Cette pièce est née d’une prise de son réalisée près de Fontainebleau la nuit, le long d’un lac. Je pense que c’est mon meilleur concert de musique spatialisée. Les batraciens enveloppaient, dilataient l’espace, y composaient des mélodies aux rythmiques insaisissables. Jusqu’à ce moment où une voiture est passée en trombe. Cataclysme motorisé, bruit vif et blanc, affaissant le lieu, le moment, les chants.

A propos de la présence de Noam Chomsky, voici une piste :
« I suppose frogs pay no attention to being frogs. They take it for granted. What interests a frog are differences among frogs. From our point of view they are more or less the same, from their point of view they are all radically different. »
Noam Chomasky

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Prises de son réalisées entre 2019 et 2022 près de Fontainebleau, au Moulin, ainsi qu’en Bretagne près de Pont Château. 

Interviews en ligne de Noam Chomsky
Modèle de l’abbateuse : Komatsu 951

Fini de composer en Avril 2022.

Frogs

Aoki satoru - Gossamer
Prepared bass: Aoki satoru
Tokyo, Japan - Apr 22, 2022 [ TOD 216 ]

Please listen to the song "Gossamer" from the new album "Versos".

https://tototod.bandcamp.com/album/versos

[jp] 新しいアルバム『 Versos 』からの一曲『 Gossamer 』です。どうぞよろしく。

bandcamp

Gossamer

Slow Jams is an event that happens every Monday at the Woodbridge Pub in Detroit Mi that is 13 years old and running. All vinyl records every single week!

www.facebook.com/slowjamsdet

Slow Jams Vol.995 - Savannah G - All Vinyl DJ Set - Live at Slow Jams 8.22.22

In the preface to the first edition of volume one of Capital, dated July 25, 1867, Marx introduces the book’s “ultimate aim”: “to lay bare the economic law of motion of modern society”. Looking back 155 years later, it’s clear the book not only accomplished that aim but continues to do so today.

In a few short pages, Marx introduces the method he used to study and present his research into the dynamics of capitalism, explains the reasons why he focused on England, distinguishes between modes of production and social formations (and by doing so refutes any accusations of his theory of history as progressing linearly through successive stages), identifies the capacities he’s assuming of the reader, affirms he’s interested in critiquing the structures of capital and not the individuals within it, and explains that the main function of the book is to help our class intervene in the constantly changing capitalist system.

Read the full article here: https://www.liberationschool.org/marxs-first-preface-to-capital/

Studying society for the working class: Marx’s first preface to “Capital”

Geometry #01

A retro-techno-version of a life improvisation from April 2022. Let your imagination run wild to create in your mind the most horrific sci-fi-movie fitting to the music – or just take it as it is: Something else…
Natalie Schönberger – clarinet; Xingtiao Ai – clarinet; Hyeongjin Oh – tuba; Yuqing Su – violin; Ana Gonzales – viola; Shinyoung Lee – voice; live electronics – Luis Küffner; recording – Benedikt Wild; additional effects, producing, mixing – Hubertus Dreyer

Finnegans Saké

Mantra

Contradictory

Snippet from the bass solo from Sonny Stitt's 1964 release of 'Now's the Time' - Bass Richard Davis, Drums Connie Kay ...

Iterative limiting (towards the left) and distortion (towards the right) ...

More on this 596th weekly Disquiet Junto project, Phylogeny Junto (The Assignment: Depict genres’ evolution over time in music), at: https://disquiet.com/0596/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0596-phylogeny-junto/

folly hang hype

halF phylogenY [disquiet0596]

Antanáklasi I [2019] | pour flûte et électronique

Composed for Wave Field Synthesis at Game of Life, Den Haag, NL, primarily with non-standard synthesis processes.

Textonics

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Socialist news and analysis from the front lines of struggle. Project of the Party for Socialism and Liberation.

Studying society for the working class: Marx’s first preface to “Capital”

Liberation Audio

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