Bug temperament
Generator: 261 cents
Period: 1200 cents
Very close to 23 edo

Bug Boss

Easier to hear what's going on in this one I think. A Functional Auto-harmonisation of Pajara[10] 2|2 (2) (the 10-note Pajara major scale, or symmetric decatonic ssLssssLss) in 22edo (2232222322) using major tetrads of 4:5:6:7, 1-4-7-9 in the scale or 0-7-13-18 in 22edo.
The chord sequence in 10-note Roman numerals is
I-VI-VII-I-II-VI-I-II-VI-VII-I.
The sequence may be divided in half, where the second half is a repetition of the first half, transposed up the half-octave period of the scale.
The top part plays the scale ascending. The four functions in Pajara functional harmony are the tonic (T), chord I; the dominant (D), chord VII; the tonic transposed a (half-octave) period (T1/2), chord VI; and the dominant transposed a (half-octave) period (D1/2), chord II. Each major tetrad has a leading-tone minor, root lies a 5/4 (major fourth in 10-note scales) above the major, and only the dominant and dominant half-octave have relative minors, whose root lies a 6/5 (minor fourth) below the major. In just intonation the minor tetrad can be expressed as 1/1-6/5-3/2-12/7, or in 22edo also as 10:12:15:17 (where 10:12:15 is the minor triad in just intonation). The fourth note of the minor tetrad lies 1 step of 22edo below the fourth note of the major tetrad, a minor third rather than major third above the seventh (3/2). The minor tetrad has two notes in common with its leading-tone major, or relative major (though this will not always be in the scale).

Pajara[10] Functional Auto-harmonisation 2

Josephine Bode: vocals
Wen Chin Fu: cello
Rutger Muller: composition, synths/piano/electronics, graphics

Rutger Muller - Vectral Void (with Josephine Bode & Wen Chin Fu)

Mivos Quartet:
     Olivia De Prato, violin 1
     Lauren Cauley Kalal, violin 2
     Victor Lowrie Tafoya, viola
     Mariel Roberts, cello

Recorded and mixed by Jacob Sachs-Mishalanie

Performed on March 14, 2018 in Elebash Recital Hall, CUNY Graduate Center

String Quartet No. 2 models a process of actively listening to an imaginary sonic environment. Continuous fluctuations and transformations in sound features trace a landscape of aural engagement. Over time, the modeled listening constructs a sense of the environment’s variegated identity through an always-shifting consciousness of foreground and background.

String Quartet No. 2 [2017]

Drum-meastro Marco Baggiani improvised over bunch of my unfinished compositions. Subsequently, I re-arranged the jam session into new works.

Rutger Muller & Marcos Baggiani - Jazzcosm

🇰🇷 Rutger Muller - "Rituem" (HQ audio) Live at 니트 KNEET, Seoul, South Korea.

 ⚫ A new 25 min composition/improvisation with elements of dark ambient, new age, speedcore, noise, vaporwave, electro... I dunno ;)

Rutger Muller - Rituem (w.i.p.) [Live at 니트 Kneet, Seoul, South Korea]

Eftos Irrelevant

Carpe Nihil (super lofi)

download

You & Me

this is a track i made for an online novel  in progress wrtitten by Mitch Cullin and Peter L. Chang . 

Everything Beautyfull Is Far Away 

This particular track is written for chapters 18 and 19
http://issuu.com/lo-vi/docs/december_2012_volume_8

you can find more sounds concerning the authors here:

https://soundcloud.com/lo-vi

artwork by Peter L. Chang

Everything beautiful is far away

The Sight Below performs material from Glider and No Place For Us on Seattle's famed KEXP station.

GhostlyCast #18 The Sight Below live on KEXP

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phonon - polyriddim

Clarinet, sax, and keyboard player; singer, composer, and theorist.

Pajara[10] Functional Auto-harmonisation 2

Lillian Hearne

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