Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Felix has been part of the UK's underground dance scene for the last 3 decades, learning his trade DJing at free parties and illegal raves and co-founding his first record label Ugly Music in the 90's.

He's produced records for well renowned record labels worldwide including DFA, Rush Hour, Eskimo, Golf Channel, Claremont 56, Futureboogie and his own labels Cynic and Ugly Music.

He has secured slots at well known clubs and festivals across the globe, and the last few years have seen him receive a lot more attention due to his high profile residencies for Block 9 (Glastonbury) and Croatia’s Love International as well as regular appearances at Houghton, Gottwood and Thailand’s Wonderfruit festival.

Management: annie@andartistmanagement.com
Bookings: caroline@klsbookings.com

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

aka D33 aka Danny From Miami - Break Dancing since 98' - DJing since 99' 

Management: 
mgmt@omnidisc.co

Booking: 
(N & S AMERICA) ryan@liaisonartists.com......... (EUROPE) marcus@lb-agency.net ..........

Florian Kruse (Last Night On Earth / Kompakt)

There aren’t many people that can say that they have devoted their entire life to electronic music, Florian is most certainly one of them. DJ, producer, lecturer, plus label owner? Yes, Kruse has ticked all the boxes. 

His passion for music began in his hometown in Northern Germany. An avid reader of Frontline magazine, and later the Raveline, his love for electronic music was born at 14, when he bought his first turntable. Early influences included legends such as Moodyman, Herbert and Steve Bug. At 16, Kruse invested in his first sampler, a mixer and a keyboard. With music in mind, he made the natural migration to Hamburg in 2002, where he studied Audio Engineering, and later taught at SAE. 
Long time in the game, he started his music career in 2007, with his first vinyl release on Stokholms, Heya Hifi. Since then, Kruse has only grown as both a producer and a DJ. With Stel Vassiloudis and Nils Nuernberg, he became project Wiretappeur, with releases on Bedrock and a remix for label head honcho John Digweed. Nils Nuernberg quickly became his partner in crime, and together became the production duo Kruse & Nuernberg, their hypnotic Deep House sound making appearances on Liebe*Detail, Exploited, and Rejected. In 2008 they started their own label, Save Room Recordings. 
A focus on his own productions, Kruse plunged into a solo career with a release on Anjunadeep, working together with his older brother Vincenzo and one of his long time idols Lisa Shaw. Followed by releases on Noir Music, Poker Flat Recordings, Stil Vor Talent, Joris Voorn’s GREEN imprint, Kompakt, Last Night On Earth and Suara and remixes by Noir, Eagles & Butterflies, Joris Voorn, Pleasurekraft, Coyu, David Morales and the list of releases and remixes goes on. After a couple of feature tracks with singer / songwriter Hendrik Burkhard Florian and Hendrik started a LIVE project presenting ‘TheGround’ with an album (Dediction) in October 2017 on Steve Bug’s Audimatique label.
With long time passion for house and techno that dates back to the early years, Kruse is first and foremost a DJ, taking his signature sound to world renowned clubs. Now settled in the German capital, Berlin, a true hub for electronic music, with regular DJ appearances at the city's infamous underground clubs.

For booking enquiries contact: info@florian-kruse.com

Magazin für elektronische Musik und Clubkultur

If there’s an artist to successfully traverse the treacherous divide between drum and bass, breakbeat and techno it’s Christopher Jarman’s prevailing alias, Kamikaze Space Programme. With roots indebted to the music he released on labels like Renegade Hardware under his Raiden alias, his abstract, field recorded, industrial and broken admission into the annals of electronica has seen his music backed, supported and released by the heaviest of renowned labels - namely Luke Slater's Mote Evolver, Mord to Osiris Music, Mord and Mote Evolver, WNCL, to the freshly minted Eomac’s Eotrax and further afield on Trust via Kamikaze Space Programme’s electro-minded wares. 

Having proved himself a razor-sharp edge of meticulous drum and bass production when rising up through the ranks of the genre’s definitive platforms, Kamikaze Space Programme’s hybrid sound, has joined the dots through a constellation of labels inhibiting a grey zone between UK club music and steely brutalist industrial textures. 

An accomplished session musician and avid field recording artist, Jarman’s music by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes the Kamikaze Space Programme aesthetic. Having worked with BBC Radiophonic Workshop and Rotterdam’s Re:Vive initiative too, there’s no denying Jarman of his credentials, with his repute as a formidable DJ and live act backed by his place in heavy weight line ups across the globe, be they at Berghain, Kompass Klub or Dommune to performing at festivals like Atonal, Krake and Kiev’s Next Sound.

Other collaborative projects, furthermore, have found their way through Simon Shreeve (aka Mønic, of Downwards and Kryptic Minds fame) to his Osiris Musik collaboration with Adam Winchester (Appleblips) under the moniker, Dot Product. He’s also proved a deft hand in the remix by taking on productions by Planetary Assault Systems, Emika and The Exaltics to NY’s The Horrorist.

Encompassing the most brutal of industrial sound design alongside intrinsic field recordings and the sleeker, low tempos and frenetic energy of jungle, breakbeats and drum and bass, Jarman’s ability to maneuver between genre and style sees the music of Kamikaze Space Programme defy classification while spiralling from one nether-spectrum of sound to the next.

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