, France. He is part of the electronic Disco band called Acid Washed and has collaborated with Patti Smith and Jean Michel Jarre.

Andrew and Guillaume incessantly travelled back-and-forth between Berlin and Bordeaux, communicating via email, to create this record. 
LPS founder Assaf, first encountered Andrew in the local Berlin scene, and was astonished by his eclectic variety of electronic music; the type of art that fits the label like a glove. Beyond their sonic adventures, the duo inspired Assaf to rekindle his ‘not so hands-on’ virtues and express visual reverence, 
creating the album’s artwork.

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LYRICS:

JE SUIS CUIT
J’AI LA PREUVE QU’C’EST MOI
QUI FABULE
QUI M’ALLUME SUR TOI
DIFFICILE À M’ATTENUER TEL QUEL
RIVÉ SUR LES MESSAGES DE M
CETTE FOIS CI LES PIEDS DANS LE BITUMES
MA MÈRE ESPERAIT QUE JE SOIS GAY
PLUS SIMPLE POUR ELLE QU’IL N’Y AURAIT QU’ELLE
ELLE MÉLANGEAIT LE N’IMPORTE QUOI
PARTIE SANS SAVOIR QUE TU EXISTAIS
QUE TU SEMBLAIS MON SEMBLANT DE ROI
JE TE QUITTE MAIS JE NE COMPRENDS PAS
LA NÉCESSITÉ DE T’OUBLIER
EN SACHANT QUE JE N’Y ARRIVERAIS PAS
JE CONNAIS LES BATTEMENTS QUI FONT
AVANCER ÉVINÇONS
AVANÇONS ÉVINCER
DÉCANTER
ALORS QUE TOI SEULE LE SAIS / ALORS QUE MOI SEUL ME TAIS / ALORS QUE TOI
SEULE LE SAIS
TU ES PRISME
JE NE VOIS QUE TOI
JE TITUBE DEPUIS DEUX ANS DÉJÀ
ESCOMPTER, M’OBLIGER,S’ALLONGER ANALYSER,L’ABANDON, ABONDER DANS LE
SENS DU RIEN
JE SUIS LOIN D’ÊTRE UN HOMME ALPHA
C’EST CE QUE TU AIMAIS POURTANT CHEZ MOI
VOUS VOUS ÊTES CEPENDANT ENFUIES JE N’AI RIEN EN VAIN SAISI
ALORS QUE TOI SEULE LE SAIS / ALORS QUE MOI SEUL ME TAIS / ALORS QUE TOI
SEULE LE SAIS
ESPERER / SE RETROUVER
ALORS QUE TOI SEULE LE SAIS / BIEN PLUS TARD OU À JAMAIS / ALORS QUE MOI SEUL
ME TAIS
DOIS JE SUSPENDRE MON ENSEMBLE ? EST CE MON RACCORD OXIDÉ ?
C’EST LA VALVE QUI S’ÉPANCHE
ET SI J’DÉBRANCHE MON CARDIO ?

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ALL SONGS COMPOSED: BY H.L.M.*
EXCEPT B2 COMPOSED BY H.L.M.*, PASCAL BONNARD & NICOLAS SERGÈRE-TAVARES SOUSA (KINO)
LYRICS WRITTEN & INTERPRETED BY GUILLAUME LAIDAIN 
PRODUCED & MIXED BY ANDREW CLARISTIDGE
MASTERED BY MIKEY YOUNG
INLAY PICTURE BY CLARA SOKOL
ARTWORK & LAYOUT BY ASSAF BOMGARD
*H.L.M. ARE GUILAUME LAIDAIN & ANDREW CLARISTIDGE

Ruines, Béton & Industrie

H.L.M. - M

synthpop / electro / minimal / coldwave / darkwave / industrial / post-punk / punk

I'm a writer/artist but enjoy crafting house, techno and ambient/chillout mixes for fun on the side. 

You can find more of my mixes here: http://www.mixcloud.com/aeoneye/

Le Petit Signal (LPS in short) was born out of a passion to uncover obscure masterpieces, works that display both intrinsic coherence and immense attention to detail.
LPS is a minimal manifesto dedicated to experimental & electronic-oriented music and is manufactured in extremely limited editions of uniquely designed vinyl records. Each copy is stamped, numbered, and comes in a hand-glued, riso-printed sleeve.

