Wow, Frank… was für eine Klanglandschaft in Zeit & Raum… ich konnte mich auf Deiner Spielwiese hier unbegrenzt entspannt hin & her wälzen… traumhaft schönes Erlebnis!👌🏻🤩

Creative palatte of sounds... a very immersive dive into the dreamscape!

Related tracks: The Sound Of My Heart Beat

Midnight In Ashram

Komposition - 602220240202 (Ambient Night)

Photography, painting and music are inextricably linked for me. My paintings and photographs are created on an equal footing with my songs. Sometimes they are mutually dependent, arising simultaneously in a creative process. This led to an idea for a video to bring you closer to my pictures and my music:
YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Composed after a painting from a current series. Music created in interaction with painting and vice versa.
_____
Fotografie, Malerei und Musik sind für mich untrennbar miteinander verbunden. Meine Gemälde und Fotografien entstehen gleichberechtigt mit meinen Liedern. Manchmal bedingen sie sich gegenseitig und entstehen gleichzeitig in einem kreativen Prozess. Daraus entstand die Idee für ein Video, das euch meine Bilder und meine Musik näher bringen soll.
Zu sehen auf YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Dieser Song ist komponiert nach einem Bild aus einer aktuellen Serie. Die Musik entsteht im Zusammenspiel mit der Malerei und umgekehrt.

Komposition - 602220240202

Komposition - 602220240202 (link to video inside)

This song is about finding one’s soul mate and having that immediate chemistry and connection with someone the very first time you meet them. One my argue that true love often first begins as an obsession and desire. There is electricity in the air, and you can feel an invisible magnetic field that is drawing both of you together both physically and spiritually. She becomes your single obsession and desire. You can’t get her off your mind. You can’t sleep. You can’t eat. Even drinking a bottle of whiskey hasn’t helped. You just need to be with her. Tell her that you can’t live without her and love her.  
YouTube
https://www.youtube.com/watch?v=yhJ4OL9_hgc&list=PLRAGtVocmtxSPtV_Et_DhX6vzzcMb_YSg&index=10

TIMELESS

Obsession and Desire

Obsession And Desire Master 4

Whispers During Wartime

Arene is bit of a personal change up exploring an older love of mine of Chillstep combined with a simple elegant touch of some symphonic elements.

Arene

℗ © Copyright 2024 Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic.
Guitar played: Taylor 714CE in standard tuning
Photography: 
Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES AND LYRICS: 
It's nice to be recording again with a view to completing my 5th Solo album over the next few months. I decided to go with just guitar and vocals for this song, which I think best reflects the lyrics. For those interested in how I record my acoustic guitar, I have used a slightly different technique for this song, using a blend of stereo small diaphragm microphones, together with Direct Input from my Taylor electro-acoustic guitar, played through a mixer into my audio interface. Hope you like it.

LYRICS:
I watch the dawn approaching 
The earth beneath my feet 
Spins in all it’s silence 
To the sound ….. of my heart beat

And over the horizon
These colours fill the skies 
I breathe in this morning air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

I watch the dusk approaching
The earth beneath my feet 
Spins into the moonlight 
To the sound ….of my heart beat

And I gaze up in wonder 
Beyond these starlit skies 
I breathe in this cool night air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

The Sound of My Heart Beat

The Sound Of My Heart Beat

JIM ANDERS _ Jugend

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and foundational rhythm guitar
Llanpsych– @llanpsych –Tez–electric guitar, composition, mix, and production
TexMex Shaman– @texmex-shaman –Stephen– acoustic guitar
J.J. Terrell– @j-j-terrell – organ and electric piano
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass 
Mistermark --  @user-432503709 — Mark — production engineering


This song began its life all the way over in on the other side of the pond, where our frequent collaborator, Artur wrote it on his electric guitar. Being a fan of surf music, he composed this awesome piece with The Eclectic Collective in mind. He shared it with the group through Tez, who was first to respond to Artur's guitar with his own, creating a psychedelic base of sound for the rest of us to add to. 
  Ken was up next, laying down his always exciting drums and percussion. Josh, of course, followed straight behind him, now that he had a beat to play to. JJ came soon after, laying in his ethereal organ and dancing electric piano. Last, but not least, Stephen laid in a really trippy acoustic arpeggio based acoustic guitar part to kick it to the next level.
  Of course, every great song needs a great producer. But before we even started the song beyond what Artur and Tez laid down at the beginning, Mark deftly separated Artur's basic beat from the music. Amazing what technology can do these days! For rest of the production, we tapped the very talented Tez to do the honors, which he did perfectly.
  This song marks about half a dozen we've done with Artur. We're all big fans of his unique surf rock sound, and jump at the chance to collaborate with him. If you like what we've done here, you should check out his page, as it's loaded with gems in the same strain. We hope you enjoy listening to this as much as we enjoyed creating it.

