Created for the Disquiet Junto Project 0507: In DD's Key of C
@disquiet

The Project: Make music with 10 acoustic instrument samples all in a shared key.

Thank you to @daniel-diaz for the beautiful samples!

I was inspired by the chord progression in the melodica sample, so I used that as a base to created a rhythmically-shifting generative drone in the Borderlands Granular app on my iPad, eventually using all 10 of the samples. It was a fun challenge mapping the patchwork of waveforms across the screen so that I could trigger different parts of overlapping samples with various moving 'circles' of granular processing. The end result came out rather lilting and mysterious.

Please enjoy the waves!

Artwork is by Daniel Diaz - his notes from creating the samples.

More on this 507th weekly Disquiet Junto project – In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) – at: https://disquiet.com/0507/

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0507-in-dds-key-of-c/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Seas of Cee - [ disquiet0507 - inddskeyofc ]

Diario di un pomeriggio qualunque

Arpreludio

traumsequenz

Ure no Kami

A soundtrack inspired by the Thylacine, also commonly known as the Tasmanian tiger, an extinct carnivorous marsupial. Some folk still believe that they exist in the South West Wilderness 🖤

Les Animaux

Thylacine

Northern Stars

In response to this week's @disquiet prompt I took fragments of last week's music from @ray_cobley (rhythm track + piano), @user-807707609 (synth arpeggios) and @marcolucchi (plucked strings).

The best things happen in threes, I've always found.

Being an 80s goth, I took an echo, reverb and modulation to make a cut up technique call and response piece. The echo suggests the tempo is faster than the 30bpm.

This was a helpful project as I learned how to slow down audio in Logic Pro, how to mix tracks directly to an audio download, and scratched around the edges of the effects multiverse available in the software. 

I learn in bits or my brain explodes.

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Speed Limit Pt2 (disquiet0610)

Like the task,played the transition on SOMA's Terra
recorded in TP-7, mixed and mastered in Ableton

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

Speed Limit Pt2 (disquiet0610)

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