Acid Washed is a collective process primarily, deteriorating sounds amongst souvenirs, friends, home studios and analogue equipment. It follows the blueprint devised over the past year by DJ’s keen on using modern and vintage equipment to create sophisticated electronics with a sharp pop aesthetic.

BOOKINGS :
Joshua Murphy:
josh@milk-me.com

Catherine Elsässer: 
cat@milk-me.com

PRESS CONTACT / LABEL :
recordmakers@recordmakers.com

GIGS:

08/03/25 @ Reboot FM (Berlin) / Sound Of The System w. Plastique de Rêve
20/03/25 @ O Tannenbaum (Berlin)
21/03/25 @ Bohnengold (Berlin)
22/03/25 @ Fotografiska (Berlin)
22/03/25 @ Sheriff Teddy Bar (Berlin)
24/03/25 @ Mutant Radio (Tbilisi)
28/03/25 @ Le 1701 (St Brieuc) / Les Sons D´Automne 
29/03/25 @ Glazart Paris)
04/04/25 @ Bistro De La Poste (St Brieuc) / Degemer Mat En Diskotek #3 
11/04/25 @ Fotografiska (Berlin)
11/04/25 @ Bohnengold (Berlin)
12/04/25 @ Engtanz (Berlin)
12/04/25 @ Renate (Berlin) w. Purita D. & Bardamu

... more TBA.

Death to imperialism. 🔻🇵🇸🇱🇧🇾🇪🔻
🔻𝘀𝘂𝗽𝗽𝗼𝗿𝘁 𝗣𝗮𝗹𝗲𝘀𝘁𝗶𝗻𝗶𝗮𝗻𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲𝗶𝗿 𝗿𝗲𝘀𝗶𝘀𝘁𝗮𝗻𝗰𝗲 for freedom. Also I urge us to globalize & escalate revolt against the plain fascist rhetoric&crimes of colonial states. Don't like the music (pun intended) of those "white mediocrity trademark" nz boots.
F R E E ' ' P A L E S T I N E  🌿🍉 
& ALL PEOPLE STILL STRANGLED BY WHITE IMPERIALIST MEDIOCRITY .
Enthusiast musical tourist = knows her shit/doesn't know shit #jetshlag
~Random is freedom~ No goal is the goal
~Music is my spine~ Shlag&snob
🔻ACAB can't still be a debate for fck sake
🔻AFA is like breathing. Not being AFA, well: u're FA.
🔻Glorious are resistances, for reclaiming space and time for us to exist (or try to), for their dedication to end occupations🔻
#punchanazi

"𝓲𝓯 𝔀𝓮 𝓶𝓪𝓴𝓮 𝓲𝓽, 𝔀𝓮 𝓬𝓪𝓷 𝓪𝓵𝓵 ... 𝓼𝓲𝓽 𝓫𝓪𝓬𝓴, 𝓪𝓷𝓭 𝓵𝓪𝓾𝓰𝓱.
𝓑𝓾𝓽 𝓘 𝓯𝓮𝓮𝓵, 𝓽𝓸𝓶𝓸𝓻𝓻𝓸𝔀, ...  𝓘'𝓵𝓵 𝓫𝓮 𝓬𝓻𝔂𝓲𝓷𝓰."
[𝓒𝓸𝓷𝓯𝓾𝓼𝓲𝓷𝓰 𝓬𝓵𝓪𝓻𝓲𝓽𝔂] "𝔀𝓲𝓵𝓵 𝓫𝓮 𝓶𝔂 𝓮𝓹𝓲𝓽𝓪𝓹𝓱"

Avec "sa vie fut un bide" sur urne à facettes svp, parce que je t'écris pas de la Cour du Crimson King mais d'un pays tout petit petit...

"𝒂𝒏𝒅 𝒊𝒇 𝑰 𝒈𝒐 𝒊𝒏𝒔𝒂𝒏𝒆, 𝒘𝒊𝒍𝒍 𝒚𝒐𝒖 𝒔𝒕𝒊𝒍𝒍 𝒍𝒆𝒕 𝒎𝒆,
𝒋𝒐𝒊𝒏 𝒊𝒏 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒈𝒂𝒎𝒆"
...I now know it is a wishful high hopes thinking.
"isolation" said I. Curtis.

This channel plays :
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