Name: Secrets by Le Pie in 2015
Duration: 4 min 18 s
Description: The first single from Le Pie's forthcoming EP 'and he said honey, you look so fine' - out early 2015

Been listening to this song for 2weeks constantly

2015

Quantum Keys is the work of John Gudenzi, a Maryland native relocated to California. His songs are instantly catchy, shimmering pop that'll lead us into from spring to summer with clever hooks and beach-ready harmonies.

"Grow" & "Keep Good Habits" mark the launch of Hit City's new For Immediate Release (FIR) digital single series — the first of many to come.

Quantum Keys - Grow

Pinkshinyultrablast | ‘Umi’ | Club AC30

•	“Excessively impressive, unexpectedly fast-paced shoegaze from these Russian peeps.” Drowned In Sound

•	“It's one of those records that make you want to listen all day long. It's all there: guitar waves, distant voices, melodies and electrostatic. It's impossible not to play this on repeat." Sinewave

•	“In our minds, they’re the most interesting shoegaze band in the world right now.” The Dumbing Of America

‘Umi’ – first single to be taken from ‘Everything Else Matters’ due out in January.

Pinkshinyultrablast, are a five-piece band from Saint-Petersburg in Russia. The first single ‘Umi’ is due for release on November 10th. The song is indicative of an album full of melodic gems. Umi is rich with complexity, while underpinned with a beauty that both beguiles and entrances. The song evokes the spirit of bands like Slowdive and The Cocteau Twins, but at the same time remaining undeniably modern.

Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute - due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realised the local indie scene was totally boring and wanted to play something radically different”. That vision has been realised – this is a sound brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music” .The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There exists a sparseness to their sound, that, in turn gives spaciousness, even expansiveness.

Welcome to your new favourite Russian band.

Pinkshinyultrablast are Igor - bass, Lyubov - vocals, Sergey - drums, Rustam - synths and electronics and Roman – guitars.

For all UK print inquiries contact Jenna at 9PR and for all online inquiries contract Dan McCormick: jenna@9pr.co.uk / dan@9pr.co.uk . 0207 375 2725. www.9pr.co.uk

Pinkshinyultrablast - Umi

Out March 9/10 on Slumberland Records (N & S America) and Fortuna Pop! (ROW).

iTunes pre-order: http://smarturl.it/expectdelays
LP/CD pre-order: http://www.slumberlandrecords.com/catalog/show/283

Evans the Death return with their second album "Expect Delays" in March via Fortuna POP! (Europe) and Slumberland Records (USA). Recorded again with producer Rory Atwell, the album bristles with an underlying tension and veers from rip-roaring noise to quiet contemplation, underpinned by Katherine Whitaker’s extraordinary voice.

Still barely out of their teens, there’s a tremendous sense across "Expect Delays" of a band coming into their own, honing a plethora of influences to make a sound that is uniquely them. Each song on the album has a different feel to it: some of them are melodic and pretty; some of them heavy and dissonant; and some of them are, to quote guitarist Dan Moss, “a bit strange”. While retaining the post-punk and 90s alt-rock inspired elements that peppered their debut, the music is more expressive, heavier and more experimental, and the lyrics more nuanced, the sense of despair leavened by sharp wordplay and humour.

The unsettling undercurrent of melancholy and hopelessness that pervades the record has its roots in the last three years, spent eking out an existence on the poverty line in Cameron’s Britain, leaving them with a succession of minimum-wage jobs and unemployment benefits interviews. As guitarist Dan Moss relates, the album is about “being in London and feeling hopeless and a bit lost. Not having any money, relationships falling apart, things just not connecting or going anywhere and getting absolutely wasted all the time.”

Named after the undertaker in Dylan Thomas's 'Under Milk Wood,' the band’s 2012 self-titled inaugural album saw critical acclaim from the likes of Q, Uncut and Artrocker, as well as radio play on BBC Radio 1, BBC 6Music and XFM. After a change in line-up following the release of their debut, the band regrouped around the core of brothers Dan and Olly Moss and singer Katherine Whitaker for the recording of "Expect Delays." Drummer James Burkitt was recruited from Leeds’ band The ABC Club to complete a taut new four-piece.

More ambitious and focused than their previous record, whilst sacrificing none of their spontaneity and vitality, "Expect Delays" is a supremely inventive and intelligently crafted album from a band who have suffered for their art, and used that experience to inform and nourish their work. Expect no more delays, Evans the Death have arrived.

“Evans the Death manage to make humdrum everyday existence seem quite magical” Q ****

“A wonderful marriage of converse elements elegantly crafted into its own neat mess.” Artrocker *****

“Terrific” Uncut

Evans The Death - Don't Laugh At My Angry Face

Taken from Diagrams' new album "Chromatics" out now! Available to buy here: http://bit.ly/1ocqKNp

Diagrams - Gentle Morning Song

Taken from the forthcoming album Mysteries by Tigercats (due out on Fortuna POP! on 2 February 2015), a pop gem in the shape of bishops, knights, kings and queens - a Bobby Fischer-referencing love song and anthem for chess fans everywhere.

Tigercats - Junior Champion

Taken from the forthcoming BLONDE EP, limited to 100 7"s only inc. downloads of all 4 tracks. Released 16th February 2015. Click the Buy tab to pre-order now! 

http://cf-records.com
http://facebook.com/Autumns.Band

AUTUMNS - Je Veux Être

The first single from Le Pie's forthcoming EP 'and he said honey, you look so fine' - out early 2015

Secrets

From the album Bleeders Digest. Out September 18th, 2015 on Barsuk Records. It's the sequel to the vampire record!

The Grass Is Always Greener

Coins Clink

produced & mixed by Danny Kalb
mastered by Pete Lyman
performed by CONTROLLER
recorded at Room 17 studio in Brooklyn

Website: WeAreController.com 
Facebook: facebook.com/WeAreController 
Instagram: instagram.com/WeAreController
Twitter: twitter.com/WeAreController 
YouTube: youtube.com/WeAreController

Controller - No Future

New EP 'Half' out March 2018!

iTunes: https://itunes.apple.com/us/album/emperor-tho-single/1318357511

Celebrate the catalogue: https://open.spotify.com/artist/1iyEgo06tQEwW0ro4Qys9K

Emperor Tho

New single 'Believe' out 16th Feb 2018 via Propeller Recordings: https://frokedal.lnk.to/Believe

Believe

Buy/stream

Frøkedal - Believe

Over & Under

1984

Through a Dark Wood

Break it Down

Sea Wolf - Break it Down

Ms heartache

Le Pie makes music out of pop textures and melodies inspired by the simple brilliance of '50s and '60s girl groups, tied to deeply personal lyrics investigating the complexity of modern love and relationships.

Management: lauren@palmary.com.au

Secrets

Le Pie

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