An intense introspection of sound deconstructionism and spacial dissonance presented in this 4 track (plus 2 lock grooves) EP entitled Nonharmonic Beautifault. 

The A Side is introduced with the track 'Blank Hand', a sludge fuelled walk into dusty audio bites and asthmatic rhythms, topped with screaming hoovers and TV static that at once builds up, collapses into beautiful cacophony. Leading us into the 'Body Molecule' - A rushing pad and sparkling percussion pinned to a rolling kick pattern that drives this track toward a central point of attacking synths and swarming soundscape. The run out locked groove features a deep distorted kick that loops into infinity. 

The other side starts with 'Angular Beautifault'. Acidic Rhythms and Buzz Saw Synths all washed together into a shimmering reverberated cavern that explodes with high powered clap patterns and bubbling 303 lines. Following this we have 'The Burin' - an uncompromising, high paced assault of power kicks and slanted percussion. Incessantly driving and unyielding towards the final lock groove of distorted sub loop. 

Nonharmonic Beautifault represents a shift in Positive Centre's work that aims beyond the delicate ambience into harder and darker sound territories. 

Nonharmonic Beautifault EP will be released on 12" vinyl and digital on February 19.

Tracklist:
Blank Hand
Body Molecule
Angular Beautifault
The Burin

Buy all

B1. Positive Centre - Angular Beautifault

SABINĒ

Sabinē is a leading force in Uzbekistan’s electronic music scene, known for her bold sound, uncompromising vision, and dedication to pushing creative boundaries. As a DJ, producer, label manager, and promoter, she co-founded Sublimation Collective, which amplifies emerging artists and fosters collaboration. Based in Riga, she was also a resident DJ at the renowned One One club.

Born in Chirchik, an industrial town in Uzbekistan, she channels the raw energy of her roots into hypnotic, groove-driven sets that blend techno, trance, experimental, and broken rhythms. Each performance is an exploration—where industrial grit meets hypnotic melodies, pulsating energy collides with deep atmospheric layers, and groove keeps the dancefloor in constant motion.

A pivotal figure in the development of Uzbekistan’s electronic scene, she spearheaded Sublimation Fest, a groundbreaking festival that reshaped the country’s musical landscape. Beyond club culture, her productions have extended into the worlds of contemporary art and cinema—her compositions were featured at the Latvian National Museum of Art for Fyodor Golan’s Harmonious Collision exhibition and in the documentary Mission Latvia.

Her presence resonates across renowned venues, underground institutions, and major festivals worldwide. From Boiler Room (Top 10 sets of 2023), Tresor Berlin, HÖR Berlin, and Audra Festival to stages across Central Asia and beyond, her performances span a wide spectrum of electronic music spaces.

She has shared the stage with Nina Kraviz, Ellen Allien, Hector Oaks, KiNK, FJAAK, Regal, and many more, cementing her name among electronic music’s forward-thinkers.

With an unrelenting drive and a vision that defies boundaries, Sabinē is not just playing music—she’s shaping the future of it.

B1. Positive Centre - Angular Beautifault

Leyla