Originally broadcast on NTS Radio live 14:00-15:00, Tuesday 25th of October, 2022.

Tower Recordings - Q Delmak-0 (Siltbreeze, 1998)
Pumice - Ley Lines of Kneecaps (Soft Abuse, 2022)
Lower Plenty - Rocks (Fire, 2013)
Carla dal Forno - Slumber (Kallista, 2022)
The Fulmars - No Hugs (Kashual Plastik, 2022)
The Kiwi Animal - Time of the Leaves (Digital Regress, 2019)
Alex McFarlane - Writing Backwards (Hobbies Galore, 2022)
The Magick Heads - Before We Go Under (Flying Nun, 1995)
Little Wings - Picture Me Grom (Self-released, 2020)
Speed the Plough - Blue Bicycle (Coyote, 1989)
Raudie - 6 Helixes (Super Utu, 2021)
Yuta Matsumura - Solo No Atoh (Low Company, 2022)
Carla dal Forno - Caution (Kallista, 2022)
The Trypes - Dark Continents (Acute, 2012)
Tower Recordings - Moon Rocks Off (Siltbreeze, 1998)
The Humble Bee - Section V Light (Astral Industries, 2021)

NTS Radio - October 2022

Guest mix by our friend De Kat Memwa who is currently based in Ghent, Brussels having recently moved from our hometown Malmö, Sweden. He is dedicated to promoting obscure and non-obvious music through the curation of his eponymous mix series and two radio shows on Malmö-based Retreat Radio. His broad musical interests range from meditative ambient, outsider folk, and medieval ballads to pre-Columbian music, delay-infused post-punk, trap shoegaze, and everything in between and beyond. Currently, he is closely involved in @lise.gent, a new cultural project aiming to contribute to the local underground music scene! Enjoy /Fasaan

Fasaan Rec. Episode #10 @ Mutant Radio w/ De Kat Memwa

LP available directly from IMPREC.com

Japan's long running masters of psych/kosmische jamming return to Important Records for a vinyl outing featuring beloved original member Cotton Casino. This first edition is pressed in an edition of 500 copies.

Trust Masked Replicants finds AMT in fine form, creating experimental psych-rock improvised around skeletal compositions. As the group's leader, Kawabata Makoto holds them together while they navigate chaos infused, drone based jamming at the upper levels of human consciousness. 

Side B, featuring the 20 minute track Asoko Ananda, is a classic side-long fast paced AMT burner combining sped up kosmische rhythms, filter sweeps, free-jazz piano, tabla drumming and vocal experiments combining all of the groups skills at the top of their game. It is not to be missed. 

Channeling progrock, krautrock, modern composition and noise, Kawabata Makoto formed the Acid Mothers Temple in the early 90's. The group has gone on to release countless albums while touring the globe.

Acid Mothers Temple - Asoko Ananda from Trust Masked Replicants LP

https://www.lyl.live/episode/sudden-afternoon-6

Sudden Afternoon w/ Saltpeter - 19/09/24

a space to be

keep standing

Locations: Poland is the 7th volume in the Locations series following the Japan, Brazil, Italy, Germany, Nigeria and France projects. This release is slightly later than planned, so apologies to all that have been waiting eagerly for this session. You may be happy to know we're about to get straight to work on the next session which focuses on Jazz music from Canada. 

Don't Stop The Move (From Locations Poland by The Jazz Jousters)

BUY VINYL LP + 3CASSETTE SET
http://bit.ly/2d0tsAo

LR102 Laraaji – Tonings 1&2 1980s, CS
“Tonings 1: Shimmering celestial Zither and OM chant continual deep induction listening for expanded inner-stillness.” -Laraaji
“Tonings 2: OM chimes ladder, Kalimba (African thumb piano), hand chimes, spontaneous laughter release, chant, & chimes distortion (heavy at times towards end.)” -Laraaji

Laraaji - Tonings 1

LR127 Josiah Steinbrick - Meeting of Waters
leavingrecords.bandcamp.com/album/meeti…g-of-waters

Following the debut release of his minimal-music ensemble BANANA earlier this year, Josiah Steinbrick, the Los Angeles-based multi-instrumentalist, producer, and composer returns with his first collection of solo works titled Meeting Of Waters, available October 27th on LEAVING Records. The album shares some of that ensemble’s concerns, notably in its interest in pattern based music, but here the emphasis is placed on subtle explorations of percussive tones and creating interior or imagined worlds.

The works on Meeting of Waters stem from Steinbrick's childhood fascination with anthropology and travel tales and almost operates like a cartography of some indeterminate landscape. Each piece has a palette of one to five elements that work in harmony together -- with synthesizers, marimbaphones, tuned wood, idiophones, bells, and gongs providing resonant tones that slowly accrete in detail. There's a measured yet thoroughly engaging pace throughout, that, much like Malaysian Temiar Dream Music, seems to "interpret the heart of reality".

As in the work of David Toop, Toshi Tsuchitori, Walter Maioli, or Luis Pérez Ixoneztli (whom Steinbrick recently collaborated with), the pre-historic and hyper-modern are effortlessly intertwined. If - as famed French Structural Anthropologist Claude Lévi-Strauss believed - myths, music, and dreams are "machines for the suppression of time", then "Meeting of Waters" features nine ingeniously and exquisitely crafted examples of that theory in action.
- Michael Klausman 
---- ---- ----

Composed and Performed by Josiah Steinbrick 
Produced by Cate Le Bon

4. (Vibraphone, Marimbaphone, Malleted Wood, Two Synthesizers)

Leaving Records