Standing backwards in the rain
you never turned to me again
There's no surprise there's always pain
every time it starts to rain

Sitting around in the same place
you took all my thoughts away
The only sun in my only day
you took all my light away

Watching the road go
moving so slow
seeing your eyes close
feelings I don't know 

Every time I look into a mirror 
I see a face that wishes you were here
Give me one more day to look you in the eyes
and I promise I'll be done with my goodbyes

Watching the road go
moving so slow
seeing your eyes close
feelings I don't know

Backwards in the Rain

‘Houston Morphine’ is taken from Laddermen’s debut album Special Kind of Violence out 2021 on Waterfall of Colours.

self-medicated at your funeral
apparently I spoke I did well
that's good
apparently I shook the hand of everybody that knew you 

blood count low morphine high
understand this is goodbye
blood count low morphine high
did you understand that this was goodbye

self medicated at your funeral
apparently I spoke I did well
that's good
apparently I shook the hand of everybody that knew you 

blood count low morphine high
understand this is goodbye
blood count low morphine high
did you understand that this was goodbye

good bye
good bye
good bye
good bye

Houston Morphine


Produced and mixed by Martin Bowes (Attrition).

www.attrition.co.uk/thecage/thecage.htm

www.facebook.com/thecagestudios



Rise Of A Future Generator

Whispers in the Winter

Is it desparate conviction, or a last glimpse of mad hope? Will you challenge the gods and shatter the stars?



[Laine's (b)log: Now, for something slightly different! I know my songs in the past year have been mostly post-rock, but if you've been familiar with my older style (and you can check the older songs in my channel), I've done a bit of the sort of cinematic/orchestral stuff before. I took a break from doing that kind of thing since I wanted to focus on guitar for a bit, and so I explored the post-rock guitar stuff for quite awhile. Now that i'm somewhat more confident in my guitar playing, I attempted a bit of a hybrid orchestral/post-rock style with this song, with a sort of sci-fi motiff (maybe influenced a bit by those sci-fi RPGs like xenoblade chronicles). I know it's kind of a different vibe, but hope it worked out!]

Music by Laine Chinensy
Art by XINO: https://www.pixiv.net/en/artworks/99399942

IN DEFIANCE OF THE SURGING SKY

How Are You?

Capturing the essence of the golden age of TV theme tunes - that sweet spot in time when the musicians of the 70s composed such things almost as if they had stopped listening to music in 1959.

Theme From Voltaire

Qlowski - A Woman

Without their contribution to hold your sedan chair
You'd be plummeting to earth
Towards a ground now unfamiliar
Your life is like a monument to small achievements lost
That you'll never see in profile from a platform at the top

A taller tree will never reach its roots without a drop
And none would force the branches down for fear of getting knocked
Recognise the growth that cannot continue unstopped
In spite of much objection it cannot

So enthusiastic returning into frame
Smiling to camera
Never looking offstage
The audience is everywhere electric signals reach
You are a confident performer of words devoid of meaning

A taller tree will never reach its roots without a drop
And none would force the branches down for fear of getting knocked
Recognise the growth that cannot continue unstopped
In spite of much objection it cannot

A taller tree will never reach its roots without a drop
It's time to cut the branches back
All tangled up in knots
Recognise the growth that cannot continue unstopped
In spite of much objection it cannot

Taller Tree

Incandescent

Fall Apart

Slap you round the face with 80/90s new wave!

The Reality TV - Beats - Master

Wales’ Lights That Change to release single MAY 11. 
 
"A truly beautiful slow burning slice of dreamy bright pop" - Louder Than War

"A brooding intro brings us into a sonic world, suggesting something of classic shoegaze flavour whilst shooting firmly for the mysterious unknown future...a radiosexy reinvigoration of early 4AD spirit" - Joe Foster (Creation Records)
 
" A haunting, shimmering, deceptively simple slice of widescreen shoegaze that knows 100% what it's all about. A winner" - Producer Fran Ashcroft (Damon Albarn, Lords of Acid)
 
"Sublime slice of dream-pop inspired heaven, full of hauntingly beautiful vocal tones, floating progressions & blissfully unassuming guitar lines" -Primal Music Blog
 
"Stunning and haunting…outstanding showmanship and seductive melody" - The Sound of Confusion

FOR FANS OF: Dead Can Dance, Cocteau Twins,The Cure, This Mortal Coil, Marissa Nadler

Lights That Change is an alternative ethereal dreampop outfit, hailing from North Wales and headed by Marc Joy. After many years producing other artists, he finally turned his attention towards his own creative endeavours. Thus was born Lights That Change, channeling new energies into sculpting horizons of perfect dreamscapes, primarily based on guitars.
 
Lights That Change released their debut EP ‘Rainbow On Your Shoulder’ in 2013, followed by ‘Whispers in February’ and have received support from BBC, Tom Robinson, and Amazing Radio, among others. 

The debut LP ‘Byzantium’, which includes vocals from Rebecca Palin (Golden Fable) and Mandy Clare, some bass from John Bryan, drum programming from Mal Holmes (Orchestral Manoeuvres in the Dark)is now available on all online stores.

Fall Apart

Lights That Change

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