Lexikon brings a unique twist to the hip-hop industry with lyrics crafted from a different cloth than some of the dumbed down music getting air play. College educated and street smart, Lexikon has established a successful career in banking while developing this intelligent music in the Chicago club and college scene. Lexikon explains that, “it’s about relating my experiences with educated fans that want to hear substance and meaning in the songs they listen to while still producing hot music that knocks.” But you’ll never hear Lexikon talk about AK47’s, gaudy chains, or purple bentley’s. No, instead, growing up in the suburbs of Chicago, this talented white hip-hop artist is on pace to give the industry a well-deserved makeover.

Kings Place is a young, independently-funded arts and conference venue in the heart of Kings Cross, whose programme is as diverse, engaging and innovative as the city we live in. At Kings Place, we aim to explore an idea from multiple perspectives, through a diverse offering of music, spoken word, festivals comedy and visual art.

The Stack Overflow podcast is a weekly conversation about working in software development, learning to code, and the art and culture of computer programming. Hosted by Sara Chipps, Paul Ford, and Ben Popper, the series will feature questions from our community, interviews with fascinating guests, and hot takes on what’s happening in tech.

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

MANAGEMENT:

carl@neonrecords.com.au
gabriel@saltnpeppermgmt.com

MBA Mondays series by Fred Wilson
from AVC.com

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