tone gen 14032021

Wren Cove's album Movement
Produced by Andrew Cloninger And Ben Morey
Wren Cove: Melissa Davies Cello, Loops
                     Andrew Cloninger Guitars, Piano, Synth, Loops Electronics

Movement

Havana

played this koto-like track on my keyboards and synths
track is dedicated to some past that formed me, like Sacura or rather it's mood..

Sacuramod

Henrik Meierkord : cello, hurdy-gurdy, violin, fx and electronics
Marco Lucchi : analog synth, tape and mix down

music by Henrik Meierkord and Marco Lucchi

* based on "Średniowiecze II" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/sredniowiecze-ii

4 febbraio 2020

Henrik Meierkord & Marco Lucchi - Totentanz I

Words, vocals & vocal mix Mariam Zohra D : Myrh @myrhyum @tariqa-kali @myrhyummy
Sonic structures & audiable fragments Lars Björk: @larbjo

...then you thought it was in the making [a Myrh & Larbjo collab]

M.Nomized : synthesizer, marimba, field recording, raga treatments, loops

playing with "Courante" by Marco Lucchi
https://soundcloud.com/marcolucchi/courante-if-you-would-like-to-dance-with-me-please-add-your-sounds

aprile 2020

Marco Lucchi & M.Nomized - Corrente (per una Fata)

Equipment:Teenage Engineering OP-1,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Cooper Fx Arcades(Generation Loss),BOSS RV-5

unfold

A short improv, one pass, one track.

Enjoy!

2020

Bird's Eye View

Find more info about this junto assignment here: https://disquiet.com/2020/12/17/disquiet-junto-project-0468-mirror-rorrim/

Sammie Ray Vaughan is probably the most unknown blues guitar player out there, really doesn't like to boast and show off, never plays a solo, keeps to himself. A model of modesty really. So little is known about him except for the occasional leaked recording...

So when he approached  me to perform a duet, I was a bit hesitant, you know, I'm like an ambient wanker and used to long form, erm, formless stuff. In this outfit I'm called The Exponential Trouble, and it's what I do, I add shit up until it messes the whole thing. 

Not sure we're ever gonna play together again, he's so elusive, Nevertheless, it was a fun session and here's a testament to it.

Credits: 
Sammie Ray Vaughan: Acoustic Guitar, Electric Bass. Sponsored with a worn out af set of D'Addarios.
The Exponential Trouble: Distorted guitar, Synthesizer, Ambience and overall slowdown and lowering the bar on the whole thing.

Sammie Ray Vaughan & The Exponential Trouble - Lazy Sunday Blues (It's A Minor Thing)[disquiet0468]

Even if you don't agree with all his ideas, his observations are thought-provoking, challenging, and to many of us, liberating. 

photo by Bob Cato

more Cage: https://www.youtube.com/watch?v=pcHnL7aS64Y(noted The source is the French documentary "Écoute (Listen)" (1992).)

Sounds Don't Talk (w John Cage)

TRACES

Le Berger is the moniker for the artistic, conceptual & professional endeavors of Samuel Landry, hailing from Montreal.

Namely:
• Ambient textures & tonal ventures accomplished with primitive means and scarce source material
• Limited series conceptual art prints
• Commission work for interactive installations, one of a kind artwork & individual design projects
• Narrative & voice over (audio books, scientific narration, film, TV, commercial & others. French & English)
• Concept albums & mystical (yet whimsical) stories in sounds
• Openness to free association, collaborations and interesting projects, please do inquire

In most of these undertakings reside an ethos that goes deeper than aesthetic considerations. The creative process itself is considered in many ways as quintessential as its end product. Le Berger often times consciously restrains the resources, tools and options available; a method intended to excite resourcefulness and focus on human potential rather than a dependency upon expansive & expensive technologies offering what appears to be near endless possibilities.

There is a clear intent to create work that celebrates imperfections, values character and personality over the stale gimmicks of promotion. And then the sincere hope that it generates as penetrating an experience for the end receiver as it does for its creator.

The work has been characterized as refreshingly kinetic, candid, self-replenishing, atmospheric and serene. It falls along the lines of drone, minimalist, sound art & ambient genres and undeniably subscribes to a DIY modus operandi. 