Transathon

First take on a song I started working. looking for feedback and I'll keep working on it.

Somebody Say They Love Me (First Draft)

Aarguni the closest inhabitable planet to the infamous naturally occurring spacial trans dimensional space gate that emanates from the central Solvarun nebula with pink sands and deep blue seas due to the cobalt rich geology and skies lit from the psychedelic glow of the wormholes magnetic fields as they react with the nebula's myriad of cosmic chemicals this creates a perfect fun filled holiday destination adventure playground and environment for all lifeforms from around the universe, let your imagination run wild with this brand new original oriental electro sci-fi stomping step tech trance styled gaming adventure journey as alien & predator check in for a chill! Is it possible for them not to fight and have you ever noticed quite alot of aliens never seem have any pants on!  haha Hope you enjoy! Peace! :D

Subwav Therapy Room
http://subwav.com/
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4Sale

Aarguni 👽

Proud to present my first collaboration 
with Rudolf Kilian Music and Nathalie B.
I added a few strings and guitars.
Loving Valentine (Open Collab)
Backing track: RKM  Angel Heart (Open Collab)
https://soundcloud.com/rudolf-kilian-music
Spoken Words: Nathalie B
https://soundcloud.com/nathalie-b-tracks
Production, Arrangement and Remix: Lillithe

Loving Valentine feat. Nathalie B - RKM & Lillithe

Update 2/15/20 - Another year down... another lesson in humility,  always next year!  

https://hofa-contest.com/song/3738/

Welcome to what looks to be my the last competition for 2019.   HOFA is hosting its annual Christmas mixing competition.   When I got the invite a few days ago I took a listen and was like.....ugggghhhh!!!  An "a cappella" which puts me in my weakest spot for a starting position.  

The human voice when on a piece of music, ends up being one of the most important/relatable parts of the piece.  A great vocal performance can prop up a band... but it very seldom works the other way around.  

It's been one of the more challenging things for me to mix properly.  Here is the 2019 HOFA competition and the only thing on it, VOICES!!.  Challenge accepted HOFA and here is where I ended up brothers and sisters.  

The competition closes out in January so still plenty of time to get into the competition if you want to have some fun....working the faders.  I mean common what else could be more fun?....(blushes)  Really people, such dirty minds!!  haha

https://hofa-contest.com/

Happy Holidays brothers and sisters

Special thanks to Bill from November Sound( https://soundcloud.com/november-love-680008043 ) for being an advisor on the project... Big thank you for this and all your support in 2019. 

On a slight comedic note to one of our own:  Sunnidayz always mentions not being a techie...  If you get here sister.... I fought my production rig for 3 hours this morning to print the final mix and master...  Had everything set last night... wanted to sleep on it before finalizing.  This morning bam..kerchunk..bzzzt....with every session crash... I was reminded of those things you mention, about it getting in the way!  Three hours of fighting for 20 minutes worth of work!!

Let There Be Snow

Competition - Let There Be Snow - HOFA 2019  Mixing competition

As so often the case, I conducted a jam session that took a couple of hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

In the last couple of jam sessions I tended to use other pre-recorded sounds and samples from mostly Youtube videos, which I always provided links for. In this particular jam session, I only used sounds and samples from my hardware. The beat comes from the Beatkangz Beat Thang, which also provided the looped string sounds that can be heard at the beginning. The synth pads come from the Arturia MicroBrute, fed through a couple of guitar pedals. The bass line, that is best heard between 3:41 and 4:15 comes from the MircroBrute's arpeggiator, which was fed and modulated through a couple of Eurorack modules, most prominently the LxD in conjunction with the Turing Machine.

As per usual, many defining sounds of this jam session were produced by my modest Eurorack, especially those ethnic sounds that came from the stock audio library of the Radio Music. Since my Eurorack almost always offers elements of surprise, I myself am often caught off guard by the sounds that come out of it. In this particular jam session, I could never have composed or created these intricate ethnic melodies. In that fashion, I am not a creator but merely a humble listener, like yourself.

MAB logo by Maxim Lichtenwald, check him out: @maxim-lichtenwald

Self-Hypnosis, Ethnic Style [Jam session sections: RAW2020 - 6]

Bronze and Stone

I Refuse

gene jumper. Sawmill Blues # 1.( Original)

Sawmill Blues

Sawmill Blues # 1. Gene Jumper ( Original)

Would you be in
If l'd to say
Drop back your grin
Come out and play ?

So very naïf
You may say
Indeed, but what if
In a ray

The sun is on his way back, Gee
So please
Good things only

We're getting younger
Every day
Where there's a will
There is a way

So very gentle
You may say
But in a cuddle
And in a ray

The sun found his way back, Gee
So please
Good things only

The sun found his way back, Gee
So please 
Good things only

Would you be in
If l'd to say
Drop back your spleen
And dissaray ?

So very naïf
You may say
Indeed, but what if
In a ray

The sun is on his way back, Gee
So please
Good things only

The sun found his way back, Gee
So please 
Good things only