such an experience! also love the artwork!

Cool! Just a slight change in the position of the accent can create such a dynamic drum scene! I love this song not only for the image of the drums, but also for the sound-making that embodies diversity.

This few lines of text in this tune come from the novel The pit and the pendulum, written by Edgar Allan Poe.
Was it a plan to make music with this text? No, absolutely not. I wanted some text on the music I was making, but I did not have any lyrics yet. The first thing I saw on my desk was the Selected Writings Pinguin Pocket by Edgar Allen Poe. I used the text on the page where it fell open; page 262 in the 1977 edition. The plan was to make some lyrics for it later, but I stopped working on this, so I didn't. But now, after a few years, I think, why not call it a song the way it is. So here it is, ready for the world, I hope you like it.

Swooned

Liz Dicker gave me the honor and pleasure of recording the solo piano version of "Remember". Her incredibly soulful playing shows the deeper connection she has found with this piece and that makes me very proud, to be honest.
Thank you so much, Liz

Remember(featuring Liz Dicker)

Day Break

The Gardeners.

In Circles

My take on one of Neil's most classic and popular tunes.....
"Neil Young's "Old Man" explores themes of aging, reflection, and the fleeting nature of time. The song is generally interpreted as a young man observing an older man, perhaps a ranch foreman named Louis Avila, and contemplating the passage of time and the eventual consequences of life experiences. The lyrics suggest a sense of both wonder and fear as the young man acknowledges the weight of experience and the inevitability of becoming old himself.
The song compares a young man's life to an old man's and shows that the young man has, to some extent, the same needs as the old one."
Mastered Track: Distrokid Mixea

Old Man-Neil Young (Cover)

noxpox - trallalla

Image created by me.
https://www.deviantart.com/leehon/art/Productivity-1159208167

Working With Entropy

Another example of a previously uploaded song, but with just one track isolated - the horns. The original, full song was performed by the Eclectic Collective, and written & sung by our multi-talented friend Ken. This is a condensed version of the horn section I had written for the chorus, which includes VST trumpet (x2), saxophone, and trombone.  Here's the original, full version of the song:
https://soundcloud.com/k2andthe3/happy-ever-after

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks

(image created using ChatGPT 4o)

Happy Ever After (ISOLATED horns)

Written, Read, and Produced by Kyle Bolan
Art by Kyle Bolan

My soul dangling above auction
What more to keep me burning?
Truthful ridicule
That in a crowd of a room
I am no more with anyone else

Brothers - who take condolences
Like charms
Within a hopeful empty waste,
within arms
Who once like every Everly
Made laquer of their hearts
To trim morality
There is no border of definition

Born with no definition
Found the same way
He bares my high water-mark
It will not go away

Like losing friendly water
How his hands are larger in their grasp
Of an opusculum
I wouldnt force upon an Avalon
No more of masquerade
I like the weight of a well made chain

It sounds like all his troubles are the same
No more bigger house
He has made hash and fishnet
With absent frolic
How he wishes I were static
Oh, his poor trapped mouse

And wont come with me
His paces are too small
Beak is hard
I bite like beach
A brow of sand
Has many porous reaches
For speleological discovery
He glances just for me

That quick moment
Is escalation
From already white hot heat
A stare and a ceiling
Clinging snake muck
Has wrung personality 
into jelly
His jealousy must be me

If I didnt care before
Take one, then take one more
Had there ever been a horror
Like justice comparing menial absolutely
There is viscous ambiguity
Somebody goes there
A cross of meaning 
There must be

Please be one like mind of me
                  Nov. 11, 2024


(High) Watermark (Spoken Word)

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Forget Them

I'm an avant-garde musician. I like to experiment with software, instruments, and everyday objects when creating on a song.

Music is my latest artistic passion; aside from being deeply invested in making music, I create digital art, drawings, paintings, mixed-media pieces, photography, photomanipulations, poetry, and short stories. All of which can be found on my DeviantArt: Leehon.

Thank you for reading and listening.

Working With Entropy

Naughty Temple

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Naughty Temple

Amekaze Hanako-syokudo

in a galaxy

No Mates Ensemble

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