Throw this on shuffle when yr thinking, reading, studying, working, daydreaming, soundtracking a podcast, or general non-lyrical-etcing | Tweaked on the regular.

STOP TALKING… I'M TRYING TO THINK | #HI54MIXCDS on #MOUNTOWNFM

1-les moutons (seanpotter,julianrogai,leoewski)

2-creampies by the sand (seanpotter)

3-love island#tiny (seanpotter,keymoow) 

4-les beau reves (seanpotter,lg)

5-fall stories (seanpotter,chebmesa)

6-COD (seanpotter,gaard)

good night

Bedtime Demo (julianrogai,leoewski,keymoow,lg,chebmesa,gaard)

thank you & good luck 

0:00 w/ @saig23 @superswagcr33per
1:37 w/ @keymoow-keymoow
2:50 solo
4:13 w/ @leoewski
5:18 w/ @2012gen
5:45 solo
6:28 w/ @evadeeme
7:03 w/ @kurchev
8:00 w/ @pw4prez
8:50 w/ @seanpotter


vanderpump @seanpotter @shinju @saig @1sadboii &more

1 emily in paris intro (+ 34n)
2 ma girl de boston (+ seanpotter)
3 badstudent
4 cheveux au vent (+ april21)
5 angelina
6 goodtime (+ tps)
7 makeup 
8 valley (+ violet)
9 romance (+ meta)
10 lastcall (+ 1sadboii)
11 miamibeach (+ 34n)
🎁maisonsinclair exclu prod me

photo timpietros

heartbreaker pack (34n seanpotter april21 tps violet meta 1sadboii maisonsinclair)

https://youtu.be/x5mGgVrT984?si=0ttWDvXDGJ8maibw

lyrics:

every word that you say to me so hateful 
nosebleeds fell asleep on the table
know i’m sticking right now off the maple 
you don’t gotta talk, i can look i know it’s painful 

we don’t gotta talk i know it’s wrong 
know you spent forever tryna find where you belong 
i know you can get through it
i know that you strong 
i’ll stay waiting for you like a dog 

put my bags at the front desk 
“under my car” use me as a headrest 
dior tags 
prada suit and a blood test 
i spent forever tryna impress you 

always something to prove 
bloody cuts & a bruise 
you ain’t got nothing to say  you ain’t got nothing to do 
tell me what i gotta do
i was playing it cool 
it’s up to me now i gotta choose

painful @julianrogai @john.maison.eau ( mv in desc )

1 route 66 
2 legend
3 papeloa + @saig23 & @seanpotter
4 wayne's drunk piano interlude + @seanpotter
5 teddy bear #explore + @seanpotter
6 feet lover + @trackmeets
7 #liveyourlife outro + rihanna mdr

cover @yuk0o

deliverance pack+ saig, seanpotter & julian

0:00 w/ @lilsadboiiudig
2:40 w/ @lilsadboiiudig
3:43 w/ @rewind214 @seanpotter
4:32 w/ @glimpseofdespair
5:05 w/ @carb_beast
6:13 w/ @rpsu
7:28 w/ @carboneric
12:22 w/ @xxush

eiffel &friends

http://lilpeep.com

LYRICS //

Every time I hit the dope I have a new dream 

Havin visions of everybody who knew me 

See my face on the mf big screen 

Live forever bitch Im smokin on that hd
-----------------------------------------------------------
Knock knock bitch I'm kickin in the front doe

Live forever get them muthafuckin blunts rolled 

Now I pull up and I get it how I want hoe

Now I pull up not on purpose and I stunt hoe 

I got problems with yo muthafuckin God, 

I been workin like I never had a job

ulykea

live forever (prod. brobak)

Lou Rogai - Composer / Conductor
Performed by Penn Strings Chamber Quartet:
Christopher Souza - Viola
Michael Montero - Violin
Audrey Simons - Cello
Domenick Fiore - Bass

Lou Rogai - Implications in D Major; An Adagio for Chamber Strings

Come Over When You're Sober, Pt. 2

16 Lines

I Just Don't Believe You

Stream / Download: https://smarturl.it/elskavon-nerves

Nerves / Familiarity is the first official start to Elskavon’s next album era, and it’s a representation not only of composer Chris Bartels’ sound over the years, but also a metaphorical look inside his mind. That is, one of contrast.

With Elskavon’s sound, there’s always been a contrast, and marriage, of grandeur and intimacy. Nerves / Familiarity is no exception.

While it starts out quiet, the listener can immediately feel the enormity of Nerves. The sustained sound is that of Bartels slowly drawing a string of yarn across his old spinet piano’s strings. Only a minute and half in, the sound is thick and full, layered with falsetto vocals fed through modular synthesizers. It hasn’t taken long to be engulfed in the grandeur. 

However, as quickly as it arrives, there’s a departure. An intimate and rhythmic cassette texture, signaled by a slow tonic modulation, foreshadows a look at the second track - the contrast.

Familiarity begins with a bed of introspective notes and textures - mostly that of high piano notes and chopped up Rhodes improvisations. There’s a certain closeness with this sound, and a contrast to the large reverb-soaked fabric that leads Nerves. Then halfway through the song, there is a short build - an encore, if you will, to the grandeur of the first track.

Much like these songs and past Elskavon albums, there is a journey of contrasts with every creative turn for Bartels, finding himself deep in a whirlwind of excitement and fear, anticipation and anxiety, inspiration and frustration. And while being fully aware of the negative sides of that whirlwind, there’s an indescribable beauty and hope in the choice to keep writing, to keep moving. And to not simply run from the negatives, but to allow them to inspire, to motivate.

A creative journey should never be easy or comfortable. If it is, the other side will most certainly be lacking in the beauty and depth it so desires.

With this next album era, Bartels is choosing to embrace the contrast.

www.elskavon.com
www.twitter.com/elskavon
www.facebook.com/elskavon
www.instagram.com/chris_bartels
www.instagram.com/elskavon

Stream/Buy

Familiarity

Written, performed, produced and mixed by @iksremusic
Phoebe Dubar, 2019.

Mastered by Rob Masterton @supermagichats

Streaming now https://noisehive.lnk.to/Unfurl

Connect
www.facebook.com/iksremusic
www.instagram.com/iksre

Unfurl

ALONE. AT PARADISE

Exit Ghost

Undertow

A soft but intense lullaby where the simple and moving melody is enriched by the special felted piano sound and by the intimacy of the recording, giving to the listener the impression of sitting very close to the piano itself. A song for chilling and falling asleep that despite it’s minimalism can calm and touch your heart and soul. 

International release date: October 18th, 2019

Close Your Eyes

Kosandra

I don't use Soundcloud that much ¯\_(ツ)_/¯ except for sharing playlists & reposting all the Submithub submissions I've approved for blahging each month that were submitted via Soundcloud. So I guess I use it a little bit after all.

Lou Rogai - Implications in D Major; An Adagio for Chamber Strings

Lewis & Clarke

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