Name: Ian Dury - Spasticus Autisticus (Leftside Wobble Edit)-16 by Leftside Wobble
Duration: 7 min 47 s
Description: A new instumental edit of Ian Dury's Spasticus Autisticus in honour of the last 11 days of stunning Paralympic achievement. x

This is what I grooved to every weekend back in the day

Band Camp

Oh Boy! You Turn Me on

its the 11 Collab with @soundcloud.com/karmakaptajnen

Enjoy this Classic Disco Tune

Two Tons O' Fun - I Got The Feeling (Trust Karma & Count On Axel Re - Edit)

CHAZ JANKEL - Glad To Know You (Todd Terje edit)

Full Tilt & Boogie , part 1 & 2 United with some Ramsey stuff.
Comment , share & Take Care!

Uncle Louie - Full Tilt Boogie (Ramsey Hercules Pt. 1&2 Edit)

Teenage DJ aka Greg Wilson ‘Time And Place (Disco Break)’

124 bpm

Previously limited vinyl only 2005.

Another of the Acid sketches I put together in the years prior to my DJ return(more detailed lowdown here: http://soundcloud.com/gregwilson/teenage-dj-aka-greg-wilson-i), this time drawing on the groove from Oliver Cheatham’s 1983 release, ‘Get Down Saturday Night’.

My working title for it was ‘Twister’(Twist via Oliver) and, having immediately spotted its commercial possibilities, I resolved to develop it further . However, I left it on the backburner too long, my plan biting the dust good and proper when I realised that someone had well and truly beaten me to the punch - an Italo-Belgian DJ called Vito Lucente, who’d score a #1 hit in 2002 with the Room 5 single ‘Make Luv’, which also featured part of the original vocal to great effect. There was no point pursuing the ‘Twister’ idea now, so with a ‘such is life’ shrug of the shoulders I resigned it to the ‘what might have been’ file.

However, when I started deejaying again I realised the ‘Twister’ would come in handy, so I began to play it here and there. The Room 5 was too housed-up for me to consider using, not to mention the fact it had been played to death, but ‘Twister’ retained the early 80’s feel that fitted my vibe – it was a useful track to drop when you needed to give the dancefloor something familiar, but with your own twist. Subsequently, it was an obvious candidate for the ‘Teenage DJ Disco Best’ 12” EP I pressed up in 2005 – with ‘I Was A Teenage DJ Pt 1’ providing such a strong lead track, it could play an important subsidiary role, which is exactly what transpired. It was at this point it became 'Time And Place (Disco Break)', referencing some of the samples I'd dropped in.

I actually met Oliver Cheatham when ‘Get Down Saturday Night’ was released in the UK back in ’83. His record company, MCA, brought him to my night at Legend in Manchester, where he made a personal appearance, performing the single on the club’s dancefloor. Wigan Pier and Legend hosted numerous PA’s in the early 80’s, none of which we paid the acts for, their record companies footing the bill as part of their promotional budget, wanting to get their artists exposure in the most influential dance venues.Other PA’s included Gwen Guthrie, Imagination and David Joseph (it was a consequence of the David Joseph PA that I was invited to demonstrate mixing on the TV show ‘The Tube’:http://www.youtube.com/watch?v=77sjud0zLJY) .

Greg Wilson July 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Teenage DJ aka Greg Wilson 'Time And Place (Disco Break)'

Origami (Instrumental with Opening Skit)

This was a mix I did for a Special Package for Japan a few years ago, someone asked if I would share it  more stripped down Vocal dub version in the John Morales M+M Style  :-) 

Sandy Barber - Steppin - John Morales M+M Tokyo Vocal Dub

To coincide with Ian Dury's birthday @dicky-trisco has shared an edit of the great man's 1977 single 'Wake Up And Make Love With Me'.

Dicky Trisco - 12th May 2017:

"The first 45 single I ever bought was by Ian Dury and The Blockheads and was called ‘Hit Me With Your Rhythm Stick’. I bought it in a newsagent store called John Menzies, which had a black weekly chart board with plastic letters on it that was updated by hand each week.

I can’t really remember how I came across the track, or if it was just potluck. I probably heard it on Top of the Pops, or on the weekly chart show on the wireless as it used to be called back in those days. Anyway I bought it and to this day it is a song that I love and would be happy to hear any time, any place and it introduced me to the music of Ian Dury and The Blockheads.

Ian Dury for me reflected what pop music and music in general was all about back then – a longing to be different and to make a difference. He was a fascinating character. My Dad said he looked like a bloody idiot, which only made me admire him more. When he performed he had a real edge and his singing style was more like someone talking, or at times even shouting in his own London accent rather than something shiny and polished. And you have remember these were the days of The Bee Gees, Barbara Streisand, Leif Garrett and other such highly manicured artists. He also had a tremendous amount of personal style with his hats, braces, rolled up trousers and boots. And it was all this difference literally rolled together as well as the great music he made alongside The Blockheads, which pulled me in as an admiring youth.

And the music…I couldn’t quite explain it at the time. But it was unmistakably ‘New Wave’ although I wasn’t exactly sure what that meant either beyond a handful of artists I was into like Blondie, Talking Heads and The Specials. It was a bit ‘Punk’ and DIY for sure and that was definitely a good thing. But it also had the funk. The Blockheads were a groovy outfit of great musicians. Much later I discovered that Chaz Jankel of The Blockheads went on to make some excellent disco influenced solo productions and that these tracks plus songs by Ian Dury and The Blockheads were played by groundbreaking NYC DJs like Larry Levan in the Disco scene out there and graced the floors of seminal clubs like the Paradise Garage and The Loft. My musical journey from awkward youth to being a DJ myself had come full circle all thanks to Ian Dury and The Blockheads.

Anyway I can’t say I am an expert on Ian Dury or The Blockheads to be honest. I love a lot of their music and it has now been with me my whole adult life while many other things have come and gone. In fact at one stage I used to buy any copy of ‘Hit Me With Your Rhythm Stick’ on 45 that crossed my path. But the thing that seems of significance to me and that I wanted to share here with you is the DIY spirit and original style of those times. And they were great times! Acts like Ian Dury and The Blockheads did things differently and did it their own way and gained recognition for what they did via their music around the world. I salute them for that and it gives me, and I hope you, more than a few reasons to be cheerful.

So as a tribute to the genius and spirit of Ian Dury and The Blockheads and as my own personal way of saying thanks for the influence it has had on my life, I would like to share this rework of one of my favourite tracks on this his birthday. THANKS IAN DURY AND THE BLOCKHEADS! Your music really has made me feel like a lucky bastard x "

DOWNLOAD

Ian Dury And The Blockheads - Wake Up (Dicky Trisco Edit)

Cut This Way EP

Cut This Way (Dave Gerrard Remix)

Buy on Juno

SMASHED ATOMS - Cut This Way (Dave Gerrard Re - Cut) - 160kbps

Buy Now

Get Down Edits - Love To Dub You Baby

A new instumental edit of Ian Dury's Spasticus Autisticus in honour of the last 11 days of stunning Paralympic achievement. x

Ian Dury - Spasticus Autisticus (Leftside Wobble Edit)-16

Joining the dots between dub, funk, disco & house. No specific genres, eras, musical fads or other such nonsense. Just a celebration of grooves that tickle your hips and soothe your soul.

DJ Bookings & remix/production enquires: jonathan.moore1@gmail.com


Ian Dury - Spasticus Autisticus (Leftside Wobble Edit)-16

Leftside Wobble

Recent comments

lightbeam

Absalom666

Cassius Wilcher

BethOnE 😁

Related tracks