Flow of Life (Eclectic Collective)

LYRICS 
I heard her coming in at midnight
I said honey where you been
She said I've been to the movies
With Sue and my best friend Janine

She said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said what was the movie
And she said I don't know
I didn't take no notice
It was just somewhere to go

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

Instrumental

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said why was you talking
Is there something I should know
She said now honey don't be silly
But her face just let it show

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I heard her coming in at midnight

Fade




Coming in at Midnight

Cogito Vestrum is an epic and profound work by DestKorn that takes the listener on a journey of inner reflection and connection.
The title, Latin for "I think of you," conveys a powerful intimacy and contemplation of the unspoken. With a blend of epic sounds and atmospheric arrangements that create a majestic yet vulnerable mood, the track unfolds as a musical meditation. The emotional depth of the piece is carried by the masterful instrumentation, offering a moving and almost cinematic experience. Cogito Vestrum invites the listener to dive into the depths of their own thoughts and experience a connection beyond words.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

there's a lot of people, who wanna get you down.
don't wanna see you smile, just wanna see you frown.
make you look real bad, give you all the blames.
they get all their joy, from twisted mind games.
their vibes are really bitter, their minds are really dark.
never trust a traitor and never trust a narc. 

Never trust a narc.  (narcissist)

"For My Lady" is a song written by Ray Thomas that was released on the Moody Blues 1972 album Seventh Sojourn. It was also released as the B-side to the single "I'm Just a Singer (In a Rock and Roll Band)"
The lyrics to "For My Lady" are about the singer's desire for true love.The lyrics may have been inspired by Thomas' recent divorce at the time he wrote the song.

Music journalist Geoffrey Freakes described "For My Lady" as an "uncomplicated, uncluttered and blissfully romantic song" that is "supremely elegant." Moody Blues biographer Marc Cushman felt that "the melody and heartfelt vocal performance convey a sadness despite the positive nature of the lyrics. Tampa Tribune critic Ralph Harold described the song as "an elegant love song, almost Elizabethan, although somewhat gimmicky with a cymbal sound of ocean waves and a nautical harmonica and organ background.

At one point Justin Hayward plays a guitar note that had some listeners thinking that the guitar string broke. But according to Hayward that it was not a broken string but merely an emphasized pluck to accompany the lyrics "and slowly bow her head."                          Wikipedia

Mastered Track: Distrokid Mixea

For My Lady - The Moody Blues (Cover)

screeches

Twilight

Droney Mitchell 0004.2

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Thanks for listening my music :)
😍 🎆 🎶 🎆 🎹 🎆 🎧 ✨ 🌠 🎙️ 🎸
What meeans "ⓁichtⒷildⒼestalter" ? 
Could be translated as  >>LightPictureDesigner<<
In the past, a photographer was also called a light-image designer (LichtBildGestalter in german).
📸   🎞️   🤳   🖼️   👨‍🎨   ➕   🎵   🔊 
All tunes I publish here are free works and non-commercial!
I returned after the hearing loss (deaf in the right ear) and a long abstinence to electronic music in 2014/16.
While I used to make music exclusively on hardware synthesizers in my early days, a number of virtual instruments are now in use. My DAW is Ableton Live with a lot of Plugins ;-)
For many years, I have only been able to hear on one hearing. This makes it difficult for me to mix them but I give my best.
Besides music, photography is my great passion, that's also where my artist name comes from. Therefore all pictures and photos that can be seen on Sondcloud are my own work.
Enjoy the music, the pictures and have fun!
📷 🎞️ 🎥 😃 📼 🎬
If you are curious about my forographies, please visit my online exhibition:

https://www.saal-digital.net/profiles/LichtBildGestalter/#/

😎 🙏 🎹 🎶 🌈 🎧 🕊️ 🎚️ 🎼 👨‍👩‍👧‍👦 🌳 🍁 🦚🦅 ☮
"Music against Racism"
"Music for Nature" 

© All rights reserved
Frank Borsikowski

#electronic #piano #synthesizer #synthwave #retrowave #score #jazz #soundtrack #trailermusic #cinematic #spacemusic #soundscape #space #landscape #electronicJazz

Komposition - 602220240202 (link to video inside)

ⓁichtⒷildⒼestalter

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