After being a staple curator in Melbourne’s community radio scene, Adriana’s Tuesday 7-8 slot, Opalakia, was a fertile space for sharing flavours of dance-inflected world music to an eager band of fans, subscribers and listeners. 

Since leaving PBS, Adriana has launched Spasta, her instant classic party which has rapidly garnered a cult audience for its unpretentious, rhapsodic moments in the dancefloor. Spasta, which means ‘to break’ has smashed plates, thrown flowers at live Bouziki players, hosted traditional Pontian dancers and cracked eggs, with traditional Greek food and a daring programme of Australia’s, and the globe’s best record collectors and selectors. It’s a party made for the heads, with all your notions left at the doormat.


In the booth, Adriana is bound by nothing, coasting between traditional and contemporary sounds her sets are a sonic jaunt, touching down on all four corners of the globe on a rollercoaster that excites as much as it surprises. With unstoppable energy that radiates in any room, Adriana’s passion for the eclectic makes her one of the city’s finest and most down to Earth diggers. Expect a riot of genres, enthusiasm and curiosity, all delivered with smiles and an opa!

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Hi, I'm Barry and I Can't Swim.

UK/ROW: jim.oregan@teamwass.com / michael.harvey-bray@teamwass.com

Americas: lhughes@teamwass.com / lchenfeld@teamwass.com

MGMT: oran.barton@attentionmgmt.com

Management: 
Nick Liousias - nl@285.group 

Europe / Asia / Africa:
Ollie Seaman - ollie.seaman@teamwass.com

North & South America:
Latane Hughes - LHughes@teamwass.com
Ben Shprits - bshprits@teamwass.com

Australia & New Zealand:
Glyn Hill - glyn@watartists.com

Labels - @constantsound

Bookings - jw@constellatetalent.com

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